Solomon And Saturn

''Solomon and Saturn'' is the generic name given to four Old English works, which present a dialogue of riddles between Solomon, the king of Israel, and Saturn, identified in two of the poems as a prince of the Chaldeans.

On account of earlier editorial tendencies, the two poetical works, ''Solomon and Saturn I'' and ''Solomon and Saturn II'', have often been read as a single, continuous poem. They are considered to be among the most enigmatic and difficult poems in the Old English corpus.

The ''Prose Solomon and Saturn''

The ''Prose Solomon and Saturn'' in the Nowell Codex (the ''Beowulf'' manuscript) is a question-and-answer text dealing chiefly with issues of biblical or Christian lore. It has many similarities to a later Old English prose dialogue, '' Adrian and Ritheus'' and, later still, the Middle English '' Master of Oxford's Catechism''.

The ''Prose Solomon and Saturn'' has as one of its riddles: "Who invented letters? Mercurius the giant." The Anglo-Saxons routinely identified Mercury with Woden (known in Old Norse as ''Óðinn'', and widely today as Odin), who gave his name to Wednesday.J. S. Ryan
Othin in England: Evidence from the Poetry for a Cult of Woden in Anglo-Saxon England
''Folklore'', Vol. 74, No. 3. (Autumn, 1963), pp. 460-480. See p.476.

Poetic versions

''Solomon and Saturn I'', ''Solomon and Saturn II'', and the ''Pater Noster Solomon and Saturn'' in MS Cambridge, Corpus Christi College (CCCC) 422 are often compared to the ''Vafþrúðnismál'' and ''Alvíssmál'' and other similar poems in the Old Norse ''Poetic Edda''.

Date

As with most Old English poetry, the ''Solomon and Saturn'' poems have proved to be very difficult to date. Patrick O'Neill has argued for a connection to the court of Alfred the Great (reigned 871–899),Patrick O'Neill, "On the date, Provenance and Relationship of the ‘Solomon and Saturn’ Dialogues", ''Anglo-Saxon England'' 26 (1997), 139-168. but Daniel Anlezark sees the poem as fitting into the cultural milieu of Dunstan's Glastonbury in the mid-tenth century.

The ''Solomon and Saturn'' texts are often considered the earliest examples of a broader European literary tradition of Solomonic dialogues. These include the comparatively later dialogues of Solomon and Marcolf, which are attested in a number of European languages.

''Solomon and Saturn I''

''Solomon and Saturn I'' is one of the few Old English poems to survive in more than one manuscript. It appears in MS CCCC 41 and MS CCCC 422.

''Solomon and Saturn II''

''Solomon and Saturn II'', which is often regarded as having more aesthetic merit, contains a number of riddles, including two of the most obscure passages in Old English literature, the ''Weallande Wulf'' and ''Vasa Mortis'' riddles.

''Weallende Wulf''

Saturn's first riddle describes a dragonslayer named Wulf and the wasteland that arises after his death. The poem's earlier editor, Robert Menner, argued that the ''weallende Wulf'' passage stems from ancient Hebrew legends regarding Nimrod and the builders of the Tower of Babel. He interprets Wulf as the Babylonian god Bel, who is connected with Saturn in Isidore's ''Etymologies''. Andy Orchard has found similarities between Wulf and ''Beowulf''. Daniel Anlezark has argued that the passage participates in an " Avernian tradition" that describes impassable wastelands of ancient history. Tristan Major has suggested that the passage is a conflation of biblical and classic material, and that Wulf is to be identified with the mythological Perseus.

''Vasa Mortis''

The riddle describes a mysterious bird that has been bound by Solomon until Doomsday and is feared by the leaders of the Philistines. The final line of the passage names the bird as ''Vasa Mortis''. Robert Menner has argued that ancient Jewish legends of Solomon's struggles with demons are at the heart of the riddle, and he identifies the ''Vasa Mortis'' with the demon Asmodeus. Cilluffo sees parallels between the ''Vasa Mortis'' and the description of Fame in Virgil's ''Aeneid'', as well as the nocturnal monster in the Anglo-Saxon '' Liber Monstrorum'' and the griffin in the '' Wonders of the East''.Cilluffo, "Mirabilia Ags."

Themes

Kathryn Powell has described these poetic versions as examples of " orientalist fantasy", which works to suppress anxieties about English cultural identity. She argues that they attempt to minimise anxieties about the unstable condition of knowledge, and about the future of the Anglo-Saxon kingdoms and the Christian faith, by "displacing any lack of knowledge, political stability or faith onto the Eastern and pagan figure of Saturn and the Chaldean people he represents". Powell suggests that the dialogues' original readers were encouraged to identify with the figure of Solomon, who is constructed as a model of Christian ideals and behaviour.Kathryn Powell
, "Orientalist Fantasy in the Poetic Dialogues of Solomon and Saturn", ''Anglo-Saxon England'' 34 (2005), 117-143 Cambridge University Press

References

Bibliography

Editions

*Anlezark, Daniel, ''The Old English Dialogues of Solomon and Saturn'', Anglo-Saxon Texts 7, Cambridge, 2009
*Cross, James E., and Hill, Thomas D., ''The 'Prose Solomon and Saturn' and 'Adrian and Ritheus, Toronto, 1982
*Dobbie, Elliott van Kirk, ''Anglo-Saxon Minor Poems'', Anglo-Saxon Poetic Records 6, New York, 1942
*Foys, Martin et al.
Old English Poetry in Facsimile Project
Madison, 2019
*Kemble, John M., ''The Dialogue of Salomon and Saturnus'', London, 1848
*Menner, R.J., ''The Poetical Dialogues of Solomon and Saturn'', MLA Monograph Series 13, New York, 1941

Scholarship

*Anlezark, Daniel, "Poisoned Places: The Avernian Tradition in Old English Poetry." ''Anglo-Saxon England'' 36 (2007) 103–126
*Cilluffo, Gilda, "Mirabilia ags.: il Vasa Mortis nel Salomone e Saturno." ''Annali Istituto Universitario Orientale di Napoli Filologia germanica'' 24 (1981): 211–226
*Dane, Joseph A., "The Structure of the Old English 'Solomon and Saturn II'." ''Neophilologus'' 64.4 (1980) 592–603
*Major, Tristan, "Saturn’s First Riddle in ''Solomon and Saturn II'': An Orientalist Conflation." ''Neophilologus 96 (2012) 301-313
*Menner, R.J., "The ''Vasa Mortis'' Passage in the Old English 'Salomon and Saturn'." ''Studies in English Philology in Honor of F. Klaeber''. Minneapolis, 1929.
*Menner, R.J., "Nimrod and the Wolf in the Old English ''Solomon and Saturn''." ''JEGP'' 37 (1938) 332–54
*Nelson, Marie, "King Solomon's Magic: The Power of a Written Text." ''Oral Tradition'' 5 (1990) 20–36
*O'Brien O'Keeffe, Katherine, ''Visible Song: Transitional Literacy in Old English Verse''. Cambridge Studies in Anglo-Saxon England 4. Cambridge: Cambridge University Press, 1990
*O'Brien O'Keeffe, Katherine, "The Geographic List of Solomon and Saturn II." ''Anglo-Saxon England'' 20 (1991) 123–42
*O'Neill, Patrick, "On the Date, Provenance and Relationship of the ‘Solomon and Saturn’ Dialogues." ''Anglo-Saxon England'' 26 (1997: 139-168
*Orchard, Andy, ''Pride and Prodigies: Studies in the Monsters of the ''Beowulf'' Manuscript''. Cambridge: D.S. Brewer, 1994
*Paz, James, "Magic That Works: Performing ''Scientia'' in the Old English Metrical Charms and Poetic Dialogues of Solomon and Saturn." ''JMEMS'' 45.2 (2015) 219–43
*Powell, Kathryn, "Orientalist Fantasy in the Poetic Dialogues of Solomon and Saturn." ''Anglo-Saxon England'' 34 (2005) 117–143
*Shippey, T.A., ''Poems of Wisdom and Learning in Old English''. Cambridge: D.S. Brewer, 1976
*Vincenti, A.R. von, ''Die altenglischen Dialogue von Salomon und Saturn mit historische Einleitung, Kommentar und Glossar''. Leipzig: Deichert, 1904

External links

(Old English)

{{Old English prose
Greek and Roman deities in fiction
9th-century poems
10th-century poems
Anglo-Saxon paganism
Anglo-Saxon runes
Old English poems
Riddles
Saturn (mythology)
Solomon
Chaldea
Orientalism
Alfred the Great
Glastonbury