Sound Blaster Live!
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Sound Blaster Live! is a
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add-on
sound card A sound card (also known as an audio card) is an internal expansion card that provides input and output of audio signals to and from a computer under the control of computer programs. The term ''sound card'' is also applied to external au ...
from
Creative Technology Limited Creative Technology Ltd. is a Singaporean multinational technology company headquartered with overseas offices in Shanghai, Tokyo, Dublin, and Silicon Valley (where in the US it is known as Creative Labs). The principal activities of the compa ...
for
PCs A personal computer (PC) is a multi-purpose microcomputer whose size, capabilities, and price make it feasible for individual use. Personal computers are intended to be operated directly by an end user, rather than by a computer expert or techn ...
. Moving from ISA to PCI allowed the card to dispense with onboard memory, storing
digital samples In signal processing, sampling is the reduction of a continuous-time signal to a discrete-time signal. A common example is the conversion of a sound wave to a sequence of "samples". A sample is a value of the signal at a point in time and/or spac ...
in the computer's main memory and then accessing them in real time over the bus. This allowed for a much wider selection of, and longer playing, samples. It also included higher quality sound output at all levels, quadrophonic output, and a new
MIDI MIDI (; Musical Instrument Digital Interface) is a technical standard that describes a communications protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, an ...
synthesizer with 64 sampled voices. The Live! was introduced in August 1998 and variations on the design remained Creative's primary sound card line into the 2000s.


Overview

Sound Blaster Live! (August 1998) saw the introduction of the EMU10K1 audio processor. Manufactured in a 0.35 µm 3-metal-layer CMOS process, it is a 2.44 million transistor
ASIC An application-specific integrated circuit (ASIC ) is an integrated circuit (IC) chip customized for a particular use, rather than intended for general-purpose use, such as a chip designed to run in a digital voice recorder or a high-effici ...
rated at 1000 MIPS. The EMU10K1 featured hardware acceleration for
DirectSound DirectSound is a deprecated software component of the Microsoft DirectX library for the Windows operating system, superseded by XAudio2. It provides a low-latency interface to sound card drivers written for Windows 95 through Windows XP and c ...
and ''EAX'' 1.0 and 2.0 ( environmental audio extensions), along with a high-quality 64-voice MIDI
sample-based synthesizer Sample-based synthesis is a form of audio synthesis that can be contrasted to either subtractive synthesis or additive synthesis. The principal difference with sample-based synthesis is that the seed waveforms are sampled sounds or instruments i ...
and an integrated FX8010 DSP chip for real-time digital audio effects. A major design change from its predecessor (the EMU8000) was that the EMU10K1 used system memory, accessed over the
PCI PCI may refer to: Business and economics * Payment card industry, businesses associated with debit, credit, and other payment cards ** Payment Card Industry Data Security Standard, a set of security requirements for credit card processors * Prov ...
bus, for the wavetable samples, rather than using expensive on-board memory. This was possible at this point because systems were being equipped with far more RAM than previously, and PCI offered far faster and more efficient data transfer than the old ISA bus. The integrated FX8010 was a 32-bit programmable processor with 1 kilobyte of instruction memory. It provided real-time postprocessing effects (such as
reverb Reverberation (also known as reverb), in acoustics, is a persistence of sound, after a sound is produced. Reverberation is created when a sound or signal is reflected causing numerous reflections to build up and then decay as the sound is abs ...
,
flanging Flanging is an audio effect produced by mixing two identical signals together, one signal delayed by a small and (usually) gradually changing period, usually smaller than 20 milliseconds. This produces a swept comb filter effect: peaks and no ...
, or
chorus Chorus may refer to: Music * Chorus (song) or refrain, line or lines that are repeated in music or in verse * Chorus effect, the perception of similar sounds from multiple sources as a single, richer sound * Chorus form, song in which all verse ...
). This capability let users select a pre-defined listening environment from a control-panel application (concert hall, theater, headphones, etc.) It also provided hardware-acceleration for ''EAX'', Creative's environmental audio technology. The Effect algorithms were created by a development system that integrated into Microsoft Developer Studio. The effects were written in a language similar to C, and compiled into native FX8010 object code by its compiler, ''fxasm''. The ''Sound Blaster Live!'' featured higher audio quality than previous Sound Blasters, as it processed the sound digitally at every stage, and because of its greater chip integration that reduced the analog signal losses of older, larger cards. Unfortunately, digital processing brought some limitations. The DSP had an internal fixed
sample rate In signal processing, sampling is the reduction of a continuous-time signal to a discrete-time signal. A common example is the conversion of a sound wave to a sequence of "samples". A sample is a value of the signal at a point in time and/or s ...
of 48 kHz, a standard
AC'97 AC'97 (''Audio Codec '97;'' also MC'97 for ''Modem Codec '97'') is an audio codec standard developed by Intel Architecture Labs in 1997. The standard was used in motherboards, modems, and sound cards. The specification covers two types of comp ...
clock, meaning that the EMU10K1 always captured external audio-sources at the 48 kHz, then performed a sample-rate conversion on the 48 kHz waveform to the output the requested target rate (such as 44.1 kHz or 32 kHz). This rate-conversion step introduced
intermodulation distortion Intermodulation (IM) or intermodulation distortion (IMD) is the amplitude modulation of signals containing two or more different frequencies, caused by nonlinearities or time variance in a system. The intermodulation between frequency com ...
into the downsampled output. However, the rate-conversion was only applied when the audio signal was passed through the effects engine. The SB/Live had great difficulty with resampling audio-CD source material (44.1 kHz) without introducing audible distortion. Creative addressed this concern by recommending audio-recording be performed exclusively at 48 kHz, and use third-party software to handle the desired sample-rate conversion, to avoid using the EMU10K1's sample-rate conversion. Sound Blaster Live! supported multi-speaker output, initially up to a 4-speaker setup. The software referred to this as a "4.1" setup, meaning 4 satellites and a
subwoofer A subwoofer (or sub) is a loudspeaker designed to reproduce low-pitched audio frequencies known as bass and sub-bass, lower in frequency than those which can be (optimally) generated by a woofer. The typical frequency range for a subwoofer is ...
. While this is the case, the subwoofer is not on a separate output as it is with 5.1 and higher audio. Instead, a
low-pass filter A low-pass filter is a filter that passes signals with a frequency lower than a selected cutoff frequency and attenuates signals with frequencies higher than the cutoff frequency. The exact frequency response of the filter depends on the filt ...
(crossover) within the speaker system removes high and midrange frequencies from the sound card's output for the subwoofer. Games see a "4.1" speaker system as
quadraphonic Quadraphonic (or quadrophonic and sometimes quadrasonic) sound – equivalent to what is now called 4.0 surround sound – uses four audio channels in which speakers are positioned at the four corners of a listening space. The system allows for ...
because DirectSound itself offers no subwoofer output in this configuration. This is not limited to Creative sound cards;
Aureal Aureal Semiconductor Inc. was an American electronics manufacturer, best known throughout the mid-late 1990s for their PC sound card technologies including A3D and the Vortex (a line of audio ASICs.) The company was the reincarnation of the, at t ...
,
Ensoniq Ensoniq Corp. was an American electronics manufacturer, best known throughout the mid-1980s and 1990s for its musical instruments, principally samplers and synthesizers. Company history In spring 1983, former MOS Technology engineers Robe ...
,
Philips Koninklijke Philips N.V. (), commonly shortened to Philips, is a Dutch multinational conglomerate corporation that was founded in Eindhoven in 1891. Since 1997, it has been mostly headquartered in Amsterdam, though the Benelux headquarters is ...
, and other manufacturers have made cards that use four-speaker output in the same fashion. Later versions of the Live!, usually called ''Live! 5.1'', offered 5.1-channel support which adds a center-channel speaker and LFE subwoofer output, most useful for movie watching where
Dolby Digital Dolby Digital, originally synonymous with Dolby AC-3, is the name for what has now become a family of audio compression (data), audio compression technologies developed by Dolby Laboratories. Formerly named Dolby Stereo Digital until 1995 in film, ...
5.1 is decoded. The Live! implemented
DOS DOS is shorthand for the MS-DOS and IBM PC DOS family of operating systems. DOS may also refer to: Computing * Data over signalling (DoS), multiplexing data onto a signalling channel * Denial-of-service attack (DoS), an attack on a communicat ...
legacy support via
Ensoniq Ensoniq Corp. was an American electronics manufacturer, best known throughout the mid-1980s and 1990s for its musical instruments, principally samplers and synthesizers. Company history In spring 1983, former MOS Technology engineers Robe ...
's AudioPCI DOS TSR program. Creative acquired Ensoniq in 1998 and, as part of the deal, made use of this highly-compatible ISA sound card emulator with their newer cards. In fact, the Live! uses ".ecw" (Ensoniq Concert Wavetable) files for the wavetable emulation in DOS. The program enables support for many standards, such as Sound Blaster 16,
General MIDI General MIDI (also known as GM or GM 1) is a standardized specification for electronic musical instruments that respond to MIDI messages. GM was developed by the American MIDI Manufacturers Association (MMA) and the Japan MIDI Standards Commi ...
,
AdLib Ad Lib, Inc. was a Canadian manufacturer of sound cards and other computer equipment founded by Martin Prevel, a former professor of music and vice-dean of the music department at the Université Laval. The company's best known product, the ''A ...
(OPL3), among others. Sound Blaster Live! was the first sound card from Creative with the "What U Hear" recording input channel. This was supported in the Windows drivers, so no additional software was needed to utilize it. The analog stereo audio signal that came out of the main Line Out was directed into this input. That way, one could mix all available inputs and the MIDI synth into one stereo signal. When using "What U Hear" with 5.1 sound, the sound would be downmixed to stereo first. The Creative Recorder utility included with the sound card was specifically designed to take advantage of the "What U Hear" feature, making it a simple matter to capture streaming sound from any source, even from programs that deliberately avoid providing a means for saving the digital sounds, thus freeing non-technical users from the complexities of " patching" between inputs and outputs of various software modules.


Design Shortcomings

The original SB Live! had a very low
noise floor In signal theory, the noise floor is the measure of the signal created from the sum of all the noise sources and unwanted signals within a measurement system, where noise is defined as any signal other than the one being monitored. In radio co ...
for its time; however, a critical design flaw limited its application in quadraphonic audio. The two S/P-DIF channels that each provided a stereo pair differed in their Digital to Analog reconstruction. Since the
AC'97 AC'97 (''Audio Codec '97;'' also MC'97 for ''Modem Codec '97'') is an audio codec standard developed by Intel Architecture Labs in 1997. The standard was used in motherboards, modems, and sound cards. The specification covers two types of comp ...
chip provided an internal 48 kHz DAC, Creative chose not to implement two identical DAC pipelines, and the front-speaker audio pair was subjected to a different reconstruction and amplification regime to that of the rear channel (as evidenced by differently valued pull-up resistors and filter-capacitors in the area forward of the AC'97 chip, in the specifications of the AC'97 itself, and in the use of different amplifier Op-Amps). The rear channel was serviced by a separate, but arguably better Philips UDA1334 DAC, yet the Op-Amp used to boost the signal to output levels had a noticeably different frequency response envelope that was not normalized to the front channel, leaving a "thin and quiet" rear channel. To make matters worse, the rear channel Op-Amp was of the inverting variety without being treated as such, leaving the rear speakers out of phase with the front, requiring switchover. These problems were not encountered by those using the Gold editions' daughterboard 4-speaker digital-output, but the tendency of the AC'97 chip to fail when used as an input source to medium-impedance musical instruments removed the use of the front channels altogether, although the chip could be sourced from cheaper AC'97 compatible products and soldered into place. Nevertheless, simply redirecting front signal to rear output of SB Live! was for a long time a favorite trick for computer audio enthusiasts who want better sound for minimum of money. Despite these problems, the original SB Live! can still be used well as a S/P-DIF input/output and MIDI input/output device for network-connected digital audio workstation environments.


Models


Sound Blaster Live! and Live! Value

The Live! and Live! Value are the original releases of the Live! family. The Live! Value (also known as Live! 1024) is identical to the full Live! with the exception that it has color-coded plastic connectors instead of gold and does not include the extended digital I/O card. The original Sound Blaster Live! had a proprietary 9-pin
mini-DIN connector The mini-DIN connectors are a family of multi-pin electrical connectors used in a variety of applications. Mini-DIN is similar to the larger, older DIN connector. Design Mini-DIN connectors are in diameter and come in seven patterns, wit ...
for digital output that Creative referred to as the "Mini Din." This connector allowed the use of a microphone and digital speakers at the same time. This cannot be done with the value and base models of all subsequent Creative sound cards, as they share a single port for S/PDIF digital in/output and microphone connectivity. The Mini-DIN connection was not included in any subsequent Sound Blaster product, however owners of speaker systems that use this as the only digital input may buy an adapter from Creative. The card is not supported by
Windows Vista Windows Vista is a major release of the Windows NT operating system developed by Microsoft. It was the direct successor to Windows XP, which was released five years before, at the time being the longest time span between successive releases of ...
unless running in the 5.1 surround sound setting. . An outside party has released free drivers for the sound card here
kxproject
These Drivers offer more control over the DSP. For details on the original Live! including the Gold edition, marketing strategy, and design faults, see Sound Blaster Live! (Original) File:Soundblasterlive1024 1chip.png, Creative Sound Blaster Live! 1024 soundcard upper view (chips) File:Soundblasterlive1024 2connectors.png, Creative Sound Blaster Live! 1024 soundcard side view (connectors) File:Soundblasterlive1024 3back.png, Creative Sound Blaster Live! 1024 soundcard back view (soldering) File:Soundblasterlive1024 4closeup.png, Creative Sound Blaster Live! 1024 soundcard 3D view with chips File:Soundblasterlive1024cd.png, Driver CD of Sound Blaster Live! 1024 sound card


Sound Blaster Live! Platinum

Released 199

Includes Live! Drive IR


Sound Blaster Live! 5.1 and Sound Blaster Live! Platinum 5.1

Released 2000

Live! with added outputs for a
center channel Center channel refers to an audio channel common to many surround sound formats. It is the channel that is mostly, or fully, dedicated to the reproduction of the dialogue of an audiovisual program. The speaker(s) connected to the center channel ar ...
speaker and LFE subwoofer channel. This minijack is shared and provide the Digital Out (S/PDIF coaxial) feature for the playback stereo or AC3 pass-thru to the Digital Out, but is only supported by SBLive! 5.1 cards model number SB0060. This mode must be activated in the sound mixer with "Digital Output Only" checkbox and is exclusive (not possible to use analog and digital at the same time)


Sound Blaster Live! Dell OEM

This card, marketed as a Sound Blaster Live!, did not have the full capabilities of the retail versions of Live! It used a different audio chip, not EMU10K1 but EMU10K1X, that is noticeably smaller with fewer pins. The chip does not accelerate DirectSound in hardware, nor EAX. The sale of this board by Dell created some controversy because it was not obviously marketed as an inferior or cheaper product. The card can be identified by its part number (SB0200/0203)


Sound Blaster Live! 5.1 Digital (Dell OEM, SB0220)

This was a later, improved model. The EMU10K1 chip was restored, as was hardware EAX/DirectSound/DirectSound3D acceleration. Currently there are Windows drivers available for download from Creative's website (filename: (Dell) Driver Install Pack 2_10 Languages). It was recommended that recording should be done at 48 kHz sampling rate, as there was an issue with hardware down-sampling.


Sound Blaster Live! 24-bit

The ''Sound Blaster Live! 24-bit'' (SB0410) was not actually a member of the Sound Blaster Live! family, because it lacked the EMU10k1/10k2 processor. It was a stripped-down version of the Audigy Value, with an SNR of 100 dB, software based EAX, no advanced resolution DVD-Audio Playback, and no Dolby Digital 5.1 or Dolby Digital EX 6.1 playback. Evidence for this is that on
Linux Linux ( or ) is a family of open-source Unix-like operating systems based on the Linux kernel, an operating system kernel first released on September 17, 1991, by Linus Torvalds. Linux is typically packaged as a Linux distribution, which i ...
operating systems, when using the ALSA sound system, the module that is used for the ''Sound Blaster Live! 24-bit'' i
snd-ca0106
while the module that is used by the ''Sound Blaster Live!'' i
snd-emu10k1


E-MU APS (Audio Production Studio)

This was a series of professional sound cards made by E-mu which was owned by Creative and had developed the EMU10K1 DSP chip featured on Creative's Live! products. Based on the later EMU10K2 chip, model numbers include 0404, 1212, 1616, and 1820. Their professional features included effects with higher quality, front-mounted drive bay panel with headphone output, dual mic/line inputs with physical level control knobs, digital coax in/out on both PCI card and drive bay, mixer with dB precision, phantom power for microphones (12V), ASIO, mixer presets, internal mixer rerouting, 64 MIDI channels, 32MB system RAM usage for SF2 (Gigabyte expandable in WinXP) and future expandability through an extra multi-out card. They also featured line in and line out; all analogue inputs and outputs were balanced ¼"/6.3mm TRS jacks.


See also

*
Sound Blaster Sound Blaster is a family of sound cards designed by Singaporean technology company Creative Technology (known in the US as Creative Labs). Sound Blaster sound cards were the de facto standard for consumer audio on the IBM PC compatible system ...


References


External links

* * Th
kX Audio Driver
is an independent,
Free Software Free software or libre software is computer software distributed under terms that allow users to run the software for any purpose as well as to study, change, and distribute it and any adapted versions. Free software is a matter of liberty, ...
WDM driver under the
GPLv2 The GNU General Public License (GNU GPL or simply GPL) is a series of widely used free software licenses that guarantee end users the four freedoms to run, study, share, and modify the software. The license was the first copyleft for general u ...
for all EMU10K1 and EMU10K2-based soundcards.
File Forum
is a source for old drivers, some of which are no longer available on th
Creative Labs support
webpage. {{Sound Blaster IBM PC compatibles Creative Technology products Sound cards