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In
music Music is generally defined as the The arts, art of arranging sound to create some combination of Musical form, form, harmony, melody, rhythm or otherwise Musical expression, expressive content. Exact definition of music, definitions of mu ...
, a simultaneity is more than one complete
musical texture In music, texture is how the tempo, melodic, and harmonic materials are combined in a musical composition, determining the overall quality of the sound in a piece. The texture is often described in regard to the density, or thickness, and rang ...
occurring at the same time, rather than in succession. This first appeared in the music of Charles Ives, and is common in the music of
Conlon Nancarrow Samuel Conlon Nancarrow (; October 27, 1912 – August 10, 1997) was an American- Mexican composer who lived and worked in Mexico for most of his life. Nancarrow is best remembered for his ''Studies for Player Piano'', being one of the firs ...
and others.


Types

In music theory, a pitch simultaneity is more than one pitch or
pitch class In music, a pitch class (p.c. or pc) is a set of all pitches that are a whole number of octaves apart; for example, the pitch class C consists of the Cs in all octaves. "The pitch class C stands for all possible Cs, in whatever octave positi ...
all of which occur at the same time, or simultaneously: "A set of
note Note, notes, or NOTE may refer to: Music and entertainment * Musical note, a pitched sound (or a symbol for a sound) in music * Notes (album), ''Notes'' (album), a 1987 album by Paul Bley and Paul Motian * ''Notes'', a common (yet unofficial) sho ...
s sounded together." ''Simultaneity'' is a more specific and more general term than
chord Chord may refer to: * Chord (music), an aggregate of musical pitches sounded simultaneously ** Guitar chord a chord played on a guitar, which has a particular tuning * Chord (geometry), a line segment joining two points on a curve * Chord ( ...
: many but not all chords or harmonies are simultaneities, though not all but some simultaneities are chords. For example, arpeggios are chords whose tones are not simultaneous. "The practice of harmony typically involves both simultaneity...and linearity."Hijleh, Mark (2012). ''Towards a Global Music Theory: Practical Concepts and Methods for the Analysis of Music Across Human Cultures'', chapter 4, . Ashgate. . A simultaneity succession is a series of different groups of pitches or pitch classes, each of which is played at the same time as the other pitches of its group. Thus, a simultaneity succession is a succession of simultaneities. Similarly, ''simultaneity succession'' is a more general term than chord progression or
harmonic A harmonic is a wave with a frequency that is a positive integer multiple of the '' fundamental frequency'', the frequency of the original periodic signal, such as a sinusoidal wave. The original signal is also called the ''1st harmonic'', ...
progression: most
chord progression In a musical composition, a chord progression or harmonic progression (informally chord changes, used as a plural) is a succession of chords. Chord progressions are the foundation of harmony in Western musical tradition from the common practice ...
s or
harmonic A harmonic is a wave with a frequency that is a positive integer multiple of the '' fundamental frequency'', the frequency of the original periodic signal, such as a sinusoidal wave. The original signal is also called the ''1st harmonic'', ...
progressions are then simultaneity successions, though not all simultaneity successions are harmonic progressions and not all simultaneities are chords.


See also

*
Musical set theory Musical set theory provides concepts for categorizing musical objects and describing their relationships. Howard Hanson first elaborated many of the concepts for analyzing tonal music. Other theorists, such as Allen Forte, further developed the ...
*
Polyphony Polyphony ( ) is a type of musical texture (music), texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice, monophony, or a texture with one dominant melodic voice accompan ...
* Counterpoint


References


Further reading

*"Meta-Variations: Studies in the Foundations of Musical Thought (I)", p. 74.
Benjamin Boretz Benjamin Aaron Boretz (born October 3, 1934) is an American composer and music theorist. Life and work Benjamin Boretz was born in Brooklyn, New York to Abraham Jacob Boretz and Leah (Yullis) Boretz. He graduated with a degree in music from Br ...
. ''
Perspectives of New Music ''Perspectives of New Music'' (PNM) is a peer-reviewed academic journal specializing in music theory and analysis. It was established in 1962 by Arthur Berger and Benjamin Boretz (who were its initial editors-in-chief). ''Perspectives'' was fir ...
'', vol. 8, no. 1 (Autumn–Winter, 1969), pp. 1–106.


External links


"Simultaneity in Music"
by
Robert Iolini Robert John Iolini (born 1960) is an Australian-born composer, artist, filmmaker and radio producer. Early life and education Iolini completed a Master of Arts degree in Advanced Composition under the supervision of Professor Richard Vella in 1 ...
. Extract from a Master of Arts thesis entitled ''Simultaneity in Music''. Macquarie University. Sydney. Australia. February 1998. Harmony Musical texture Post-tonal music theory {{music-theory-stub