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Sarang ragang {{IPA-hns, ˈsärəŋg ˈrägäŋg (
ISO 15919 ISO 15919 (Transliteration of Devanagari and related Indic scripts into Latin characters) is one of a series of international standards for romanization by the International Organization for Standardization. It was published in 2001 and uses dia ...
/ IAST: ''Sāraṅg rāgaṅg'',
Hindi Hindi (Devanāgarī: or , ), or more precisely Modern Standard Hindi (Devanagari: ), is an Indo-Aryan languages, Indo-Aryan language spoken chiefly in the Hindi Belt region encompassing parts of North India, northern, Central India, centr ...
and
Marathi Marathi may refer to: *Marathi people, an Indo-Aryan ethnolinguistic group of Maharashtra, India *Marathi language, the Indo-Aryan language spoken by the Marathi people *Palaiosouda, also known as Marathi, a small island in Greece See also * * ...
: सारंग रागांग,
Bengali Bengali or Bengalee, or Bengalese may refer to: *something of, from, or related to Bengal, a large region in South Asia * Bengalis, an ethnic and linguistic group of the region * Bengali language, the language they speak ** Bengali alphabet, the ...
: সারং রাগাঙ্গ), and all other ragas falling under this category are ragas in the
Hindustani Classical music Hindustani classical music is the classical music of northern regions of the Indian subcontinent. It may also be called North Indian classical music or, in Hindustani, ''shastriya sangeet'' (). It is played in instruments like the violin, sit ...
. ''Ragang'' refers to a family of ragas, sharing a common melodic kernel. Other similar raga families are the Malhar family and the Kanada family. The Sarang ragas are sung in the time period of early afternoon. This includes many ragas originating from
folk music Folk music is a music genre that includes traditional folk music and the contemporary genre that evolved from the former during the 20th-century folk revival. Some types of folk music may be called world music. Traditional folk music has ...
and songs. The Sarang raga and all other ragas falling under in this type depict the scenes of the Indian historic past events, e.g. raga Brindabani Sarang depicting
Vrindavan Vrindavan (; ), also spelt Vrindaban and Brindaban, is a historical city in the Mathura district of Uttar Pradesh, India. It is located in the Braj Bhoomi region and holds religious importance in Hinduism as Krishna spent most of his childhoo ...
village or Lankadahan Sarang depicting Lord Hanuman singing this raga while burning
Lanka Lanka (, ) is the name given in Hindu epics to the island fortress capital of the legendary asura king Ravana in the epics of the ''Ramayana'' and the ''Mahabharata''. The fortress was situated on a plateau between three mountain peaks kn ...
with his tail, etc.


History

The main raga Sarang was created by
Swami Haridas Swami Haridas (1480—1573) was a spiritual poet and classical musician. Credited with a large body of devotional compositions, especially in the Dhrupad style, he is also the founder of the Haridasi school of mysticism, still found today ...
. The associated mythology being that he brought
Lord Krishna Krishna (; sa, कृष्ण ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right. He is the god of protection, compassion, tenderness, and love; and is one ...
to earth by singing this raga who took the form of an idol which can still be seen in Mathura. It may be so that raga Sarang is also called as Brindabani Sarang or Vridavani Sarang depicting that Lord Krishna being associated as
Vrindavan Vrindavan (; ), also spelt Vrindaban and Brindaban, is a historical city in the Mathura district of Uttar Pradesh, India. It is located in the Braj Bhoomi region and holds religious importance in Hinduism as Krishna spent most of his childhoo ...
as he lived there. Given its connection to Lord Krishna, it is a popular and sacred Raga in the religious genre
Haveli Sangeet Haveli Sangeet is a form of Hindustani classical music sung in ''havelis''. The essential component is dhrupad. It originated in Mathura in Braj, northern India. It takes the form of devotional songs sung daily to Krishna by the Pushtimarg sect. U ...
. This raga is sung mostly based on the
Mathura Mathura () is a city and the administrative headquarters of Mathura district in the states and union territories of India, Indian state of Uttar Pradesh. It is located approximately north of Agra, and south-east of Delhi; about from the to ...
region. The Gats and the Bandhish are based on the Braja Basha or the Braja language/dialect.


List of ragas in the Sarang family

Following is the list of the ragas in the Sarang Family : * Ambika Sarang * Badhamsa Sarang / Badhans / Barhams Sarang * Dhulia Sarang * Gaud Sarang * Hindoli Sarang * Jayant Sarang * Lankadahan Sarang (sometimes also called as Lankadahani Sarang.) * Loor Sarang * Madhumad/Madhmad Sarang * Maru Sarang * Miyan Ki Sarang * Nat Sarang * Noor Sarang (very Specially sung in Haveli sangeet) * Salang * Samant Sarang * Saraswati Sarang * Shuddha Sarang * Shyam Sarang * Sunand Sarang (Created by Pt.
Milind Date Milind Date (born 28 February) is an Indian flautist and music composer who plays the bansuri. He studied under Hariprasad Chaurasia and is known for his blowing technique and playing in various musical styles. Early life and career At the ag ...
)


Detailed historical information about some ragas

1. Raga Sarang - The associated mythology of raga Sarang is that 'being that he (
Swami Haridas Swami Haridas (1480—1573) was a spiritual poet and classical musician. Credited with a large body of devotional compositions, especially in the Dhrupad style, he is also the founder of the Haridasi school of mysticism, still found today ...
) brought
Lord Krishna Krishna (; sa, कृष्ण ) is a major deity in Hinduism. He is worshipped as the eighth avatar of Vishnu and also as the Supreme god in his own right. He is the god of protection, compassion, tenderness, and love; and is one ...
to earth by singing this raga who took the form of an idol which can still be seen in Mathura. It may be so that Raga Sarang is also called as Brindabani Sarang or Vridavani Sarang depicting that Krishna being associated as
Vrindavan Vrindavan (; ), also spelt Vrindaban and Brindaban, is a historical city in the Mathura district of Uttar Pradesh, India. It is located in the Braj Bhoomi region and holds religious importance in Hinduism as Krishna spent most of his childhoo ...
as he lived there.' 2. Raga Lankadahan Sarang - Lankadahan Sarang (also known as Lankadahani Sarang) depicts Lord Hanuman singing this raga while burning
Lanka Lanka (, ) is the name given in Hindu epics to the island fortress capital of the legendary asura king Ravana in the epics of the ''Ramayana'' and the ''Mahabharata''. The fortress was situated on a plateau between three mountain peaks kn ...
with his tail. See Sundar Kand for more indepth information. 3. Raga Madhumad Sarang - The only difference between raga Brindabani Sarang and Madhumad Sarang is the Brindabani Sarang has both, the Komal and the Shuddha Nishad (Ni) but Madhumad Sarang has only the Komal Nishad. 4. Raga Miyan ki Sarang - Miyan ki Sarang is the mixture of raga Miyan Malhar and raga Vridavani Sarang. This raga was made by Miyan
Tansen Tansen ( – 26 April 1589), also referred to and commonly known as Sangeet Samrat () , was a Hindustani classical musician. Born in a Hindu Gaur Brahmin family, he learnt and perfected his art in the northwest region of modern Madhya Pr ...
and so called as Miyan Ki Sarang. This raga obtains by eliminating Komal Gandhar (Ga) from Miyan Malhar and by advancing the Sarang Raganga. 5. Raga Saraswati Sarang - Saraswati Sarang is simply a mixture of ragas, Saraswati and Sarang. 6. Raga Kauns Sarang - Kauns Sarang is just a mixture of ragas,
Malkauns Malkauns, known also as rag Malkosh, is a raga in Indian classical music. It is one of the oldest ragas of Indian classical music. The equivalent raga in Carnatic music is called Hindolam, not to be confused with the Hindustani Hindol. Accor ...
and Sarang. 7. Raga Maru Sarang - Maru Sarang is a mixture of ragas, Maru (Putra raga) and Sarang. 8. Raga Shuddha Sarang - This is probably the most popular Sarang prakar. It employs both shuddha and teevra madhyam. 9. Raga Samant Sarang - The approach to Shuddha Dhaivat and its assimilation in vakra aang is the main theme in raga Samant Sarang. 10. Raga Salang - This audav jati Sarang prakar is in a sense the obverse of Madhmad. That is, the komal nishad in the Madhmad contour is replaced by its shuddha counterpart here. This makes it somewhat tan-unfriendly. 11. Raga Ambika Sarang - This raga was designed by Chidanand Nagarkar. The gandhar is varjya, and elements of Shuddha Sarang and Kafi are blended together. There are occasional reminders of Raga Saraswati but the presence of shuddha nishad and shuddha madhyam make for a clear separation. 12. Raga Jayant Sarang - Raga Jayant Sarang is a mixture of ragas
Jaijaiwanti Jaijaivanti or Jaijaiwanti is a Hindustani classical ''raga'' belonging to Khamaj Thaat. According to the Guru Granth Sahib, this ''raga'' is a mixture of two others: Bilaval and Sorath. The ''raga'' appears in the latter section in Gurbani, a ...
and Brindabani Sarang. 13. Raga Nat Sarang - It is derived by a mixture of 2 ragas, Chhayanat and Brindabani Sarang.


Sources


The Sarang Family

Google Groups

Raagabase - A collection of Indian Classical Music Raags (aka Ragas)

Shuddh sarang

This sultry summer, make your afternoons dreamy with raag Saarang


Also see

* Brindabani Sarang * List of Ragas in Hindustani classical music *
Kanada (family of ragas) Kanada (, (ISO 15919/ IAST: ''Kānaṛā rāgaṅg'' Hindi: कान्हड़ा, Bengali: কানাড়া)) also known as Kanhada is a group of ''raga''s in Hindustani classical music. The name Kanada suggests that it may have originat ...
* Malhar (family of ragas) Hindustani music Ragas