Spiceworld Tour

The Spiceworld Tour (also known as Spice Girls in Concert and the Girl Power Tour '98) was the debut concert tour by English girl group the Spice Girls. It was launched in support of their first two studio albums, ''Spice'' (1996) and '' Spiceworld'' (1997). The sell-out European/North American tour ran from February to August 1998, after which it returned to the UK in September 1998 for a series of stadium shows. The final concert at London's Wembley Stadium was filmed and broadcast live on pay-per-view, for later VHS release in 1998 and eventual DVD release in 2008.

The tour saw the group perform to an estimated 2.1 million fans over 97 total shows, covering the UK, continental Europe and North America. The 41-date sold-out North American leg of the tour played to over 720,000 fans and grossed $60 million. The first UK portion of the tour saw the group play 20 arena shows to over 350,000 fans; the second UK portion of the tour saw the group play two Don Valley Stadium shows to 76,000 fans, and two Wembley Stadium shows to 150,000 fans. The 1998 Spiceworld Tour remains the highest-grossing tour ever by a female group.

Background

The Spiceworld Tour was the first global tour staged by the group, and proved to be an almost instant sell-out. Tickets for the first two shows in Ireland sold out within 2 hours, and various shows on the North American leg such as Los Angeles, Toronto and Philadelphia sold out within mere minutes of sale. In New York City, the group set the record for the quickest ever sell-out, selling 13,000 tickets for Madison Square Garden in less than 12 minutes. Such was the interest, it led to State Attorney General Dennis Vacco (together with the co-operation of the group) to investigate whether illegal scalping to ticket brokers had taken place – a claim that was later dropped by the Attorney General's office.

The tour kicked off in Dublin, Ireland on 24 February 1998 before moving on to mainland Europe. Days before the end of the European portion of the tour, Geri Halliwell did not appear for shows in Oslo, Norway. Halliwell's final performances occurred in Helsinki, Finland at the Hartwall Arena. Promotional appearances with the new 4-piece promoting the release of 'Viva Forever' on the National Lottery also claimed that Halliwell was ill. On 31 May 1998, Halliwell announced her departure from the Spice Girls. Through her solicitor she stated: "Sadly I would like to confirm that I have left the Spice Girls. This is because of differences between us. I'm sure the group will continue to be successful and I wish them all the best." The Spice Girls quickly released a statement which stated that the North American leg of the tour would continue as planned with the remaining group members.

The Spice Girls finally wrapped up the tour by performing to 150,000 fans over two gigs at Wembley Stadium in September 1998.

Concert synopsis

Against a futuristic space-age themed backdrop, the show began with a CGI video introduction of a spaceship flying through the galaxy. The introduction included William Shatner as the narrator in a parody of his famous ''Star Trek'' title sequence speech,Garcia, Gilbert
"Close Encounters: Spiceworld review"
Phoenix New Times. 27 August 1998. Retrieved on 19 February 2017. and included samples from " Wannabe", "Say You'll Be There", " 2 Become 1" and " Mama". The spaceship was shown to land on earth and as its doors appeared to open so did the door at the back of the stage to reveal the Spice Girls. The group members were dressed in futuristic costumes, the first of 11 costume changes. They entered the stage performing "If U Can't Dance", followed by "Who Do You Think You Are", which included an introduction sample from Club 69's "Diva" and RuPaul's " Supermodel (You Better Work)". Accompanied by the tour dancers, referred to as the "Spice Boys", the group then performed "Do It" as their third song during the European leg of the tour; for the North American leg the third song was changed to " Step To Me".

After a brief costume change, the group returns to the stage to perform "Denying". In this performance, Geri Halliwell played the role of a waitress, Mel B the role of a gambler, Victoria Adams the role of a dancer, Emma Bunton the role of a gangster's girlfriend and Melanie C the role of a club owner. The group then sang " Too Much" sat down on chairs. After another costume change, the group performed " Stop". Kenny Ho, their stylist and costume designer, dressed the group in '60s themed clothing to fit the Motown-influenced song. Halliwell's costume was inspired by Madonna's "Holiday section from her '' Blond Ambition World Tour''. After "Stop", Bunton sang a solo rendition of " Where Did Our Love Go?" by The Supremes. Bunton had stated that "I've always been a fan of Diana Ross, that song is perfect for me, it's just the right pitch. I wouldn't want to do a song I found hard to sing." The group then performed " Move Over", portraying supermodels on a runway, dressed in outrageous, outlandish clothes. The dancers, dressed in black, play the role of photographers. Originally, they were going to have Adams wear a chainmail Versace dress with linked gold squares. However, the dress was too heavy and too impractical for maintenance. After the performance of "Move Over", there was a thirty-minute intermission.

The second segment begins with "The Lady Is a Vamp". For this performance, the group wore tailcoats while the dancers wore bowler hats. Then they perform Say You'll Be There, dancing with canes. The group performed "Naked" next, singing from behind chairs to give the illusion that they were naked. The group then sang "2 become 1" wearing velvet catsuits. Ho wanted something luxurious, but not too over the top and felt that velvet was perfect, and it matched the song's feel as well, which was quiet and atmospheric. After "2 Become 1", they performed "Walk of Life". Mel B & Melanie C then covered " Sisters Are Doin' It for Themselves", which was originally sung by Annie Lennox and Aretha Franklin. The group then returned to the stage and sang "Wannabe", " Spice Up Your Life" and "Mama". For their performance of "Mama", they set on steps above the stage, with three huge video screens projecting childhood photos of each member. In their next performance of " Viva Forever", all five group members were dressed in white clothing, as their costume designer Ho wanted their outfits to reflect a sense of purity and spirituality to fit the song. They were originally going to put dry ice on the stage, but the idea was dropped because it would have made the stage slippery, dangerous and very hard to dance on. During later performances of "Viva Forever", Chisholm would ad-lib the line "Spice Girls forever", in place of the lines "Viva Forever", towards the end of the song. The show ended with a '70s theme, with each group member dressed in a colour scheme arranged by their costume designer Ho to fit their style and character. Brown had a lot of patches of animal prints and greens; Halliwell's tones were different reds and purples; Bunton's were almost entirely bright red, pale blues and pink; Chisholm had very bright colours and Adams had patchwork on her corset. During the encore of the show, they sang "Never Give Up On The Good Times" and a cover of the Sister Sledge song " We Are Family". The Spice Girls exited the stage via the same doors from which they entered on top of the staircase.

Reception

Box office

Total attendance for the Spiceworld Tour was estimated to be 2.1 million over the 97 shows in the UK, mainland Europe and North America. The 41-date North American leg of the tour grossed $60 million and saw the group perform to over 720,000 fans. The first UK portion of the tour saw the group play 20 arena shows to over 350,000 fans; the second UK portion of the tour saw the group play two Don Valley Stadium shows to 76,000 fans, and two Wembley Stadium shows to 150,000 fans.

Critical reception

The tour received mixed to positive reviews. Natalie Nichols of the ''Los Angeles Times'' wrote that " eir energy and dedication were sincere, even though the music was all unconvincing dance grooves and slick soul-pop, lightly seasoned with funk, hip-hop and rock by a bland six-piece band." On the other hand, ''The New York Times'' Jon Pareles

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