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Cosplay of a character from the ''Warhammer 40,000'' tabletop game; one critic has characterized the game's setting as "action-oriented science-fantasy." Science fantasy is a hybrid genre within speculative fiction that simultaneously draws upon or combines trope (literature), tropes and elements from both
science fiction Science fiction (often shortened to sci-fi or abbreviated SF) is a genre of speculative fiction that deals with imaginative and futuristic concepts. These concepts may include information technology and robotics, biological manipulations, space ...
and
fantasy Fantasy is a genre of speculative fiction that involves supernatural or Magic (supernatural), magical elements, often including Fictional universe, imaginary places and Legendary creature, creatures. The genre's roots lie in oral traditions, ...
. In a conventional
science fiction Science fiction (often shortened to sci-fi or abbreviated SF) is a genre of speculative fiction that deals with imaginative and futuristic concepts. These concepts may include information technology and robotics, biological manipulations, space ...
story, the world is presented as grounded by the laws of nature and comprehensible by science, while a conventional fantasy story contains mostly
supernatural Supernatural phenomena or entities are those beyond the Scientific law, laws of nature. The term is derived from Medieval Latin , from Latin 'above, beyond, outside of' + 'nature'. Although the corollary term "nature" has had multiple meanin ...
elements that do not obey the
scientific law Scientific laws or laws of science are statements, based on repeated experiments or observations, that describe or predict a range of natural phenomena. The term ''law'' has diverse usage in many cases (approximate, accurate, broad, or narrow ...
s of the real world. The world of science fantasy, however, is laid out to be scientifically logical and often supplied with hard science-like explanations of any supernatural elements.Eric R. Williams, ''The Screenwriters Taxonomy: A Collaborative Approach to Creative Storytelling''
p. 121
/ref> During the Golden Age of Science Fiction, science fantasy stories were seen in sharp contrast to the terse, scientifically plausible material that came to dominate mainstream science fiction, typified by the magazine ''
Astounding Science Fiction ''Analog Science Fiction and Fact'' is an American science fiction magazine published under various titles since 1930. Originally titled ''Astounding Stories of Super-Science'', the first issue was dated January 1930, published by William C ...
''. Although science fantasy stories at that time were often relegated to the status of children's entertainment, their freedom of imagination and romance proved to be an early major influence on the " New Wave" writers of the 1960s, who became exasperated by the limitations of hard science fiction.


Historical view

The term "science fantasy" was coined in 1935 by critic Forrest J. Ackerman as a synonym for science fiction. In the 1950s, the British journalist Walter Gillings considered science fantasy as a part of science fiction that was not plausible from the point of view of the science of the time (for example, the use of nuclear weapons in H.G. Wells' novel ''The World Set Free'' was a science fantasy from the point of view of Newtonian physics and a work of science fiction from the point of view of Einstein's theory). In 1948, writer Marion Zimmer (later known as Marion Zimmer Bradley) called "science fantasy" a mixture of science fiction and fantasy in ''Startling Stories'' magazine. Critic Judith Murry considered science fantasy as works of fantasy in which magic has a natural scientific basis. Science fiction critic John Clute chose the narrower term "technological fantasy" from the broader concept of "science fiction". The label first came into wide use after many science fantasy stories were published in the American
pulp magazine Pulp magazines (also referred to as "the pulps") were inexpensive fiction magazines that were published from 1896 until around 1955. The term "pulp" derives from the Pulp (paper), wood pulp paper on which the magazines were printed, due to their ...
s, such as Robert A. Heinlein's '' Magic, Inc.'', L. Ron Hubbard's '' Slaves of Sleep'', and
Fletcher Pratt Murray Fletcher Pratt (25 April 1897 – 10 June 1956) was an American people, American List of science fiction authors, writer of history, science fiction, and fantasy. He is best known for his works on naval history and the American Civil War an ...
and L. Sprague de Camp's Harold Shea series. All were relatively rationalistic stories published in John W. Campbell Jr.'s ''
Unknown Unknown or The Unknown may refer to: Film and television Film * The Unknown (1915 comedy film), ''The Unknown'' (1915 comedy film), Australian silent film * The Unknown (1915 drama film), ''The Unknown'' (1915 drama film), American silent drama ...
'' magazine. These were a deliberate attempt to apply the techniques and attitudes of science fiction to traditional fantasy subjects. Distinguishing between pure science fiction and pure fantasy,
Rod Serling Rodman Edward Serling (December 25, 1924 – June 28, 1975) was an American screenwriter and television producer best known for his live television dramas of the 1950s and his Anthology series, anthology television series ''The Twilight Zone (1 ...
argued that the former was "the improbable made possible" while the latter was "the impossible made probable". As a combination of the two, science fantasy gives a scientific veneer of realism to things that simply could not happen in the real world under any circumstances. Where science fiction does not permit the existence of fantastical or supernatural elements, science fantasy explicitly relies upon them to complement the scientific elements. In explaining the intrigue of science fantasy, Carl D. Malmgren provides an intro regarding
C. S. Lewis Clive Staples Lewis (29 November 1898 – 22 November 1963) was a British writer, literary scholar and Anglican lay theologian. He held academic positions in English literature at both Magdalen College, Oxford (1925–1954), and Magdalen ...
's speculation on the emotional needs at work in the subgenre: "In the counternatural worlds of science fantasy, the imaginary and the actual, the magical and the prosaic, the mythical and the scientific, meet and interanimate. In so doing, these worlds inspire us with new sensations and experiences, with uoting C. S. Lewis'such beauty, awe, or terror as the actual world does not supply', with the stuff of desires, dreams, and dread." Henry Kuttner and C. L. Moore published novels in '' Startling Stories'', alone and together, which were far more romantic. These were closely related to the work that they and others were doing for outlets like '' Weird Tales'', such as Moore's Northwest Smith stories.
Ace Books Ace Books is a publisher of science fiction (SF) and fantasy books founded in New York City in 1952 by A. A. Wyn, Aaron A. Wyn. It began as a genre publisher of mystery fiction, mysteries and western (genre), westerns, and soon branched out int ...
published a number of books as science fantasy during the 1950s and 1960s. '' The Encyclopedia of Science Fiction'' points out that as a genre, science fantasy "has never been clearly defined", and was most commonly used in the period between 1950 and 1966. The ''
Star Trek ''Star Trek'' is an American science fiction media franchise created by Gene Roddenberry, which began with the Star Trek: The Original Series, series of the same name and became a worldwide Popular culture, pop-culture Cultural influence of ...
'' franchise created by
Gene Roddenberry Eugene Wesley Roddenberry Sr. (August 19, 1921 – October 24, 1991) was an American television screenwriter and producer who created the science fiction series and fictional universe ''Star Trek.'' Born in El Paso, Texas, Roddenberry grew up ...
is sometimes cited as an example of science fantasy. Writer James F. Broderick describes ''
Star Trek ''Star Trek'' is an American science fiction media franchise created by Gene Roddenberry, which began with the Star Trek: The Original Series, series of the same name and became a worldwide Popular culture, pop-culture Cultural influence of ...
'' as science fantasy because it includes semi-futuristic as well as supernatural/fantasy elements such as The Q. According to the late science fiction author Arthur C. Clarke, many purists argue that ''Star Trek'' is science fantasy rather than science fiction because of its scientifically improbable elements, which he partially agreed with. The status of ''
Star Wars ''Star Wars'' is an American epic film, epic space opera media franchise created by George Lucas, which began with the Star Wars (film), eponymous 1977 film and Cultural impact of Star Wars, quickly became a worldwide popular culture, pop cu ...
'' as a science fantasy franchise has been debated. In 2015, George Lucas stated that "''Star Wars'' isn't a science-fiction film, it's a fantasy film and a
space opera Space opera is a subgenre of science fiction that emphasizes Space warfare in science fiction, space warfare, with use of melodramatic, risk-taking space adventures, relationships, and chivalric romance. Set mainly or entirely in outer space, i ...
".


Characteristics and subjects

Science fantasy blends elements and characteristics of science fiction and fantasy. This usually takes the form of incorporating fantasy elements in a science fiction context. It tends to describe worlds that appear much like fantasy worlds but are made believable through science fiction naturalist explanations. For example, creatures from folklore and mythology typical for fantasy fiction become seemingly possible in reinvented forms through for example the element of extra-terrestrial beings. Such works have also been described as ' mythopoeic science fantasy'. In the genre, subjects are often conceptualized on a planetary scale.


See also

* Dieselpunk * Dying Earth (genre) * Lovecraftian horror * New weird * Planetary romance (also known as Sword and Planet) * Raygun Gothic *
Steampunk Steampunk is a subgenre of science fiction that incorporates retrofuturistic technology and Applied arts, aesthetics inspired by, but not limited to, 19th-century Industrial Revolution, industrial steam engine, steam-powered machinery. Steampun ...
* Technofantasy


References


Further reading

* * Scholes, R. (1987). Boiling Roses: Thoughts on Science Fantasy. ''Intersections: Science Fiction and Fantasy''. SIU Press.


External links


"Science Fantasy"
in '' The Encyclopedia of Science Fiction'' {{Film genres Fantasy genres Science fiction genres