Shaded Pain
   HOME

TheInfoList



OR:

''Shaded Pain'' is the fourth studio album by the American rock band
Lifesavers Underground Lifesavers Underground (aka LSU, and L.S. Underground) was a musical project created by Michael Knott. In 1987, Lifesavers Underground released their debut album, ''Shaded Pain''. This was followed in 1989 with ''Wakin' Up the Dead''. ''This ...
(LSU), released in 1987 on
Frontline Records Frontline Records was a Christian rock record label, founded in 1986 by James Kempner in Santa Ana, California. The label focused primarily on modern rock, rap, dance-pop and hip-hop. The label closed in the early 1990s, and then resurfaced in ...
. A much different effort from their other releases before or since, ''Shaded Pain'' took a darker
gothic rock Gothic rock (also called goth rock or simply goth) is a style of rock music that emerged from post-punk in the United Kingdom in the late 1970s. The first post-punk bands which shifted toward dark music with gothic overtones include Siouxsie an ...
direction from their previous pop punk sound, and features bleak, death-obsessed lyrics. Although misunderstood by many critics at the time, the album has attained a status of a cult classic. Later, the critics consider the album to be the band's finest effort and one of the best albums of the year it was released.


Recording

Produced by Chris Brigandi and engineered by
Ojo Taylor Joey "Ojo" Taylor is an American bassist, vocalist and keyboardist, best known for his work with the Christian rock band Undercover. He produced and was a studio musician for Nobody Special, the stage name for his brother, Pat "Nobody" Taylor. ...
, featuring dark post-punk guitars with raw, echoed chords, rich soundscapes, and introspective, death-obsessed lyrics, the album created a controversy when it was released: listeners expecting a more happy-sounding punk rock album were horrified by the dark output, resulting with enormous amounts of the album being returned to the record company. ''Shaded Pain'' instead recalls the same sort of hollow, threatening darkness. Michael Knott's vocals combine styles from possessed howling ato shrieking through driving songs such as “Die Baby Die” and moaning like a "prophet of doom" in the chilling “Bye Bye Colour.” There is no much absolution on Shaded Pain, just endless emptiness. Even the up-tempo “Our Time Has Come” is built around the grim chorus: “Our time has come to kiss the cleaver.” Despite this, the record still sounds like a burst of creative energy, Brian Doidge's guitar screaming like a rabid swine and Knott's haunting voice is the embodiment of regret and self-loathing. allmusic ((( Shaded Pain > Overview )))/ref>


Track listing

:''All songs written by Michael Knott, except where stated otherwise'' #"Jordan River" (3:55) #"Bye Bye Colour" (4:02) #"Die Baby Die" (2:25) #"Lonely Boy" (Knott, Doidge) (3:49) #"Our Time has Come" (3:37) #"Tether to Tassel" (3:36) #"I'm Torn" (3:52) #"Plague of Flies" (Knott, Doidge, Lee) (1:27) #"More to Life" (Knott, Doidge) (3:39) #"Shaded Pain" (4:10)


Personnel

*Michael Knott - Vocals and 3 keyboard parts; cover art and all paintings *Kevin Lee - Drums and cymbals *Brian Doidge - Less Paul gold top, Ibanez 12 string acoustic, Yamaha 6 string acoustic, and a black bass *Bridgett Knott - Vocals on "Jordan River" & "Lonely Boy"


Impact

The album's lyrics which challenged church morality and abusive church leaders resulted in the album being banned from Christian bookstores, which at the time was one of the few places where Christian records could be bought at the time, and LSU leader
Michael Knott Michael Gerard Knott (December 22, 1962 – March 12, 2024) was an American singer-songwriter and frontman for various bands, many of whom performed in the Christian rock genre. He released about 35 albums, including solo albums and a ...
being banned from performing in churches. Nevertheless, Knott would be later credited for pioneering an "alternative Christian rock scene."


References

{{Authority control 1987 albums Lifesavers Underground albums Frontline Records albums