"Speak the speech" is a famous speech from

Shakespeare William Shakespeare ( 23 April 1564 – 23 April 1616) was an English playwright, poet and actor. He is widely regarded as the greatest writer in the English language and the world's pre-eminent dramatist. He is often called England's natio ...

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Hamlet ''The Tragedy of Hamlet, Prince of Denmark'', often shortened to ''Hamlet'' (), is a Shakespearean tragedy, tragedy written by William Shakespeare sometime between 1599 and 1601. It is Shakespeare's longest play. Set in Denmark, the play (the ...

'' (1601). In it,

offers directions and advice to a group of actors whom he has enlisted to play for the court of Denmark. The speech itself has played two important roles independent of the play. It has been analyzed as a historical document for clues about the nature of

early modern The early modern period is a Periodization, historical period that is defined either as part of or as immediately preceding the modern period, with divisions based primarily on the history of Europe and the broader concept of modernity. There i ...

acting practices and it has also been used as a contemporary guide to the performance of Shakespearean drama. While there is some justification for each of these approaches, they should be distinguished from other, far less valid assertions: on the one hand, that Hamlet expresses the opinions of Shakespeare on the art of acting in a straightforward and unproblematic way; on the other, that the speech offers a proto- Stanislavskian view of the art of acting. The first elides the difference between author and character, while the second ignores the historical specificity of the discourses and meanings attached to theatrical performance." l theatre is '

mimetic Mimesis (; , ''mīmēsis'') is a term used in literary criticism and philosophy that carries a wide range of meanings, including ''imitatio'', imitation, Similarity (philosophy), similarity, receptivity, representation (arts), representation, m ...

' to some degree--but what Shakespeare understood by the requirement (voiced through Hamlet) that the stage "Hold a mirror up to Nature" is very different from the aims of 19th-century naturalistic playwrights" (Innes 2000, 5). Joseph Roach offers a detailed critique of this ahistorical approach to acting theory in ''The Player's Passion'' (1985), especially, with reference to the early modern period, the first chapter.

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Works cited

* Edwards, Philip, ed. 1985. ''Hamlet, Prince of Denmark'' by William Shakespeare. The New Cambridge Shakespeare Ser. Cambridge: Cambridge University Press. . * Hall, Peter. 2004. ''Shakespeare's Advice to the Players''. London: Oberon. . * Innes, Christopher D. 2000. ''A sourcebook on naturalist theatre''. London: Routledge. . * Merlin, Bella. 2007. ''The Complete Stanislavsky Toolkit''. London: Nick Hern. . * Rodenberg, Patsy. 2002. ''Speaking Shakespeare''. London: Methuen. . * Roach, Joseph R. 1985. ''The Player's Passion: Studies in the Science of Acting''. Theater:Theory/Text/Performance Ser. Ann Arbor: University of Michigan Press. .

* Berry, Cicely. 2000. ''The Actor and the Text''. Rev. ed. London: Virgin Books. . * Carlson, Marvin. 1993. ''Theories of the Theatre: A Historical and Critical Survey from the Greeks to the Present.'' Expanded ed. Ithaca and London: Cornell University Press. .midhun * Hagen, Uta. 1973. ''Respect for Acting''. New York: Macmillan. . * Rayner, Alice. 1994. ''To Act, To Do, To Perform: Drama and the Phenomenology of Action.'' Theater: Theory/Text/Performance Ser. Ann Arbor: University of Michigan Press. . * Weimann, Robert. 1978. ''Shakespeare and the Popular Tradition in the Theater: Studies in the Social Dimension of Dramatic Form and Function.'' Baltimore and London: The Johns Hopkins University Press. . {{Hamlet Hamlet Acting Monologues History of theatre

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