Semi-Gods Ceiling
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The Demi-Gods Ceiling is a painted coffered ceiling by the Italian Renaissance master
Pinturicchio Pinturicchio, or Pintoricchio (, ; born Bernardino di Betto; 1454–1513), also known as Benetto di Biagio or Sordicchio, was an Italian Renaissance painter. He acquired his nickname (meaning "little painter") because of his small stature a ...
, dating to c. 1490 and housed in the last of the suite of reception rooms in the
Palazzo dei Penitenzieri A palace is a large residence, often serving as a royal residence or the home for a head of state or another high-ranking dignitary, such as a bishop or archbishop. The word is derived from the Latin name palātium, for Palatine Hill in Rome whi ...
in
Rome Rome (Italian language, Italian and , ) is the capital city and most populated (municipality) of Italy. It is also the administrative centre of the Lazio Regions of Italy, region and of the Metropolitan City of Rome. A special named with 2, ...
,
Italy Italy, officially the Italian Republic, is a country in Southern Europe, Southern and Western Europe, Western Europe. It consists of Italian Peninsula, a peninsula that extends into the Mediterranean Sea, with the Alps on its northern land b ...
. It comprises 63 octagonal
coffer A coffer (or coffering) in architecture is a series of sunken panels in the shape of a square, rectangle, or octagon in a ceiling, soffit or vault. A series of these sunken panels was often used as decoration for a ceiling or a vault, al ...
s in gilded wood, decorated with allegoric and mythological figures on a faux-mosaic background, and painted on paper. The work was commissioned by Cardinal
Domenico della Rovere Domenico della Rovere (1442 – 23 April 1501) was an Italian cardinal and patron of the arts. Life He was born in Vinovo, near Turin, and was not a relative of Pope Sixtus IV (Francesco Della Rovere), who, however, favoured him in the hope ...
, at the time patron of the young Pinturicchio.


Description

The ''The'' is a grammatical article in English, denoting nouns that are already or about to be mentioned, under discussion, implied or otherwise presumed familiar to listeners, readers, or speakers. It is the definite article in English. ''The ...
figures of the ceiling were inspired by medieval
bestiaries A bestiary () is a compendium of beasts. Originating in the ancient world, bestiaries were made popular in the Middle Ages in illustrated volumes that described various animals and even rocks. The natural history and illustration of each beas ...
and '' libri monstrorum'', which contained hybrid figures such as
sphinx A sphinx ( ; , ; or sphinges ) is a mythical creature with the head of a human, the body of a lion, and the wings of an eagle. In Culture of Greece, Greek tradition, the sphinx is a treacherous and merciless being with the head of a woman, th ...
es, armed tritons, satyrs, dragons, sirens and centaurs. The theme has hidden philosophical and humanist meanings, perhaps suggested by the literati who formed the cardinal's court. In the center is the genealogical tree of the Della Rovere with two peacocks, which can be seen also at the corners. One of the representations is a nude allegory of Fortune, who rides a dolphin, differently from contemporary Florentine depictions in which she is portrayed on a small boat. There is also a
putto A putto (; plural putti ) is a figure in a work of art depicted as a chubby male child, usually naked and very often winged. Originally limited to profane passions in symbolism,Dempsey, Charles. ''Inventing the Renaissance Putto''. University ...
on two
sea horse A seahorse (also written ''sea-horse'' and ''sea horse'') is any of 46 species of small marine bony fish in the genus ''Hippocampus''. The genus name comes from the Ancient Greek (), itself from () meaning "horse" and () meaning "sea monster ...
s going in different directions, a
Neoplatonic Neoplatonism is a version of Platonic philosophy that emerged in the 3rd century AD against the background of Hellenistic philosophy and religion. The term does not encapsulate a set of ideas as much as a series of thinkers. Among the common id ...
allegory of the human soul, divided between Good and Evil, according to
Marsilio Ficino Marsilio Ficino (; Latin name: ; 19 October 1433 – 1 October 1499) was an Italian scholar and Catholic priest who was one of the most influential humanist philosophers of the early Italian Renaissance. He was an astrologer, a reviver of Neo ...
's 1475 comments to
Plato Plato ( ; Greek language, Greek: , ; born  BC, died 348/347 BC) was an ancient Greek philosopher of the Classical Greece, Classical period who is considered a foundational thinker in Western philosophy and an innovator of the writte ...
's ''
Symposium In Ancient Greece, the symposium (, ''sympósion'', from συμπίνειν, ''sympínein'', 'to drink together') was the part of a banquet that took place after the meal, when drinking for pleasure was accompanied by music, dancing, recitals, o ...
''. The Weighing of the Soul and the Eagle Defeating the Snake are ancient themes which had been syncretized by the Christian world. Numerous depictions are of sea creatures, including sirens with two tails, painted while breastfeeding, painting or executing acrobatic dances. They were inspired by the sea
thiasus In Greek mythology and religion, the ''thiasus'' was the ecstatic retinue of Dionysus, often pictured as inebriated revelers. Many of the myths of Dionysus are connected with his arrival in the form of a procession. The grandest such version wa ...
featured in Roman sarcophagi and which was also used by
Andrea Mantegna Andrea Mantegna (, ; ; September 13, 1506) was an Italian Renaissance painter, a student of Ancient Rome, Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with Perspective (graphical), pe ...
, whom perhaps Pinturicchio met in the building of the Belvedere Palace in the Vatican.


Sources

* {{Pinturicchio Paintings by Pinturicchio 1490 paintings