Standard Italian

Italian (''italiano'' or ) is a Romance language of the Indo-European language family that evolved from the Vulgar Latin of the Roman Empire. Together with Sardinian, Italian is the least divergent language from Latin. Spoken by about 85 million people (2022), Italian is an official language in Italy, Switzerland (Ticino and the Grisons), San Marino, and Vatican City. It has an official minority status in western Istria (Croatia and Slovenia).

Italian is also spoken by large immigrant and expatriate communities in the Americas and Australia.Ethnologue report for language code:ita (Italy)
– Gordon, Raymond G., Jr. (ed.), 2005. Ethnologue: Languages of the World, Fifteenth edition. Dallas, Tex.: SIL International. Online version Italian is included under the languages covered by the European Charter for Regional or Minority Languages in Bosnia and Herzegovina and in Romania, although Italian is neither a co-official nor a protected language in these countries. Many speakers of Italian are native bilinguals of both Italian (either in its standard form or regional varieties) and another regional language of Italy.

Italian is a major language in Europe, being one of the official languages of the Organization for Security and Co-operation in Europe and one of the working languages of the Council of Europe. It is the second-most-widely spoken native language in the European Union with 67 million speakers (15% of the EU population) and it is spoken as a second language by 13.4 million EU citizens (3%).Europeans and their Languages

Data for EU27
published in 2012. Including Italian speakers in non-EU European countries (such as Switzerland, Albania and the United Kingdom) and on other continents, the total number of speakers is approximately 85 million. Italian is the main working language of the Holy See, serving as the lingua franca (common language) in the Roman Catholic hierarchy as well as the official language of the Sovereign Military Order of Malta. Italian has a significant use in musical terminology and opera with numerous Italian words referring to music that have become international terms taken into various languages worldwide. Italian was adopted by the state after the Unification of Italy, having previously been a literary language based on Tuscan as spoken mostly by the upper class of Florentine society. Almost all native Italian words end with vowels and has a 7-vowel sound system ('e' and 'o' have mid-low and mid-high sounds). Italian has contrast between short and long consonants and gemination (doubling) of consonants.

History

Origins

During the Middle Ages, the established written language in Europe was Latin, though the great majority of people were illiterate, and only a handful were well versed in the language. In the Italian Peninsula, as in most of Europe, most would instead speak a local vernacular. These dialects, as they are commonly referred to, evolved from Vulgar Latin over the course of centuries, unaffected by formal standards and teachings. They are not in any sense "dialects" of standard Italian, which itself started off as one of these local tongues, but sister languages of Italian. Mutual intelligibility with Italian varies widely, as it does with Romance languages in general. The Romance languages of Italy can differ greatly from Italian at all levels (phonology, morphology, syntax, lexicon, pragmatics) and are classified typologically as distinct languages.

The standard Italian language has a poetic and literary origin in the writings of Tuscan and Sicilian writers of the 12th century, and, even though the grammar and core lexicon are basically unchanged from those used in Florence in the 13th century, the modern standard of the language was largely shaped by relatively recent events. However, Romance vernacular as language spoken in the Italian Peninsula has a longer history. In fact, the earliest surviving texts that can definitely be called vernacular (as distinct from its predecessor Vulgar Latin) are legal formulae known as the Placiti Cassinesi from the Province of Benevento that date from 960 to 963, although the Veronese Riddle, probably from the 8th or early 9th century, contains a late form of Vulgar Latin that can be seen as a very early sample of a vernacular dialect of Italy. The Commodilla catacomb inscription is also a similar case.

The Italian language has progressed through a long and slow process, which started after the Western Roman Empire's fall in the 5th century.

The language that came to be thought of as Italian developed in central Tuscany and was first formalized in the early 14th century through the works of Tuscan writer Dante Alighieri, written in his native Florentine. Dante's epic poems, known collectively as the ', to which another Tuscan poet Giovanni Boccaccio later affixed the title ', were read throughout the peninsula and his written dialect became the "canonical standard" that all educated Italians could understand. Dante is still credited with standardizing the Italian language. In addition to the widespread exposure gained through literature, the Florentine dialect also gained prestige due to the political and cultural significance of Florence at the time and the fact that it was linguistically an intermediate between the northern and the southern Italian dialects. Thus the dialect of Florence became the basis for what would become the official language of Italy.

Italian was progressively made an official language of most of the Italian states predating unification, slowly replacing Latin, even when ruled by foreign powers (like Spain in the Kingdom of Naples, or Austria in the Kingdom of Lombardy–Venetia), even though the masses kept speaking primarily their local vernaculars. Italian was also one of the many recognised languages in the Austro-Hungarian Empire.

Italy has always had a distinctive dialect for each city because the cities, until recently, were thought of as city-states. Those dialects now have considerable variety. As Tuscan-derived Italian came to be used throughout Italy, features of local speech were naturally adopted, producing various versions of Regional Italian. The most characteristic differences, for instance, between Roman Italian and Milanese Italian are syntactic gemination of initial consonants in some contexts and the pronunciation of stressed "e", and of "s" between vowels in many words: e.g. ' "all right" is pronounced by a Roman (and by any standard Italian speaker), by a Milanese (and by any speaker whose native dialect lies to the north of the La Spezia–Rimini Line); ' "at home" is for Roman, or for standard, for Milanese and generally northern.

In contrast to the Gallo-Italic linguistic panorama of Northern Italy, the Italo-Dalmatian, Neapolitan and its related dialects were largely unaffected by the Franco-Occitan influences introduced to Italy mainly by bards from France during the Middle Ages, but after the Norman conquest of southern Italy, Sicily became the first Italian land to adopt Occitan lyric moods (and words) in poetry. Even in the case of Northern Italian languages, however, scholars are careful not to overstate the effects of outsiders on the natural indigenous developments of the languages.

The economic might and relatively advanced development of Tuscany at the time (Late Middle Ages) gave its language weight, though Venetian remained widespread in medieval Italian commercial life, and Ligurian (or Genoese) remained in use in maritime trade alongside the Mediterranean. The increasing political and cultural relevance of Florence during the periods of the rise of the Medici Bank, humanism, and the Renaissance made its dialect, or rather a refined version of it, a standard in the arts.

Renaissance

The Renaissance era, known as in Italian, was seen as a time of rebirth, which is the literal meaning of both (from French) and (Italian).

During this time, long-existing beliefs stemming from the teachings of the Roman Catholic Church began to be understood from new perspectives as humanists—individuals who placed emphasis on the human body and its full potential—began to shift focus from the church to human beings themselves. The continual advancements in technology play a crucial role in the diffusion of languages. After the invention of the printing press in the fifteenth century, the number of printing presses in Italy grew rapidly and by the year 1500 reached a total of 56, the biggest number of printing presses in all of Europe. This enabled the production of more pieces of literature at a lower cost and as the dominant language, Italian, spread.

Italian became the language used in the courts of every state in the Italian Peninsula, as well as the prestige variety used on the island of Corsica (but not in the neighboring Sardinia, which on the contrary underwent Italianization well into the late 18th century, under Savoyard sway: the island's linguistic composition, roofed by the prestige of Spanish among the Sardinians, would therein make for a rather slow process of assimilation to the Italian cultural sphere). The rediscovery of Dante's , as well as a renewed interest in linguistics in the 16th century, sparked a debate that raged throughout Italy concerning the criteria that should govern the establishment of a modern Italian literary and spoken language. This discussion, known as (i. e., the ''problem of the language''), ran through the Italian culture until the end of the 19th century, often linked to the political debate on achieving a united Italian state. Renaissance scholars divided into three main factions:
* The purists, headed by Venetian Pietro Bembo (who, in his , claimed the language might be based only on the great literary classics, such as Petrarch and some part of Boccaccio). The purists thought the ''Divine Comedy'' was not dignified enough because it used elements from non-lyric registers of the language.
* Niccolò Machiavelli and other Florentines preferred the version spoken by ordinary people in their own times.
* The courtiers, like