''Serious Charge'' (U.S.: ''A Touch of Hell'', also known as ''Immoral Charge'') is a 1959 British film, directed by
Terence Young and starring
Anthony Quayle,
Sarah Churchill,
Andrew Ray and
Irene Browne
Irene Muriel Browne (23 February 1891 – 24 July 1965) was an English stage and film actress and singer who appeared in plays and musicals, including ''No, No, Nanette''. Later in her career, she became particularly associated with the works of ...
.
It was produced and co-written by Mickey Delamar and
Guy Elmes, and adapted from the 1956 stage play of the same name by
Philip King. The film is notable for the screen acting debut of
Cliff Richard
Sir Cliff Richard (born Harry Rodger Webb; 14 October 1940) is a British singer and actor. He has total sales of over 21.5 million singles in the United Kingdom and, as of 2012, was the third-top-selling artist in UK Singles Chart histo ...
in a minor role.
Plot
Unmarried ex-army vicar Reverend Howard Phillips, newly arrived in the parish, attempts to get local 19-year-old thug and petty criminal Larry Thompson to face up to his responsibilities to Mary Williams, the naive young girl he has made pregnant. When Howard threatens to tell his coffee-bar friends, Larry trashes the room and fakes a struggle. As a dishevelled Larry leaves, Hester Peters arrives, and he tells her that Howard
"interfered" with him. Hester is the daughter of the parish's previous clergyman and has become infatuated with the athletic and handsome new vicar. However, having earlier seen a young girl leaving the vicarage late one night (Mary, who had sought the vicar's advice about her pregnancy), Hester jumps to the conclusion the two are romantically linked and chooses to believe Larry's account. Shortly afterwards, Mary chances across Larry kissing another girl, and in distress blindly stumbles across the road into the path of a car, and is killed.
As a consequence of the malicious accusation, Howard is subjected to suspicion and abuse by his parishioners, including having his car's tyres slashed and receiving
poison pen letters. When his mother learns of events, knowing about Hester's romantic interest in Howard, she quickly comprehends the situation, takes Hester to task, and persuades her to accept Howard's account. Larry duly receives his come-uppance at the hands of his father.
Cast
Production
It was the film debut of Cliff Richard, at that time a teenage pop idol. Richard sings three songs, although none is heard in its entirety: "No Turning Back", "Mad About You", and "
Living Doll" (the latter a different version from the No. 1 hit in the British charts).
The scene at the lido was captured in three distinct versions.
Harrison Marks
George Harrison Marks (6 August 1926 – 27 June 1997) was an English glamour photography, glamour photographer and director of nudist, and later, pornographic films.
Personal life
Born in Tottenham, Middlesex in 1926 to a Jewish family, Marks ...
model Jean Sporle appeared topless for the French market. In the second, she sported a bikini, catering to UK tastes. The third had her donning a petticoat for the US market.
Reception
Box office
According to ''
Kinematograph Weekly
''Kinematograph Weekly'', popularly known as ''Kine Weekly'', was a trade paper catering to the British film industry between 1889 and 1971.
Etymology
The word Kinematograph was derived from the Greek ' Kinumai ', (to move, to be in motion, to ...
'' the film performed "better than average" at the British box office in 1959.
Critical
''
The Monthly Film Bulletin
The ''Monthly Film Bulletin'' was a periodical of the British Film Institute published monthly from February 1934 until April 1991, when it merged with '' Sight & Sound''. It reviewed all films on release in the United Kingdom, including those wi ...
'' wrote: "The story in outline seems melodramatic and contrived, but an imaginative script, sensitive and crisp direction, and the authoritative performance of Anthony Quayle make this an absorbing film. If some of the background detail seems unconvincing (the juvenile delinquents are seen from the conventional middle-class viewpoint, and the vicars, retired or active, enjoy too luxurious a standard of living) the personal conflicts that occupy the foreground are authentic and well observed."
In ''British Sound Films: The Studio Years 1928–1959''
David Quinlan rated the film as "good", writing: "Good drama with (less successful) serious undertones."
Soundtrack
References
External links
*
Review of filmat ''
Variety''
{{Terence Young
1959 films
1959 drama films
1950s English-language films
1950s musical drama films
British musical drama films
Films directed by Terence Young
1950s British films
Films scored by Leighton Lucas
English-language musical drama films