Sherman H. Dudley
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Sherman Houston Dudley (1872 – March 1, 1940) was an African-American
vaudeville Vaudeville (; ) is a theatrical genre of variety entertainment which began in France in the middle of the 19th century. A ''vaudeville'' was originally a comedy without psychological or moral intentions, based on a comical situation: a drama ...
performer and theatre entrepreneur. He gained notability in the late nineteenth and early twentieth century as an individual performer, a composer of
ragtime Ragtime, also spelled rag-time or rag time, is a musical style that had its peak from the 1890s to 1910s. Its cardinal trait is its Syncopation, syncopated or "ragged" rhythm. Ragtime was popularized during the early 20th century by composers ...
songs, and as a member and later owner of various minstrel shows including the Smart Set Company. Dudley is also notable as one of the first African Americans to combine business with theater, by starting a black theater circuit, in which theaters were owned or operated by African Americans and provided entertainment by and for African Americans. He created the first black operated vaudeville circuit and led the way for what became the
Theatre Owners Booking Association Theatre Owners Booking Association, or T.O.B.A., was the vaudeville circuit for African American performers in the 1920s. The theaters mostly had white owners, though about a third of them had black owners. These included the restored Morton Theat ...
(T.O.B.A.).


Career

Reportedly, Dudley was born in 1872 in
Dallas Dallas () is a city in the U.S. state of Texas and the most populous city in the Dallas–Fort Worth metroplex, the List of Texas metropolitan areas, most populous metropolitan area in Texas and the Metropolitan statistical area, fourth-most ...
, Texas (some sources list his year of birth as around 1870 or 1873), "of humble parentage".Abbot and Seroff 87. A jockey early in his youth, he turned to theater and gained a reputation by singing in a
medicine show Medicine shows were touring acts (traveling by truck, horse, or wagon teams) that peddled "miracle cure" patent medicines and other products between various entertainments. They developed from European Charlatan, mountebank shows and were common ...
on a Dallas street corner, singing " Dese Bones G'wine Rise Again". By 1897 he had his own show, the "S. H. Dudley's Georgia Minstrels", who were performing in
Galveston Galveston ( ) is a Gulf Coast of the United States, coastal resort town, resort city and port off the Southeast Texas coast on Galveston Island and Pelican Island (Texas), Pelican Island in the U.S. state of Texas. The community of , with a pop ...
; later that same year he was on tour with P. T. Wright's Nashville Students Company. He gained a reputation for writing popular
coon song Coon songs were a genre of music that presented a stereotype of black people. They were popular in the United States and Australia from around 1880 to 1920, though the earliest such songs date from minstrel shows as far back as 1848, when they we ...
s (including a hit song called "Mr. Coon, You'se Too Black For Me"), and performed with a number of minstrel comedians in shows in the same vein, including ''A Holiday in Coonville'' (his own production) and ''Coontown Golf Club'' (a production by Tom Brown and Sam Cousins). When he toured with Tom Brown and
Billy Kersands Billy Kersands (c. 1842 in Baton Rouge, Louisiana – June 30, 1915 in Artesia, New Mexico) was an African-American comedian and dancer. He was the most popular black comedian of his day, best known for his work in blackface minstrelsy. In addit ...
in 1902, it was clear that he was a popular, well-known artist in the South, and was billed as "the Lone-Star comedian". By 1903, he received star billing. In the summer of 1904 he left that company and moved to Chicago to take over the leading role in
Gus Hill Gus Hill (born Gustave Metz; 22 February 1858 – 20 April 1937) was an American vaudeville performer who juggled Indian clubs. He later became a burlesque and vaudeville entrepreneur. Hill was one of the founders of the Columbia Amusement Compan ...
's Smart Set CompanyBrooks 520. after the death of
Tom McIntosh Thomas S. "Tom" McIntosh (February 6, 1927 - July 26, 2017) was an American jazz trombonist, composer, arranger, and conductor. McIntosh was born in Baltimore, Maryland, the eldest of six siblings. He also had an elder half-sibling by his fath ...
, performing in the show ''A Southern Enchantment''.Abbot and Seroff 89. In 1904 he also opened a cafe and bar on State Street in Chicago with boxer Jack Johnson. Dudley performed with the Smart Set for years with great success, though one critic,
Sylvester Russell Sylvester Russell (1860s – October 11, 1930) was a performer who became a newspaper columnist. He was the "first Black arts critic to gain national recognition in the U.S.," in his turn-of-the-century column in the ''Indianapolis Freeman''. In ...
(a writer for the ''
Indianapolis Freeman The ''Indianapolis Freeman'' (1884–1926) was the first illustrated black newspaper in the United States. Founder and owner Louis Howland, who was soon replaced by Edward Elder Cooper, published its first print edition on November 20, 1884. H ...
''), was hard on him from the beginning, presumably because he felt that Dudley's minstrel show background made him unworthy; in 1906, Russell referred to him as "this loathsome comedian who hails from the Lone Star State." It seems that Dudley took all this in stride until 1911, when Russell made a comment about Dudley's son, after which Dudley beat him up "$5,000 worth", according to Russell; Dudley was arrested and fined $1 and court costs, after which Russell sued him for $5,000. Other critics were less hesitant to praise Dudley's performance, and he is now credited with having brought "the street to the stage": "Dudley revitalized the Smart Set and made it into an enduring classic of the American popular stage." In the next Smart Set show, ''The Black Politician'' (1906), Dudley got to use his jockey skills riding a horse on stage, and when in October 1906 a donkey named Shamus O'Brien was added (though another source lists the donkey's name as "Patrick"), the donkey and Dudley received high praise from critics, even from Russell. In 1909, the Smart Set split up in a Northern and a Southern Smart Set, the first being directed by Dudley and the latter by his understudy,
Salem Tutt Whitney Salem Tutt Whitney ( Salem Tutt; 15 November 1875 – 12 February 1934) and J. Homer Tutt ( Jacob Homer Tutt; 31 January 1882 – 10 February 1951), known collectively as the Tutt Brothers, were American vaudeville producers, writers, and performe ...
; their 1909–10 production, ''His Honor, the Barber'' was written by a white playwright, Edwin Handford, with music written for the show by black composers
James Tim Brymn James Timothy Brymn (October 5, 1874 or 1881 – October 3, 1946)
, Chris Smith, and James Burris. The show opened in New Jersey for a mixed audience, and by the time of the final run
Aida Overton Walker Aida Overton Walker (February 14, 1880 – October 11, 1914), also billed as Ada Overton Walker and as "The Queen of the Cakewalk", was an American vaudeville performer, actress, singer, dancer, choreographer, and wife of vaudevillian George ...
had joined the cast.Abbot and Seroff 102–104. By this time, Dudley was widely known as the "Lone Star Comedian" and had begun to expand his business ventures, moving into theater in an attempt to have a black-owned and operated string of venues around the United States, a dream of his since at least 1907.Abbot and Seroff 106–107. By about 1910 Dudley was based in Washington D.C., where he served as general manager and treasurer of the Colored Actors' Union. In 1911 he set up S. H. Dudley Theatrical Enterprises, and began buying and leasing theaters to develop the first black vaudeville circuit, initially around Washington and Virginia; he had bought his first theater, in Baltimore, in 1912.Southern 297–298. In August 1912, he played his last season with the Smart Set, from then on devoting himself to his "circuit of theaters." By 1916 the "Dudley Circuit" had extended into the south and Midwest, enabling black entertainers to secure longer term contracts for an extended season; his circuit provided the basis for the
Theater Owners Booking Association Theatre Owners Booking Association, or T.O.B.A., was the vaudeville circuit for African American performers in the 1920s. The theaters mostly had white owners, though about a third of them had black owners. These included the restored Morton Theat ...
(T.O.B.A.). His circuit was advertised in a weekly column published in black newspapers, "What's What on the Dudley's Circuit", and by 1914 it included over twenty theaters, "all owned or operated by blacks and as far south as Atlanta." T.O.B.A. was founded by people associated with Dudley's circuit, and while the organization was white-owned it had black regional managers, including Dudley (for the Washington, D.C. area). After 1917 Dudley devoted himself to producing black musicals, including updated Smart Set productions. He sold his theaters around 1930 (due to economic forces "beyond his control"), and retired to a farm in Maryland where he bred thoroughbred racehorses.


Personal life

In 1903 Dudley married Alberta Ormes, with whom he'd been performing since at least 1901, and was on tour the following year with Richard and Pringle's Georgia Minstrels. Alberta was murdered in 1926 by Police George S. Davis. Articles stated the couple had been in the midst of a divorce, but had recently reconciled. Actor Sherman H. Dudley Jr. was his son.


See also

*
Black Vaudeville Black Vaudeville is a term that specifically describes Vaudeville-era African American entertainers and the milieus of dance, music, and theatrical performances they created. Spanning the years between the 1880s and early 1930s, these acts not onl ...


References

;Notes ;Works cited * * * *


External links


Sherman Houston Dudley
at Find A Grave {{DEFAULTSORT:Dudley, Sherman H. 1870s births 1940 deaths 19th-century African-American businesspeople 19th-century American businesspeople 20th-century African-American businesspeople American entertainment industry businesspeople Businesspeople from Dallas Pioneer recording artists American vaudeville performers Vaudeville producers