Sprung rhythm is a poetic rhythm designed to imitate the rhythm of natural speech. It is constructed from feet in which the first

syllable A syllable is a basic unit of organization within a sequence of speech sounds, such as within a word, typically defined by linguists as a ''nucleus'' (most often a vowel) with optional sounds before or after that nucleus (''margins'', which are ...

is stressed and may be followed by a variable number of unstressed syllables. The British poet

Gerard Manley Hopkins Gerard Manley Hopkins (28 July 1844 – 8 June 1889) was an English poet and Society of Jesus, Jesuit priest, whose posthumous fame places him among the leading English poets. His Prosody (linguistics), prosody – notably his concept of sprung ...

said he discovered this previously unnamed poetic rhythm in the natural patterns of English in folk songs, spoken

poetry Poetry (from the Greek language, Greek word ''poiesis'', "making") is a form of literature, literary art that uses aesthetics, aesthetic and often rhythmic qualities of language to evoke meaning (linguistics), meanings in addition to, or in ...

Shakespeare William Shakespeare ( 23 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's natio ...

, Milton, et al. He used

diacritic A diacritic (also diacritical mark, diacritical point, diacritical sign, or accent) is a glyph added to a letter or to a basic glyph. The term derives from the Ancient Greek (, "distinguishing"), from (, "to distinguish"). The word ''diacrit ...

al marks on syllables to indicate which should be stressed in cases "where the reader might be in doubt which syllable should have the stress" (acute, e.g. shéer) and which syllables should be pronounced but not stressed (grave, e.g., gleanèd). Some critics believe he merely coined a name for poems with mixed, irregular feet, like free verse. However, while sprung rhythm allows for an indeterminate number of syllables to a foot, Hopkins was very careful to keep the number of feet per line consistent across each individual work, a trait that free verse does not share. Sprung rhythm may be classed as a form of accentual verse, as it is stress-timed, rather than syllable-timed,''In the Classic Mode: The Achievement of Robert Bridges'', by Donald Elwin Stanford, 1978, pp. 81–92; se
p. 81
for "Sprung rhythm ... is a special kind of accentual verse" and while sprung rhythm did not become a popular literary form, Hopkins's advocacy did assist in a revival of accentual verse more generally.
, Dana Gioia

Notes

References

* {{DEFAULTSORT:Sprung Rhythm Poetic rhythm Victorian poetry

See also

Notes

References