Stanislaus Stange

Stanislaus Stange (1862–1917) was a playwright, librettist and lyricist who created many Broadway shows in the '' fin-de-siecle'' era and early 20th century. After minor success as an actor, Stange made his career as a writer in the musical theatre, moving towards more varied theatrical work before his death.

Early career

He was born in Liverpool, England. He emigrated to America in 1881 and attempted to establish himself as an actor and elocution teacher, teaching the Delsarte technique of acting. One of his pupils was Alice Nielsen, for whom he later wrote shows. He worked with a drama club in Kansas City, where he acted in and directed '' The Bells'' and ''Richard III''. He later toured with George C. Milne, Stuart Robson and William H. Crane.

Musical theatre

He finally moved to New York, where he had more success as a writer.Gerald Bordman, "Stange, Stanislaus", The Oxford companion to American theatre, Oxford University Press, 1984. He teamed up with composer Julian Edwards to create a string of musicals, beginning with ''Madeline, or the Magic Kiss'' (1895), a romantic fantasy in which an old man magically gets younger every time he is kissed. When he becomes a handsome young man again he meets the woman of his dreams, but is worried that her kiss will regress him to childhood. However, her "kiss of love" breaks the spell. The show was a big success.

With Edwards, Stange later created ''Brian Boru'' (1896), ''The Wedding Day'' (1897), ''The Jolly Musketeer'' (1898), and ''When Johnny Comes Marching Home'' (1902), which produced a popular patriotic song, "My Own United States".

Stange also worked with other composers, including Victor Herbert, for whom he wrote the book of the musical ''The Singing Girl'', the plot of which borrows from Gilbert and Sullivan's ''The Mikado''. This was a vehicle for Stange's old pupil Alice Nielsen.
In 1904 he wrote ''The Two Roses'', for music by Ludwig Engländer. Louise Le Baron starred in the main role. The libretto was adapted from Oliver Goldsmith's ''She Stoops to Conquer''.

Later work

Stange's biggest success was his play ''Quo Vadis?'' which was adapted from the novel of the same name by Henryk Sienkiewicz. This work premiered in Chicago at McVicker's Theater's in 1899, and was staged on Broadway and the West End in 1900. He also translated and adapted Oscar Straus's operetta, ''The Chocolate Soldier'' (1909), which he also directed. This achieved the longest run of all his works.

In 1910 Stange's play ''The Girl with the Whooping Cough'' caused controversy because of its allegedly salacious content. After intervention from the mayor of New York all performances on Broadway were stopped. Drama critic George Jean Nathan called the play "nauseating and ... disgusting in its futile efforts to be risqué".

In 1912 Stange suffered a stroke when working on a production of ''The Chocolate Soldier''. His health and productivity declined from that point. He died at the age of 54 on January 2, 1917.Stanislaus Stange is Dead, ''The Spokesman Review'', 3 January 1917, p.2. His son, Hugh Stanislaus Stange was also a successful playwright and screenwriter.

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{{DEFAULTSORT:Stange, Stanislaus
1862 births
1917 deaths
American musical theatre lyricists
American musical theatre librettists
Writers from Liverpool
British emigrants to the United States