In the 19th century, Spieloper ('opera play') was understood to mean a light

opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libre ...

genre, developed from Singspiel. Works typical of the genre include those by

Albert Lortzing Gustav Albert Lortzing (23 October 1801 – 21 January 1851) was a German composer, librettist, actor and singer. He is considered to be the main representative of the German '' Spieloper'', a form similar to the French ''opéra comique'', whic ...

, such as ''

Zar und Zimmermann ''Zar und Zimmermann'' (''Tsar and Carpenter'') is a comic opera in three acts, music by Albert Lortzing, libretto by the composer after Georg Christian Römer's ''Der Bürgermeister von Saardam, oder Die zwei Peter'', itself based on the French p ...

'', and

Otto Nicolai Carl Otto Ehrenfried Nicolai (9 June 1810 – 11 May 1849) was a German composer, conductor, and one of the founders of the Vienna Philharmonic. Nicolai is best known for his operatic version of Shakespeare's comedy ''The Merry Wives of Wi ...

's ''

The Merry Wives of Windsor ''The Merry Wives of Windsor'' or ''Sir John Falstaff and the Merry Wives of Windsor'' is a comedy by William Shakespeare first published in 1602, though believed to have been written in or before 1597. The Windsor of the play's title is a ref ...

''. A key difference between Spieloper and Singspiel on the one hand, and

opera buffa ''Opera buffa'' (; "comic opera", plural: ''opere buffe'') is a genre of opera. It was first used as an informal description of Italian comic operas variously classified by their authors as ''commedia in musica'', ''commedia per musica'', ''dramm ...

on the other, is that the two former genres contain spoken

dialogue Dialogue (sometimes spelled dialog in American English) is a written or spoken conversational exchange between two or more people, and a literary and theatrical form that depicts such an exchange. As a philosophical or didactic device, it is ...

s instead of

recitative Recitative (, also known by its Italian name "''recitativo''" ()) is a style of delivery (much used in operas, oratorios, and cantatas) in which a singer is allowed to adopt the rhythms and delivery of ordinary speech. Recitative does not repea ...

s, which is why

Conradin Kreutzer Conradin Kreutzer or Kreuzer (22 November 1780 – 14 December 1849) was a German composer and conductor. His works include the operas ''Das Nachtlager in Granada'' and incidental music to ''Der Verschwender'', both produced in 1834 in Vienna. ...

's ''

Das Nachtlager in Granada ''Das Nachtlager in Granada'' (''The Night Camp in Granada'') is a romantic opera in two acts by Conradin Kreutzer. The libretto is by based on Johann Friedrich Kind's 1818 drama of the same name. Performance history The premiere of a first vers ...

'' and

Friedrich von Flotow Friedrich Adolf Ferdinand, Freiherr von Flotow /flo:to/ (27 April 1812 – 24 January 1883) was a German composer. He is chiefly remembered for his opera '' Martha'', which was popular in the 19th century and the early part of the 20th. Life ...

's ''

Martha Martha ( Hebrew: מָרְתָא‎) is a biblical figure described in the Gospels of Luke and John. Together with her siblings Lazarus and Mary of Bethany, she is described as living in the village of Bethany near Jerusalem. She was witness ...

'' do not belong to this genre. Technically, a Spieloper is an opera with a comic plot and light, pleasant music, differentiating it from more serious opera. Similarly, there are special role types such as Spieltenor or Spielbass for singers with lighter voices and the ability to act in comedies. The Spieloper was also inspired by the French

opéra comique ''Opéra comique'' (; plural: ''opéras comiques'') is a genre of French opera that contains spoken dialogue and arias. It emerged from the popular '' opéras comiques en vaudevilles'' of the Fair Theatres of St Germain and St Laurent (and to a l ...

of the late 18th century, a narrowly defined form of opera. The boundaries between Spieloper and a form of German drama "

Posse mit Gesang ''Posse mit Gesang'' ("farce with singing", plural: Possen) is a form of popular German-language music drama, that developed in the late 18th and early 19th centuries. Early examples are sometimes called 'Possenspil' or 'Possenspiel'. It is also som ...

" (melodramatic comedy with musical interludes) and operetta are not well distinguished.

Sources

*Warrack, John and West, Ewan (1992), ''The Oxford Dictionary of Opera'', 782 pages, *Some of the material in this article is from the German Wikipedia article Opera genres {{opera-stub