''Satyavadi Raja Harishchandra'' ( mr, सत्यवादी राजा हरिश्चंद्र; en, Truthful King Harishchandra) is a
1917 silent black and white
Black-and-white (B&W or B/W) images combine black and white in a continuous spectrum, producing a range of shades of grey.
Media
The history of various visual media began with black and white, and as technology improved, altered to color. ...
Indian short film
A short film is any motion picture that is short enough in running time not to be considered a feature film. The Academy of Motion Picture Arts and Sciences defines a short film as "an original motion picture that has a running time of 40 minutes ...
directed and produced by
Dhundiraj Govind Phalke. The film is a shorter version of the first Indian feature film, ''
Raja Harishchandra'' (1913), also directed and produced by Phalke. The
intertitles
In films, an intertitle, also known as a title card, is a piece of filmed, printed text edited into the midst of (i.e., ''inter-'') the photographed action at various points. Intertitles used to convey character dialogue are referred to as "dialo ...
used in the film were in Marathi language as the film was a silent film. The film is based on the mythological story of a Hindu King
Harishchandra, the 36th king of the
Solar Dynasty
The Solar dynasty ( IAST: Suryavaṃśa or Ravivaṃśa in Sanskrit) or the Ikshvaku dynasty was founded by the legendary king Ikshvaku.Geography of Rigvedic India, M.L. Bhargava, Lucknow 1964, pp. 15-18, 46-49, 92-98, 100-/1, 136 The dynasty i ...
, who donated his entire kingdom and sold himself and his family to keep the promise given to the sage
Vishvamitra in the dream.
Plot
The film depicts the story of a Hindu King
Harishchandra, the 36th king of the
Solar Dynasty
The Solar dynasty ( IAST: Suryavaṃśa or Ravivaṃśa in Sanskrit) or the Ikshvaku dynasty was founded by the legendary king Ikshvaku.Geography of Rigvedic India, M.L. Bhargava, Lucknow 1964, pp. 15-18, 46-49, 92-98, 100-/1, 136 The dynasty i ...
. The Hindu sage
Vishwamitra
Vishvamitra ( sa, विश्वामित्र, ) is one of the most venerated rishis or sages of ancient India. According to Hindu tradition, he is stated to have written most of the Mandala 3 of the Rigveda, including the Gayatri Mantr ...
reminds Harishchandra of his promise of donating his kingdom, given to the sage in his dream. Known for abiding his promises, Harishchandra donates as desired by sage. Vishwamitra demands that in order to complete the act of donation, an additional amount as "Dakshina" (honorarium) should be paid. Being empty handed now, Harishchandra sells his wife Taramati, son Rohitashwa and himself to get the required amount. The king leaves for
Varanasi
Varanasi (; ; also Banaras or Benares (; ), and Kashi.) is a city on the Ganges river in northern India that has a central place in the traditions of pilgrimage, death, and mourning in the Hindu world.
*
*
*
* The city has a syncretic t ...
as after donating his kingdom, it becomes the only place outside the influence of the sage.
King, now taking the form of a commoner, gets tested for his morals at several incidents but pleased with his virtue; the gods and the sage restore king's former glory, and further offers heavenly abode to the king, the queen and all their subjects.
Cast
D. D. Dabke
D. D. Dabke or Dattatraya Damodar Dabke was an actor in the first ever Indian full length silent film ''Raja Harishchandra'', directed by Dadasaheb Phalke in 1913. He co-starred with Anna Salunke
Anna Hari Salunke, also known as A. Salunke ...
, a Marathi stage actor played the lead role of Harischandra. The female lead role of Taramati, Harischandra's wife was played by a male actor
Anna Salunke. Phalke's son Bhalachandra was the child artist who donned the role of Rohitash, son of Harischandra. Sage Vishwamitra's role was played by G. V. Sane. The story was an adaptation from the Hindu mythology and was scripted by Ranchhodbai Udayram and Dada Saheb Phalke. Other artists in the film were:
* Dattatreya Kshirsagar
* Dattatreya Telang
* Ganpat G. Shinde
* Vishnu Hari Aundhkar
* Nath T. Telang
Production
Dhundiraj Govind Phalke, popularly addressed as a mark of respect as Dada Saheb Phalke, who eventually came to don the title "father of Indian Cinema",
was the director, script writer and producer of the film. He started a studio in Dadar Main Road. He wrote the screen play, and created the sets for the film and started shooting the film himself. The film was Dada's first feature film venture of full length of the film of 3700 ft (in four reels) and it took seven months 21 days to complete the film. The film was screened at the Coronation Cinema in 1917 before invited audience of the representatives of the press and guests. The film received wide acclaim and was a commercial success. Phalke followed it up by making films such as Satyavan Savithri, Lanka Dhahan (1917), Sri Krisna Janma (1918), and Kalia Mardan (1919).
Some historians believe that the presumed available prints of India's first feature film ''
Raja Harishchandra'' (1913) are actually of ''Satyavadi Raja Harishchandra''.
References
Bibliography
*
*
*
*
*
External links
*
{{Dadasaheb Phalke
1917 films
Indian silent films
Films about Raja Harishchandra
Indian black-and-white films