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''Sexe de rue'' (English:''Street Sex'') is a 2003 Canadian documentary film about the history and current conditions of
street prostitutes Street prostitution is a form of sex work in which a sex worker solicits customers from a public place, most commonly a street, while waiting at street corners or walking alongside a street, but also other public places such as parks, benches, e ...
in the Centre-Sud of Montreal, written, directed and co-produced by , who died of a heart attack on 29 August 2003, a few days before the film's premiere at the Montreal World Film Festival. The largely
first person First person or first-person may refer to: * First person (ethnic), indigenous peoples, usually used in the plural * First person, a grammatical person * First person, a gender-neutral, marital-neutral term for titles such as first lady and first ...
documentary gives a voice to street workers, allowing them to tell their own stories in their own words. Prostitution is discussed as labour and in the context of local history and relevant sociological factors, including dangers.


Synopsis

Marie-Claude and Marianne work in a drop-in centre for drug addicts in Montréal. They tell their stories of working the streets of Centre-Sud. Marianne started when she was 16 years old and just served four years in prison for armed robbery after she stole a
revolver A revolver (also called a wheel gun) is a repeating handgun that has at least one barrel and uses a revolving cylinder containing multiple chambers (each holding a single cartridge) for firing. Because most revolver models hold up to six roun ...
from a "violent" customer, and now writes poetry as a way of dealing with her personal demons. Marie-Claude, a former drug addict and ex- sex worker, is an artist. A former
brothel A brothel, bordello, ranch, or whorehouse is a place where people engage in sexual activity with prostitutes. However, for legal or cultural reasons, establishments often describe themselves as massage parlors, bars, strip clubs, body rub par ...
owner and a local historian briefly describe the prostitution scene in the city since 1919. The former
Red-Light District A red-light district or pleasure district is a part of an urban area where a concentration of prostitution and sex-oriented businesses, such as sex shops, strip clubs, and adult theaters, are found. In most cases, red-light districts are particu ...
consisted of a part of Centre-Sud along Rue Sainte-Catherine and
Rue Ontario Ontario Street (officially in french: rue Ontario) is an east-west artery in Montreal, Quebec, Canada. It crosses the boroughs of Ville-Marie and Mercier–Hochelaga-Maisonneuve. In the latter borough, the street becomes a mix of residential ...
. Georgette Lord, the former owner of the brothel (81 at the time of filming), tells the story of a young woman being initiated into the life as part of its history until the brothel was closed during the Second World War. Montréal jazz musician
Vic Vogel Victor Stefan Vogel (August 3, 1935 – September 16, 2019) was a Canadian jazz pianist, composer, arranger, trombonist, and conductor. Biography Vogel was born in 1935 to Hungarian parents living in Montreal. He began playing the piano at the ...
provides further anecdotes from the time. The area today remains at the centre of most street-based sex work, which may entail more than just sex: sex workers often listen to the client's troubles or even offer a shoulder to cry on. The next to tell their stories are: Valérie, a young woman caught in the vicious cycle of drugs, sex, and money (her own mother gave her her first "hit" at the age of 12), and LGBT sex workers Claudia, a
pre-operative transsexual Transsexual people experience a gender identity that is inconsistent with their assigned sex, and desire to permanently transition to the sex or gender with which they identify, usually seeking medical assistance (including sex reassignment ...
, Audrey, a transvestite, and Barbara, who self-identifies as a
hermaphrodite In reproductive biology, a hermaphrodite () is an organism that has both kinds of reproductive organs and can produce both gametes associated with male and female sexes. Many Taxonomy (biology), taxonomic groups of animals (mostly invertebrate ...
. The latter three talk about their work like any other nine-to-five job, and, unlike any of the cisgender women interviewed, seem to enjoy their work. Claudia calls herself a '' putain respectueuse'' and 42-year-old Audrey assumes her role with "dignity", while Barbara considers herself "generous" in offering "everything", all demonstrating lucidity with respect to the profession. Light is also shed on street prostitution from the point of view of the car-driving customer. Street prostitution is simultaneously the most visible, yet most hidden, and the most harsh (and dangerous) of all forms of sex work, yet no sex worker can truly rely on protection from the police, since what they do is outlawed, even though the act of exchanging money for sex itself is not illegal. Valérie tells of some police officers taking advantage of the situation, offering a ''
quid pro quo Quid pro quo ('what for what' in Latin) is a Latin phrase used in English to mean an exchange of goods or services, in which one transfer is contingent upon the other; "a favor for a favor". Phrases with similar meanings include: "give and take", ...
'' consisting of sexual favours in exchange for avoiding a night in jail. Marianne loudly recites her poems aloud in the street, calling for prostitution to be
decriminalized Decriminalization or decriminalisation is the reclassification in law relating to certain acts or aspects of such to the effect that they are no longer considered a crime, including the removal of criminal penalties in relation to them. This refor ...
and for rights for sex workers.


Production


Background

The subject of ''Sexe de rue'' was not entirely untrodden ground for , whose previous works frequently focus on marginalized members of society, survivors of harsh conditions or victims of criminal enterprises. He was one of a few documentary filmmakers who, beginning in the 1970s, turned a critical eye toward social issues, and who, according to Odile Tremblay, never abandoned his principles. As early as 1973, Boutet offered a glimpse of a relationship between sex work and drug addiction in his documentary, ''Suzanne et Lucie'', about two exotic dancers with a
heroin Heroin, also known as diacetylmorphine and diamorphine among other names, is a potent opioid mainly used as a recreational drug for its euphoric effects. Medical grade diamorphine is used as a pure hydrochloride salt. Various white and brow ...
habit.


Development and filming

The documentary was filmed in the
Downtown Montreal Downtown Montreal ( French: ''Centre-Ville de Montréal'') is the central business district of Montreal, Quebec, Canada. The district is situated on the southernmost slope of Mount Royal, and occupies the western portion of the borough of Vil ...
and Centre-Sud areas, the interviews taking place over three years, two years of which consisted of intensive research undertaken by assistant director Nicole Chaput, who was Boutet's wife. They worked together on his previous documentary, ''Survivants de l'Apocalypse'' (1998), about
cult In modern English, ''cult'' is usually a pejorative term for a social group that is defined by its unusual religious, spiritual, or philosophical beliefs and rituals, or its common interest in a particular personality, object, or goal. This ...
escapees. The working title of ''Sexe de rue'' was ''Prostituées en quête de dignité'' (''Prostitutes in Search of Dignity''). The documentary was made using
DVCAM DV refers to a family of codecs and tape formats used for storing digital video, launched in 1995 by a consortium of video camera manufacturers led by Sony and Panasonic. In the late 1990s and early 2000s, DV was strongly associated with the ...
. Gabriel Bissonnette interviewed subjects Marie-Claude and Marianne after the film was released, asking them what they thought of the experience, and about seeing themselves on the big screen. Marianne was particularly impressed by the crew's sensitivity, although it was hard to see herself in the film, as she was undergoing a relapse at the time, while Marie-Claude found that making the film gave her a sort of closure with respect to her past, even though being on the street during the shooting sometimes reminded her of it in such a way that she sometimes almost felt like going back to it.


Music

The film's original score was composed and performed by Franklyne, Christian Labbé, and
Vic Vogel Victor Stefan Vogel (August 3, 1935 – September 16, 2019) was a Canadian jazz pianist, composer, arranger, trombonist, and conductor. Biography Vogel was born in 1935 to Hungarian parents living in Montreal. He began playing the piano at the ...
, who composed and performed the music for the historical part of the documentary. Boutet always considered music to be an important part of his documentaries, and co-wrote the lyrics to the first song on the soundtrack, "Les putes".


Release

The film had its world premiere at the
Montréal World Film Festival The Montreal World Film Festival (WFF; french: le Festival des Films du Monde) was one of Canada's oldest international film festivals and the only competitive film festival in North America accredited by the FIAPF (although the Toronto Internat ...
, screening on 4, 5, and 6 September 2003, where it won the award for Best Documentary. It was screened again almost immediately at the 18th Festival international du film de Québec. It went on general release at the Cinéma Parallèle (Ex-Centris) from 26 September to 8 October, and then at independent theatres the week of the 15th. Memorial screenings of ''Sexe de rue'', along with other films by Boutet, took place at the 6th Montreal International Documentary Festival, in November.


Home media

''Sexe de rue'' was released on both VHS and DVD formats by the film's distributor in late 2003.


Reception


Commercial performance

The film was the third-highest grossing documentary film in Canada in 2003, collecting $13,232 in box office receipts, according to data from the Motion Picture Theatres Association of Canada.


Critical response

Bruno Dubuc calls ''Sexe de rue'' a sensitive portrait of the world's oldest profession as it has been practiced in south-central Montréal; "raw and disturbing" (''cru et dérangeant''), and valuable for the way it upsets any preconceived notions the viewer might have, both about the motivations of sex workers and the attitudes of the police towards them, as well as the ordinarily hidden sex lives of the car-driving customers. Writing for ''L'Itinéraire'', Gabriel Bissonnette welcomed the documentary as a rare instance of an unprejudiced, sympathetic light being shed on those who work the street, avering that the film's scenes scream truth (''criantes de vérité''). Odile Tremblay, writing for '' Le Devoir'', embraced what she saw as the documentary's plea for the decriminalization of "solicitation", and for rights for the vulnerable street prostitutes, and against a hypocritical society. She described its
cinematographic Cinematography (from ancient Greek κίνημα, ''kìnema'' "movement" and γράφειν, ''gràphein'' "to write") is the art of motion picture (and more recently, electronic video camera) photography. Cinematographers use a lens to focus ...
aesthetic Aesthetics, or esthetics, is a branch of philosophy that deals with the nature of beauty and taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed th ...
in terms of the street itself being a
leitmotif A leitmotif or leitmotiv () is a "short, recurring musical phrase" associated with a particular person, place, or idea. It is closely related to the musical concepts of ''idée fixe'' or ''motto-theme''. The spelling ''leitmotif'' is an anglici ...
in good or bad weather, the customers in their cars, the prostitutes' apartments, and, of course, the needle (remarking earlier that about 10% of the 5000 or so sex workers in Montréal are thought to have a drug habit, and further, they never know if a new customer is a potential threat). Both Bissonnette and Tremblay were personally moved by the stories told by the sex workers themselves, particularly Marie-Claude and Marianne, whom she calls a revolutionary poet whose acid words are like war cries, or wails of suffering (''Marianne, poétesse révoltée qui lance ses mots acides comme des cris de guerre et de douleur''). Bissonnette admires their courage of these "extraordinary" women for letting the crew into the most intimate part of their lives. He was also touched by Claudia's story, and captivated and overwhelmed by Valérie's.


Accolades

*Best Documentary Film Award,
Montréal World Film Festival The Montreal World Film Festival (WFF; french: le Festival des Films du Monde) was one of Canada's oldest international film festivals and the only competitive film festival in North America accredited by the FIAPF (although the Toronto Internat ...
, 2003 ("Golden Zenith for the Best Documentary Film"; French: ''Zénith d’or du meilleur film documentaire'') *Prix des camelots, ''L'Itinéraire'' (a Montréal-based magazine dedicated to social issues), 2003


References


External links

*
Sexe de rue
' on IMDb {{Prostitution in Canada 2003 films Quebec films Documentary films about prostitution in Canada Transgender-related documentary films 2003 LGBT-related films Films about trans women 2003 documentary films Centre-Sud Women in Quebec French-language Canadian films 2000s Canadian films Canadian LGBT-related documentary films