Location
The palace was located at the northern centre of the rectangular city , following the Chinese model, specifically that of the Tang dynasty capital of . The model had been adopted already for the Heijō Palace – in the earlier capital (in present-day ) – and . The main entrance to the palace was the gate (), which formed the northern terminus of the great Suzaku Avenue that ran through the centre of the city from the gate . The palace thus faced south and presided over the symmetrical urban plan of . In addition to the , the palace had 13 other gates located symmetrically along the side walls. A major avenue led to each of the gates, except for the three along the northern side of the palace, which was coterminous with the northern boundary of the city. The south-eastern corner of the Greater Palace was located in the middle of the present-day Nijō Castle.History
Primary sources
While the palace itself has been completely destroyed, a significant amount of information regarding it has been obtained from contemporary and almost contemporary sources. The Heian Palace figures as a setting in many Heian period literary texts, both fiction and non-fiction. These provide important information on the palace itself, court ceremonies and functions held there and everyday routines of the courtiers living or working there. Notable examples include the '' Tale of Genji'' by , the so-called '' Pillow Book'' by and the chronicles and . In addition, paintings in certain picture scrolls depict (sometimes fictional) scenes that took place at the palace and similar aristocratic dwellings; the '' Genji Monogatari Emaki'', dating from about 1130, is perhaps the best-known example. There are also partially damaged contemporary maps of the palace from the 10th and 12th centuries showing the layout and function of the buildings within the . Archaeological excavation conducted mainly since the late 1970s has revealed further information about the palace, and the existence and location of buildings (such as the compound) have been verified against the contemporary documentary sources.Greater Palace ()
The was a walled rectangular area extending approximately from north to south between the first and second major east–west avenues and and from west to east between the and north-south avenues. The three main structures within the Greater Palace were the , the and the .was a rectangular walled enclosure situated directly to the north of the gate in the centre of the southern wall of the Greater Palace. It was based on Chinese models and followed Chinese architectural styles, and archaeological evidence from earlier capitals shows that this building complex was present in earlier palaces and had a remarkably stable design from the 7th century onwards.
The main building within the was the facing south at the northern end of the compound. This was a large (approximately 52 m (170 ft) east to west and 20 m (65 ft) north to southMcCullough, William (1999), p. 111) Chinese-style building with white walls, vermilion pillars and green tiled roofs, intended to host the most important state ceremonies and functions. The southern part of the was occupied by the Twelve Halls where the bureaucracy was seated for ceremonies according to strict order of precedence. The shrine in Kyoto includes an apparently faithful reconstruction of the in somewhat reduced scale. Accession Audiences were held in the ; the emperor was supposed to preside over early morning deliberations on major state affairs by the bureaucracy, receive monthly reports from officials, hold New Year congratulations and receive foreign ambassadors.McCullough and McCullough (1980), pp. 836–837 The practice of the morning deliberations ceased by 810McCullough, William (1999), p. 40 as did the monthly reports. Foreign ambassadors were no longer received for most of the Heian period, and the New Year celebrations were abbreviated and moved into the by the end of the 10th century, leaving the Accession Audiences and certain Buddhist ceremonials as the only ones held in the .
The was another large rectangular Chinese-style compound, situated to the west of the . It was built for official celebrations and banquets and used also for other types of entertainment such as archery contests. Like the , the had a hall at the central northern end of the enclosure overseeing the court. This hall, the , was used by the emperor and courtiers presiding over activities in the . The also fell gradually into disuse as many functions were moved to the . Its site is one of the few within the palace area that has been excavated.
Other buildings
Apart from the Inner Palace, the remaining area of the Greater Palace was occupied by ministries, lesser offices, workshops, storage buildings and the large open space of the to the west of the . The buildings of the were situated in a walled enclosure immediately to the east of the , laid out in the typical symmetrical plan of buildings opening to a courtyard in the south. The palace also housed the , apart from and , the only Buddhist establishment permitted within the capital. Its placement right next to the Inner Palace shows the influence of theInner Palace ()
The Inner Palace or was located to the north-east of the somewhat to the east of the central north-south axis of the Greater Palace. Its central feature was the Throne Hall. The encompassed the emperor's quarters and the pavilions of the imperial consorts and ladies-in-waiting (collectively, the ). The was enclosed within two sets of walls. In addition to the itself, the outer walls enclosed some household offices, storage areas, and the , a walled area of Shinto buildings associated with the emperor's religious functions, situated to the west of the itself, at the geographic centre of the Greater Palace. The principal gate of the larger enclosure was the , located in the southern wall along the median north-south axis of the . The proper, the residential compound of the emperor, was enclosed within another set of walls to the east of . It measured approximately 215 m (710 ft) north to south and 170 m (560 ft) east to west.McCullough, William (1999), pp. 115–116 The main gate was the at the centre of the southern wall of the enclosure, immediately to the north of the gate. In contrast to the solemn official Chinese-style architecture of the and the , the was built in more intimate Japanese architectural style — if still on a grand scale. The Inner Palace represented a variant of the shinden style architecture used in the aristocratic villas and houses of the period. The buildings, with unpainted surfaces and gabled and shingled cypress bark roofs, were raised on elevated wooden platforms and connected to each other with covered and uncovered slightly elevated passages. Between the buildings and passages were gravel yards and small gardens.The largest building of the was the , a building reserved for official functions. It was a rectangular hall measuring approximately 30 m (98 ft) east to west and 25 m (82 ft) north to south, and situated along the median north-south axis of the , overseeing a rectangular courtyard and facing the gate. A orange tree and a cherry blossom tree stood symmetrically on both sides of the front staircase of the building. The courtyard was flanked on both sides by smaller halls connected to the , creating the same configuration of buildings (influenced by Chinese examples) that was found in the aristocratic style villas of the period. The was used for official functions and ceremonies that were not held at the of the complex. It took over much of the intended use of the larger and more formal building from an early date, as the daily business of government ceased to be conducted in the presence of the emperor in the already at the beginning of the ninth century. Connected to this diminishing reliance on the official government procedures described in the code was the establishment of a personal secretariat to the emperor, the . This office, which increasingly took over the role of coordinating the work of government organs, was set up in the , the hall to the south-west of the .
To the north of the stood the , a similarly constructed hall of somewhat smaller size that was intended to function as the emperor's living quarters. Beginning in the ninth century, the emperors often chose to reside in other buildings of the . A third smaller hall, the was located next to the north along the main axis of the . After the was rebuilt following a fire in 960, the regular residence of the emperors moved to the smaller ,McCullough, William (1999), pp. 174–175 an east-facing building located immediately to the north-west from . Gradually the began to be used increasingly for meetings as well, with emperors spending much of their time in this part of the palace. The busiest part of the building was the , where high-ranking nobles came to meet in the presence of the emperor.
Other buildings
The empress, as well as the official and unofficial imperial consorts, was also housed in the , occupying buildings in the northern part of the enclosure. The most prestigious buildings, housing the empress and the official consorts, were the ones that had appropriate locations for such use according to the Chinese design principles (the , the and the , as well as the ones closest to the imperial residence in (the and the ). Lesser consorts and ladies-in-waiting as well as occasionally some of the crown prince's consorts occupied other buildings of the further away from the emperor's quarters, i.e., towards north-east. A famous fictional depiction of the spatial status hierarchy concerns the eponymous character's low-ranking mother in the Tale of Genji. However, such distinctions were apparently not always strict. One of theSee also
*Notes
References
* * * * * * * * . Originally published in 1964. * . A reissue of the 1931 ed. published in Hong Kong, with some new illus. and minor changes, under title: ''Kyoto: its history and vicissitudes since its foundation in 792 to 1868''. First published in article form 1925–28. *Further reading
* * . The main Japanese reference work on the Palace according to McCullough, William (1999). First volume of a ten-volume general history of Kyoto. * *External links
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