Soul-Crusher

''Soul-Crusher'' is the debut studio album by American rock band White Zombie, released independently in November 1987 by Silent Explosion. It was the band's second and final release with Tom "Five" Guay on guitar. Building off the sound established on ''Psycho-Head Blowout'', the band matured its sound while placing further emphasis on the individual roles of its players. The album caught the attention of major labels and in 1988 was adopted and re-issued by Caroline Records.

Despite its initially limited release and the band's relatively unknown status, the album gained the admiration of musicians such as Kurt Cobain, Iggy Pop,Yseult, Sean. "Soul-Crusher". ''I'm in the Band''. 2010. pg. 27, cited January 9, 2011. and Thurston Moore. Professional music critics occasionally list it as being a landmark noise rock album and a highlight of the band's career.

Recording

The band entered the studio to record ''Soul-Crusher'' only three months after the release of their EP, ''Psycho-Head Blowout''. They decided to recruit Wharton Tiers, who had previously been associated with noise rock bands such as Pussy Galore and Sonic Youth, to produce and engineer the record. This marked the first time White Zombie had worked with a producer on any of their releases. The members of White Zombie claimed to have been more pleased with the production of ''Soul-Crusher'' than any previous recording and praised Tiers for giving them creative freedom during the recording process. However, Sean stated that, "We really do need more direction sometimes. We know what we want, but we're pretty inexperienced in the studio." Rob also expressed his dislike for the way the band sounded, noting that the equipment used in the recording sessions was of poor quality.Sprague, David
"I WALKED WITH WHITE ZOMBIE"
''Creem Presents: Thrash Metal''. 1988, cited July 31, 2008.

Music and lyrics

''Soul-Crusher'' continued to develop the punk-like noise rock style of its predecessor. The record's sound has been described as " Beefheart in painfully tight trousers trying to scream his way over Sonic Youth and The Birthday Party playing different songs in the same room."Lucas, Billy. "Soul-Crusher Review". ''Melody Maker''. June 4, 1988. Cited July 16, 2010. Sean has cited The Cramps, The Birthday Party, Flipper, Butthole Surfers, Black Flag, Einstürzende Neubauten, and Black Sabbath as primary influences to the band during this time. She said, "I would write bass riffs that were very driving and tribal with Ivan’s drums, very Birthday Party and Butthole Surfers-influenced. Then sometimes we would just tell Tom to go nuts and make some noise!". Guay also created entire tracks of guitar feedback and noise, which didn't relate to any of the songs, that the band would proceed to layer over the album. Rob would usually work out the lyrics and vocal arrangement after the music had already been written, sometimes even waiting until the band was in the studio to finish the song. He felt that the band had finally solidified into a unit and that the record perfectly showcased their sound during that era more than anything they had recorded before, although he was very critical of the band's music and the noise rock genre at the time, going as far as to say:

Rob recorded a variety of television and movie dialogue and sound effects to use on the album. This would become a characteristic that White Zombie would be known for on their later albums, especially on their Geffen releases.

Release and packaging

''Soul-Crusher'' was first issued on vinyl by the band's independent label Silent Explosion before the band was subsequently signed to Caroline Records and the album was repressed. Each label produced two-thousand copies on vinyl, making the record a much sought-after rarity among collectors. The album remained out-of-print for nearly two decades until making its CD debut on the 2008 anthology ''Let Sleeping Corpses Lie''. In 2016, it was re-issued on CD and vinyl in the anthology '' It Came from N.Y.C.'', with remastered audio courtesy of guitarist Jay Yuenger.

The concept for the front and back cover was conceived by Rob in sketch form and executed by Michael Lavine, who had previously worked with White Zombie on ''Psycho-Head Blowout''. It is a single photograph of the band, which continues from the front to the back of the record, that was montaged in a darkroom. Sean mistakenly used the wrong color for the logo and titles, turning what was originally intended to be blood-red into hot pink lettering.

Critical reception

The album's reception was somewhat positive, with significant amount of praise was directed at Rob's esoteric lyrical contributions. In her book ''I'm in the Band'', Sean recalled that "critics seemed to enjoy Rob's psychotic lyrics, so much so that their entire review would try to emulate his style, which was entertaining". Billy Lucas and David Stubbs of ''Melody Maker'' praised the artwork, lyrics, "slammer guitars", and "scrawling vocals" on the album. '' Sounds'' gave the album three out of five stars; the reviewer citing that the album contained "no melody, little arrangement, just a cacophony of unlovely, forbidding noise that bloodies the nose of rock 'n' roll".

Iggy Pop was an admirer of the album and listed it as one of his favorite records of 1988 in the "Readers and Critics Poll" for ''Rolling Stone''.Yseult, Sean. ''I'm in the Band''. 2010. pg. 26, cited January 9, 2011. Pop later recorded a guest vocal for the band's 1992 single "Black Sunshine". In a retrospective review, Bradley Torreano of AllMusic praised the lyrics and deemed it "a prime slab of noise rock that has aged shockingly well" and that "Zombie fans might not even like this that much, but no less of an authority than Kurt Cobain himself pointed to this period in their career as one of his biggest influences".

The album, however, has not gone without criticism. Sean noted that "people either loved or hated it – or were full of self-loathing and loved to be tortured by it". ''Creem'' described ''Soul-Crusher'' as the "most obnoxious sound of the year" and that "no one in the black concert T is ever gonna like White Zombie".

Tour

The band began touring outside the northeast for the first time after the re-release of ''Soul-Crusher'' on Caroline Records in 1988. They would open for bands like the Circle Jerks, but received mostly lukewarm responses from the crowds. However, their shows were received positively by critics, who described the band's onstage presence as an "aural and visual onslaught of vicious, shambling noise"."White Zombie, Gothic Hut and more TBA at Alcohol Salad". ''LA Weekly''. May 28, 1988. Cited June 11, 2010. It would be a brief tour as the band would enter the studio later that year to record '' Make Them Die Slowly''.

Track listing

Personnel

Adapted from the ''Soul-Crusher'' liner notes.

;White Zombie
* Rob Zombie (as Rob Straker) – vocals, illustrations, design
* Tom Guay (as Tom Five) – guitar
* Sean Yseult – bass guitar, design
* Ivan de Prume – drums

;Production and additional personnel
* Michael Lavine – cover art, photography
* Wharton Tiers – production, engineering
* White Zombie – production

Release history

References

External links

*

{{Authority control

White Zombie (band) albums
1987 debut albums
Caroline Records albums
Albums produced by Wharton Tiers
Noise rock albums by American artists
Self-released albums