''Sedap Malam'' (Indonesian for ''Sweetness of the Night'') is a 1951 film directed by
Ratna Asmara
Ratna Asmara (1913 – August 1968) was an Indonesian actress and film director. Originally active in theatre, in 1940 she starred in the romance film '' Kartinah'', which her first husband Andjar directed.
After appearing in several further ...
and produced by
Djamaluddin Malik
Djamaluddin Malik (13 February, 1917 – 8 June, 1970) was a prominent Indonesian film producer, politician, entrepreneur. He founded the Jakarta Indonesian company Persari Film.
Personal life
Malik was born in Padang, West Sumatra. His father ...
for Persari. Starring Sukarsih and , it follows a woman who descends into prostitution after her husband marries another woman. It was both Persari's first production and the first film directed by a woman in Indonesian history.
Plot
Over a period of several years, Patmah has worked to help her husband Tamin build his book-selling business into a large printing house. However, in the early 1940s, after the business begins to succeed Tamin takes on a younger wife. Outraged at her husband's
polygyny
Polygyny (; from Neoclassical Greek πολυγυνία (); ) is the most common and accepted form of polygamy around the world, entailing the marriage of a man with several women.
Incidence
Polygyny is more widespread in Africa than in any o ...
, Patmah abandons him and goes to work as a nurse, leaving their four-year-old daughter Nuraini with her friend, Tinah.
During the
Japanese occupation, Patmah is promised that she can receive further training as a nurse in
Tokyo
Tokyo (; ja, 東京, , ), officially the Tokyo Metropolis ( ja, 東京都, label=none, ), is the capital and List of cities in Japan, largest city of Japan. Formerly known as Edo, its metropolitan area () is the most populous in the world, ...
. Upon arrival, however, she discovers that the young nurses are actually intended as
comfort women
Comfort women or comfort girls were women and girls forced into sexual slavery by the Imperial Japanese Army in occupied countries and territories before and during World War II. The term "comfort women" is a translation of the Japanese '' ia ...
. Patmah thus spends the remainder of
World War II
World War II or the Second World War, often abbreviated as WWII or WW2, was a world war that lasted from 1939 to 1945. It involved the World War II by country, vast majority of the world's countries—including all of the great power ...
satisfying the sexual desires of Japanese soldiers. After the war, when she returns to Indonesia, Patmah is unable to reintegrate into society and continues work as a prostitute.
One day, Patmah hears that the now-adult Nuraini is to be wed to Tamin, now a widower; both are unaware of their blood relations. She succeeds in breaking up the planned marriage and in arranging for Nuraini to wed Burhan, a young author whom Nuraini loves. Patmah is tried for prostitution shortly afterwards and eventually dies of a sexually transmitted disease.
Production
''Sedap Malam'' was directed by
Ratna Asmara
Ratna Asmara (1913 – August 1968) was an Indonesian actress and film director. Originally active in theatre, in 1940 she starred in the romance film '' Kartinah'', which her first husband Andjar directed.
After appearing in several further ...
, a former stage and film actress who had starred in such films as ''
Kartinah
''Kartinah'' is a now-lost 1940 romance film from the Dutch East Indies that was written and directed by Andjar Asmara. The film, Andjar's directorial debut, follows a nurse and her superior as they fall in love in the Air Raid Preparation team ...
'' (1940) and ''
Djaoeh di Mata
''Djaoeh Dimata'' (; EYD, Perfected Spelling: ''Jauh di Mata''; Indonesian for ''Out of Sight'') is a 1948 film from what is now Indonesia written and directed by Andjar Asmara for the South Pacific Film Corporation (SPFC). Starring Ratna Asmar ...
'' (1949), in her directorial debut. The film thus became the first in Indonesian history to be directed by a woman; previously, women had been limited to acting roles. The film was also the first production by Persari (Perseroan Artis Indonesia, or Indonesian Artists Corporation), a production house headed by
Djamaluddin Malik
Djamaluddin Malik (13 February, 1917 – 8 June, 1970) was a prominent Indonesian film producer, politician, entrepreneur. He founded the Jakarta Indonesian company Persari Film.
Personal life
Malik was born in Padang, West Sumatra. His father ...
. This was his first foray into film, though he had backed the travelling theatre troupe Bintang Timur during the
Indonesian National Revolution
The Indonesian National Revolution, or the Indonesian War of Independence, was an armed conflict and diplomatic struggle between the Republic of Indonesia and the Dutch Empire and an internal social revolution during postwar and postcol ...
.
Andjar Asmara
Abisin Abbas (; 26 February 1902 – 20 October 1961), better known by his pseudonym Andjar Asmara (), was a dramatist and filmmaker active in the cinema of the Dutch East Indies. Born in Alahan Panjang, West Sumatra, he first worked as ...
, Ratna's husband and a former film director and dramatist, penned the story for ''Sedap Malam''. The Indonesian film historian
Misbach Yusa Biran
Misbach Yusa Biran (11 September 1933 – 11 April 2012) was an Indonesian writer, director and columnist who pioneered the Indonesian film archives.
Personal life
Biran was born in Rangkasbitung, in the Lebak Regency, to a Minangkaba ...
classifies the film's plot as characteristic of the theatre and of domestic films produced between 1937 and 1941: "melodramatic stories, dramatisations fabricated with tired themes" such as materialistic women,
loan shark
A loan shark is a person who offers loans at extremely high interest rates, has strict terms of collection upon failure, and generally operates outside the law.
Description
Because loan sharks operate mostly illegally, they cannot reasonably ...
s,
arranged marriage
Arranged marriage is a type of marital union where the bride and groom are primarily selected by individuals other than the couple themselves, particularly by family members such as the parents. In some cultures a professional matchmaker may be us ...
s, and
polygamy
Crimes
Polygamy (from Late Greek (') "state of marriage to many spouses") is the practice of marrying multiple spouses. When a man is married to more than one wife at the same time, sociologists call this polygyny. When a woman is marri ...
.
Production for ''Sedap Malam'' began in September 1950, and by December of that year Persari was advertising its
black-and-white
Black-and-white (B&W or B/W) images combine black and white in a continuous spectrum, producing a range of shades of grey.
Media
The history of various visual media began with black and white, and as technology improved, altered to color. ...
film as being immediately ready for distribution. Sukarsih and were cast in the film's starring roles, as Patmah and Tamin respectively. portrayed the adult Nuraini, whereas
Rd Mochtar
Hajji Raden Mochtar (born 1918), often credited as Rd Mochtar, was an Indonesian actor. Of noble descent, Mochtar was discovered by Albert Balink and first cast in the commercial failure '' Pareh'' (1936). Rising to popularity after the relea ...
took the role of Burhan. Aminah was cast in a supporting role. Sound editing for the film was handled by Boen Kim Nam, whereas cinematography was done by Tjit Ka Sie.
Release and legacy
''Sedap Malam'' premiered in
Jakarta at the Rex, Roxy, Orion, and Shanghai theatres on 14 February 1951. Rated for audiences aged 17 and older, it was advertised as the first Indonesian film to deal with the issue of prostitution. By May 1951 ''Sedap Malam'' had been released in
Malang,
East Java
East Java ( id, Jawa Timur) is a province of Indonesia located in the easternmost hemisphere of Java island. It has a land border only with the province of Central Java to the west; the Java Sea and the Indian Ocean border its northern and so ...
, where it was described as a "super production by Persari which will shake and demand the attention of society".
Ratna Asmara followed ''Sedap Malam'' with another four productions, two of which she produced through her Asmara Studios. During her directorial career Ratna received little support from male directors. Women directors remained uncommon in Indonesia until the 2000s. Only five women directors other than Ratna Asmara are recorded between 1950 and 1998:
Roostijati,
Chitra Dewi
Rara Patma Dewi Tjitrohadiseikusumo (26 January 1930 – 28 October 2008), best known under her stage name Chitra Dewi, was an Indonesian film actress and director. She was noted for her roles in Usmar Ismail's films of the 1950s, appearing in ...
,
Sofia W.D.
Sofia W. D. (12 October 1924 – 23 July 1986)"Indonesian actress Sofia W.D. dies", ''The Straits Times'', 24 July 1986. was an Indonesian actress and film director. She appeared in 43 films between 1952 and 1986. Her film ''Badai-Selatan'' ...
,
Rima Melati
Marjolein Tambayong (August 22, 1937 – June 23, 2022), better known by her stage name Rima Melati or by her nickname Lientje, was an Indonesian actress, model, and singer. She appeared in close to one hundred feature films, including works b ...
, and Ida Farida. These directors rarely, if ever, received the same recognition as their male counterparts; acting remained the only way for a woman in the industry to gain recognition.
Notes
References
Works cited
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{{Andjar Asmara
1951 films
Films about prostitution
Indonesian-language films
Works about prostitution in Indonesia
1951 directorial debut films