Saputangan

''Saputangan'' ( Indonesian for ''Handkerchief'') is a 1949 romance film from what is now Indonesia. Directed by Fred Young and starring Chatir Harro, Noorsini, and Astaman, it follows a young doctor who, after his fiancée is blinded in an automobile accident, becomes an optometrist and restores her sight.

Plot

As a sign of his love, the medical student Hardjono has given his fiancée Karnasih his handkerchief. After Hardjono finishes his final exams, his parents give him a new car, with which Hardjono takes Karnasih on holiday to Mega Mendung, near Bogor and restore Karnasih's vision, decides to go abroad and receive further training. Karnasih, meanwhile, dedicates her time to educating poor children at her own school, the Taman Karnasih.

Six years pass, and Hardjono—having received the training he sought—returns. He operates on Karnasih. Six weeks pass, and Karnasih's vision is restored, allowing her to see her beloved again.

Production

''Saputangan'' was directed by Fred Young as the second film for his company Bintang Soerabaja, following ''Sehidup Semati'' (''One in Life, One in Death''). Young initially wrote the story as a stage play for his theatrical troupe, also named Bintang Soerabaja. The story was adapted into a screenplay by Tan Tjoei Hock, who had joined the company together with financier and film producer The Teng Chun. Production began in September 1949 and was, at the time, estimated to require two months of filming.

Though the film was shot in black-and-white, the titular handkerchiefs in ''Saputangan'' were hand-tinted. The Indonesian film historian Misbach Yusa Biran writes that this hand tinting, done owing to references to the handkerchiefs' colour, was done poorly, such that the colour was jittery.

The film starred Chatir Harro, Noorsini, and Astaman. It also featured Netty Herawaty, Darussalam, Ribut Rawit, Mohammad Jusuf, Sukarsih, R.A. Sri Mulat, Pak Kasur, and Lilik Sudjio. Its soundtrack featured seven songs, including "Inilah Laguku" ("This is My Song"), "Asmara Kelana" ("Love of the Wanderer"), "Saputangan" ("Handkerchief"), "Pulau Bali" ("The Island of Bali"), and "Saputangan Tanda Kasih" ("Handkerchief, Sign of Love").

Release and reception

A novelisation of ''Saputangan'' was published by Gapura in 1949; the publishing house, owned by Andjar Asmara, had novelised all Indonesian films produced or in production since independence up to that point. The film was in theatres by February 1950, when it was screening in Jakarta. The film was exported to Singapore, where it was banned by the film censor Jack Evans in May 1950 for being "not up to standards"; J. B. Kristanto, in his '' Katalog Film Indonesia'' (''Indonesian Film Catalogue''), suggests that the issue was Communism-inspired dialogue. This ban was lifted on 1 June 1950, and ''Saputangan'' was soon screened to popular success at the Alhambra Theatre.

The reviewer for the ''Sunday Courier'' received ''Saputangan'' warmly, writing that the film was "unlike any other" and was the first Indonesian film to not feature any fighting.

''Saputangan'' may now be lost. Movies were then shot on flammable nitrate film, and after a fire destroyed much of Produksi Film Negara's warehouse in 1952, old films shot on nitrate were deliberately destroyed. The American visual anthropologist Karl G. Heider writes that all Indonesian films from before 1950 are lost. However, Kristanto records several as having survived at Sinematek Indonesia's archives, and Biran writes that several Japanese propaganda films have survived at the Netherlands Government Information Service.

Explanatory notes

References

Works cited

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Indonesian black-and-white films
Dutch East Indies films
Lost Indonesian films
Indonesian romance films
1940s romance films
Lost romance films
1940s lost films