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Sanjit Narwekar (born 8 May 1952) is an Indian documentary filmmaker scriptwriter and author. A 1967 alumni of Bombay Scottish High School, Mumbai, he completed his Bachelor’s in Statistics (1974) and his Master’s in Economics (1976) from the University of Mumbai.


Early career

He began writing in 1969 while he was still in college and has more than 2500 articles to his credit in the last 50 years. During his post graduation he worked at the National Institute of Bank Management but opted to work in journalism soon after he had completed his Masters. He worked in a wide variety of newspaper organizations and has been News Editor of Screen (1980-1991), Editor of TV & Video World (1994–95) and Executive Editor of Documentary Today (2007-2012).


Career

Narwekar has authored/edited 20 books on
film history The history of film chronicles the development of a visual art form created using film technologies that began in the late 19th century. The advent of film as an artistic medium is not clearly defined. However, the commercial, public scr ...
and published more than 100 books for various organizations. He has also hosted interviews/magazine programs for
All India Radio All or ALL may refer to: Language * All, an indefinite pronoun in English * All, one of the English determiners * Allar language (ISO 639-3 code) * Allative case (abbreviated ALL) Music * All (band), an American punk rock band * ''All'' (All ...
and Doordarshan. He has participated in several national and international seminars and conducted workshops on various aspects of
Indian cinema The Cinema of India consists of motion pictures produced in India, which had a large effect on world cinema since the late 20th century. Major centers of film production across the country include Mumbai, Chennai, Hyderabad, Visakhapatnam, K ...
, both in India and abroad. He has also served on several selection committees and juries and has been a member of the Film Advisory Board of the Government of India (1992–93). He worked briefly as scriptwriter before turning to documentary films. He is based in
Mumbai, India Mumbai (, ; also known as Bombay — the official name until 1995) is the capital city of the Indian state of Maharashtra and the ''de facto'' financial centre of India. According to the United Nations, as of 2018, Mumbai is the second- ...
and heads his cinema research company Cinemaink.


Awards

In 1996 he was awarded the Swarna Kamal (National Award) for the Best Book on Cinema for ''Marathi Cinema in Retrospect''. The Delhi-based newspaper ''The Pioneer'' nominated it among the top five books on Indian cinema in post-independent India (1947–1997).http://www.sanjitnarwekar.com/html/html/honours.htm In 2017 he was made Sanmanniya Sabhasad (Distinguished Fellow) of the Mumbai Marathi Patrakar Sangh. In 2020 he was conferred the Bimal Roy Memorial Award "for documenting Indian Cinema's History with knowledge and scholarship". In 2022 he was Chairman, National Jury, Mumbai International Film Festival for Documentary, Short and Animation Films 2022
Interaction with National Jury
In 2022 he was conferred the Dr V Shantaram Lifetime Achievement Award at the Mumbai International Film Festival for Documentary, Short and Animation Films 202
Award presentation


Films: Documentaries

* ''Nations in Turmoil'' (Writer-Director) (2011) * (Writer-Producer-Director) (2010) * ''Dreaming Movies'' (Writer-Director) (2007) * ''Protecting Creativity'' (Writer-Director) (2005) * ''Remembering Devendra Goel'' (Creative Consultant) (2005) * ''Lavni Rupdarshan'' (Director) (2004) * ''Life On The Edge'' (Writer-Director) (2002) * ''Yes! I Am A Communist'' (Writer/Co-director: Vinay Newalkar) (2002) *
India Unveiled
' (Writer-Director) (1998) * ''Lavni'' (Executive Producer-Writer) (1998)


Films: Short Fiction

* ''Mahilaone Thama Tha Akash'' (miniseries)(Executive Producer) (2002) * ''Yeh Kal Kab Aayega'' (Writer-Director) (2001)


Film Scripts

* ''Durghatna'' (Hindi) (1994/unproduced) * ''Ghar Sansar'' (Marathi) (1993) * ''Khulyancha Bazaar'' (Marathi) (1992) * ''Premankur'' (Marathi) (1992) * ''Anapekshit'' (Marathi) (1990) * ''Saboot'' (Hindi telefilm) (1989) * ''Samarpan'' (Hindi telefilm) (1988)


Books: Biography

* Ambalal Patel: A Visionary (2014) * K.A.Abbas: The Celluloid Revolutionary (2009/unpublished) * Bimal Roy: The Silent Thunder (2008/unpublished) * Dilip Kumar: The Last Emperor (2003) * V.Shantaram: The Legacy of the Royal Lotus (2003) * Mother Shamala: A Gift Of Motherhood (1998) * J.G.Bodhe: The Uncommon Common Man (1986)


Books: Film History

* Nitrate Dreams: The Silent Film in India (work in progress) * Documenting India: The Legacy of the Films Division (work in progress) * Eena Meena Deeka: The Story of Hindi Film Comedy (2005) * The Watchdogs of Democracy: The Story of Investigative Journalism (2005) * Flashback: A Panorama of Indian Documentaries 1981-2001 (2001) * Crafting Movies: Exploring Hindi Mainstream Cinema (2000) * Directory of Indian Documentary (1998) * The Arrival of Cinema in India (1996) * Marathi Cinema: In Retrospect (1995) * A Directory of Indian Filmmakers & Films (1994) * Films Division & The Indian Documentary (1992) * Genres of Indian Cinema (Co-Editor:
B. K. Karanjia Burjor Khurshedji Karanjia (21 December 1919 – 25 June 2012) was an Indian film journalist and editor. He was the editor of ''Filmfare'' for 18 years, followed by ''Screen'' which he edited for 10 years. He also remained the chairman of the Nat ...
) (1988)


References

{{DEFAULTSORT:Narwekar, Sanjit Living people 1952 births Indian documentary filmmakers University of Mumbai alumni Indian male screenwriters Indian film historians