comedy film
A comedy film is a category of film which emphasizes humor. These films are designed to make the audience laugh through amusement. Films in this style traditionally have a happy ending ( black comedy being an exception). Comedy is one of the o ...
Edward Sedgwick
Edward Sedgwick (November 7, 1889 – March 7, 1953) was an American film director, writer, actor and producer.
Early life
He was born in Galveston, Texas, the son of Edward Sedgwick, Sr. and Josephine Walker, both stage actors. At the age ...
and starring Keaton and Dorothy Sebastian. It is the second film Keaton made for MGM and his last silent film, although he had wanted it to be a "talkie" or full
sound film
A sound film is a motion picture with synchronized sound, or sound technologically coupled to image, as opposed to a silent film. The first known public exhibition of projected sound films took place in Paris in 1900, but decades passed befo ...
. While the production has no recorded dialogue, it does feature an accompanying synchronized
score
Score or scorer may refer to:
*Test score, the result of an exam or test
Business
* Score Digital, now part of Bauer Radio
* Score Entertainment, a former American trading card design and manufacturing company
* Score Media, a former Canadian m ...
and recorded laughter, applause and other sound effects in some scenes. Keaton later wrote gags for some up-and-coming MGM stars like Red Skelton, and from this film recycled many gags, some shot-for-shot, for Skelton's 1943 film ''
I Dood It
''I Dood It'' (UK title ''By Hook or by Crook'') is a 1943 American musical-comedy film starring Red Skelton and Eleanor Powell, directed by Vincente Minnelli, and released by Metro-Goldwyn-Mayer. The screenplay is by Fred Saidy and Sig Herzig an ...
''.
Plot
Elmer, a humble worker in a dry cleaning establishment, idolizes stage actress Trilby Drew (Dorothy Sebastian). She, in turn, is carrying a torch for fellow actor Lionel Benmore (Edward Earle). When Lionel spurns her for the younger Ethyl Norcrosse (Leila Hyams), she impulsively asks Elmer to marry her. Her handlers extricate her from the marriage, and when Elmer finds himself first in the hands of criminals and then at sea, he is happy for the opportunity to forget her. But a series of coincidences throw Elmer and Trilby together again, and she has cause to reevaluate him.
Cast
* Buster Keaton as Elmer (Gantry)
* Dorothy Sebastian as Trilby Drew
* Edward Earle as Lionel Benmore
* Leila Hyams as Ethyl Norcrosse
* William Bechtel as Nussbaum
* John Byron as Scarzi
* Joe Bordeaux as Rumrunner (uncredited)
* Ray Cooke as The Bellboy (uncredited)
* Mike Donlin as Man in Ship's Engine Room (uncredited)
* Pat Harmon as Tugboat Captain (uncredited)
* Sydney Jarvis as Man in Audience Next to Elmer (uncredited)
*
Theodore Lorch
Theodore "Ted" Lorch (September 29, 1873 – November 12, 1947) was an American film actor. He appeared in more than 140 films between 1908 and 1947.
Biography
Born in Springfield, Illinois, in 1873, Lorch appeared in several Three Stoog ...
as Actor as 'Union Officer' (uncredited)
* Hank Mann as Stage Manager (uncredited)
* Charles Sullivan as Tough Sailor (uncredited)
Production
In its September 12, 1928 issue, the widely read entertainment paper '' Variety'' announced, "Buster Keaton's next, 'Spite Marriage', will also have dialog", while ''Exhibitors Daily Review'' also reported the same day that "Buster Keaton will do his initial speaking in 'Spite Marriage'". Despite those announcements by popular, well-connected trade publications, the film was destined from pre-production to be a silent offering from MGM, at least one without any recorded dialogue. The studio's head of production, Irving Thalberg, opposed Keaton's plans to make the film his first "talkie".Tatara, Paul "Articles: Spite Marriage (1928)"
Turner Classic Movies
Turner Classic Movies (TCM) is an American movie-oriented pay-TV network owned by Warner Bros. Discovery. Launched in 1994, Turner Classic Movies is headquartered at Turner's Techwood broadcasting campus in the Midtown business district of ...
(TCM), Atlanta, Georgia. Retrieved September 18, 2022. Thalberg had both financial and technical reasons for rejecting any proposals by Keaton or others to apply full-sound to the planned comedy. For one, in the fall of 1928, during that transition period into sound, MGM had at its disposal only one set of recording equipment. Secondly, but more importantly, MGM's executive believed that adding the complications and expense of such a new technology to Keaton's film would significantly increase overall production costs, especially for a performer like Buster whose creativity thrived on "time-consuming improvisations" and a high degree of flexibility while shooting. Thalberg therefore insisted on technical simplicity and close script and set supervision of Keaton's second project for the studio to reduce delays and to increase potential profits for the final product.
According to the American Film Institute's catalog, production work on the film started on November 14, 1928, a date generally consistent with a November 27 report in ''Exhibitors Herald and Motion Picture World'', which announces that Keaton began work on the film "last week".
News updates about the film in 1928 trade publications indicate that casting was still being finalized in the latter half of November. ''Exhibitors Daily Review'' announced on November 16, "Dorothy Sebastian has been given the feminine lead opposite Buster Keaton"; and on November 23, "Edward rle is playing the heavy in Buster Keaton's picture, 'Spite Marriage.'" A week later, ''The Distributor'', a paper published by MGM's sales department, confirmed that the studio had assigned Leila Hyams a "big part" in "the forthcoming Buster Keaton vehicle" in part due to her "distinct success" as a lead in the studio's recent crime drama '' Alias Jimmy Valentine'', which had been released just two weeks earlier. The studio publication in the same news item also confirmed that Sydney Jarvis and Hank Mann had joined the cast, although their roles would be uncredited on the screen.
Reception
''Spite Marriage'' in 1929 was generally very well received by critics in leading newspapers, by reviewers in the film industry's major trade journals and papers, as well as by moviegoers. The influential critic for ''The New York Times'',
Mordaunt Hall
Mordaunt Hall (1 November 1878 – 2 July 1973) was the first regularly assigned motion picture critic for ''The New York Times'', working from October 1924 to September 1934.Capitol Theatre in
Manhattan
Manhattan (), known regionally as the City, is the most densely populated and geographically smallest of the five Boroughs of New York City, boroughs of New York City. The borough is also coextensive with New York County, one of the List of co ...
, where Hall attended the comedy's premiere on March 25, adding "there were waves of laughter from top to bottom of the house."Hall, Mordaunt (1929). "THE SCREEN", ''The New York Times'', March 25, 1929, p. 32. ProQuest Historical Newspapers. Retrieved September 22, 2019.Abel Green, the editor and reviewer for ''Variety'', characterizes Keaton's production as "replete with belly laffs" and also describes the Capitol's audience being in "hysterics" and "mirthful" while watching it.Green, Abel (1929) "Spite Marriage" ''Variety'', March 27, 1929, pp. 12, 24. Internet Archive. Retrieved September 22, 2019. While Green does express some reservations about what he viewed as several of the film's implausible situations and its "mechanized" structure, he predicts nothing but financial success for the "enjoyable low comedy glorified slapsticker."
The trade paper '' The Film Daily'' rated the MGM feature as "the funniest film released in months"."'Spite Marriage'" ''The Film Daily'' (New York, N.Y.), March 31, 1929, p. 28. Internet Archive. Retrieved September 22, 2019. In its March 31 review, the paper praises the film and draws special attention to Sebastian's performance: After seeing a preview of ''Spite Marriage'' weeks before its premiere in New York, reviewer Walter R. Greene of the trade journal '' Motion Picture News'', praised the feature even more than ''The Film Daily'', judging Keaton's work to be not only his best film "since he graduated from the two reel ranks" but also "one of the best pieces of comedy business ever developed in a picture".Greene, Walter R. (1929) "Spite Marriage/Keaton's Best in Several Years" ''Motion Picture News'', February 2, 1929, p. 368. Internet Archive. Retrieved September 23, 2019. Comparing ''Spite Marriage'' to Charlie Chaplin's '' The Gold Rush'' (1925), Greene in his review states, "The picture is packed with laughs" and reports that the sequence in which Keaton puts his intoxicated wife to bed evoked from the audience "a continual roar for over half a reel." '' Photoplay'', the nation's leading movie-fan magazine of the period, only added to the accolades and endorsements that the film received in 1929. In its April issue, the magazine labels the film "hilarious", "intense", and "Chaplinesque". Then, in May, ''Photoplay'' provides another, more succinct review to its large readership: "One of the best Buster Keaton has made, with Dorothy Sebastian excellent. Don't miss.""Brief Reviews of Current Pictures: Spite Marriage" ''Photoplay'', May 1929, p. 146. Retrieved September 27, 2019.