Salva Sanchis
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Salva (Salvador) Sanchis is a Spanish dancer, choreographer and dance teacher.


Training

Salva Sanchis was born in
Manresa Manresa () is the capital of Bages county, located in the central region of Catalonia, Spain. Crossed by the river Cardener, it is an industrial area with textile, metallurgical, and glass industries. The houses of Manresa are arranged aro ...
, a city near
Barcelona Barcelona ( ; ; ) is a city on the northeastern coast of Spain. It is the capital and largest city of the autonomous community of Catalonia, as well as the second-most populous municipality of Spain. With a population of 1.6 million within c ...
. He followed a theater training at Barcelona's
Institut del Teatre The Theatre Institute of Barcelona () is a public institution dedicated to training in the performing arts, classical dance, contemporary and Spanish as well as in theater, film, choreography, etc. It was created in 1913 in Barcelona by Adrià Gu ...
, where he specialized in
physical theatre Physical theatre is a genre of theatrical performance that encompasses storytelling primarily through physical movement. Although several performance theatre disciplines are often described as "physical theatre", the genre's characteristic aspe ...
, mime techniques, sword fighting,
acrobatics Acrobatics () is the performance of human feats of balance (ability), balance, agility, and motor coordination. Acrobatic skills are used in performing arts, sports, sporting events, and martial arts. Extensive use of acrobatic skills are most ...
and
Aikido Aikido ( , , , ) is a gendai budō, modern Japanese martial art which is split into many different styles including Iwama Ryu, Iwama Shin Shin Aiki Shuren Kai, Shodokan Aikido, Yoshinkan, Renshinkai, Aikikai, and Ki Aikido. Aikido is now practic ...
.Biography of Salva Sanchis
on the website of kunst/werk
In 1995, he moved to Belgium to study in Brussels at P.A.R.T.S., the dance school founded by
Anne Teresa De Keersmaeker Anne Teresa, Baroness De Keersmaeker (, born 1960 in Mechelen, Belgium, grew up in Wemmel) is a contemporary dance choreographer. The dance company constructed around her, , was in residence at La Monnaie in Brussels from 1992 to 2007. Biogra ...
. There he created various dance solo and group choreographies. His graduation project ''Less than a moment'', a one-hour choreography for five dancers, was performed at different places in Europe. Salva Sanchis graduated from P.A.R.T.S in 1998 with the first generation of students. On the occasion of the twentieth anniversary of the dance school, he co-ordinated with the dancer / choreographer Heine Avdal the program ''P.A.R.T.S. Generation 1 (1995-1998)'' that was presented at the Brussels Beursschouwburg in November 2015.


Initial period

From 1998, his work evolved from a theater-influenced style to a pronounced abstract approach to dance. In particular, his choreography ''Previous'' (2003), again a piece for five dancers, marked that change of direction to a more abstract language and an in-depth study of improvisation. In addition to his choreographies, Salva collaborated in the period 2000-2004 regularly with choreographer Marc Vanrunxt (on his productions ''Performance'' and ''Most Recent''), video artist Elke Vandermeerschen and visual artist Kristof Van Gestel. With Marc Vanrunxt he also collaborated afterwards.


Collaboration with Anne Teresa De Keersmaeker / Rosas

From 2002 to 2007, Salva Sanchis was associated with Anne Teresa De Keersmaeker’s dance company Rosas. He started as a dancer in ''Bitches Brew / Tacoma Narrows'' (Anne Teresa De Keersmaeker / Rosas, 2003). For ''Cassandra - speaking in twelve voices'' (Anne Teresa De Keersmaeker / Rosas, 2004), he collaborated on the dance vocabulary, but did not participate as a dancer in production. For the two productions that followed, ''Raga for the Rainy Season / A Love Supreme'' (Anne Teresa De Keersmaeker / Rosas, 2005) and ''Desh'' (Anne Teresa De Keersmaeker / Rosas, 2005) he was, together with Anne Teressa De Keersmaeker, responsible for part of the choreography and dance vocabulary (''A Love Supreme'' in the first production and ''Raaj Khamaj'' and ''India'' in the second). Salva Sanchis also participated as a dancer in these two productions. ''A Love Supreme'' was restaged by Salva Sanchis and Rosas in 2017 in a revised version. While he was associated with Rosas, he also produced some of his own choreographies: ''Double Trio Live'' (2005), ''Variations in G'' (2006) and ''Still Live'' (2007). In the period that Salva Sanchis was associated with Rosas, his work was determined by research guided by musical sources. By working with jazz music, he developed a personal approach to the relationship between dance and music. After that, music (often live music) remained an important element in his choreographic work. He worked with musicians such as jazz saxophonist Bruno Vansina, avant-garde jazz pianist / composer
Kris Defoort Kris Defoort is a Belgian avant-garde jazz pianist and composer. Early life Kris Defoort was born in Bruges, Belgium. His brother is saxophonist and composer Bart Defoort. In 1978, he entered the conservatory in Antwerp to study early music an ...
, organist / composer
Bernard Foccroulle Bernard Charles M. E. T. H. Foccroulle (born 23 November 1953) is a Belgian organist, composer, conductor and opera director. Biography He was born in Liège Liège ( ; ; ; ; ) is a City status in Belgium, city and Municipalities in Be ...
, sound artist Peter Lenaerts, pianist Yutaka Oya and the duo Discodesafinado, that mixes minimal techno with experimental electronics. With Bernard Fouccroulle, Salva Sanchis created from 2008 under the title ''The Organ Project'' a series of dance shows with live organ music in different churches in Europe that have evolved into improvisations for four to five dancers. With Kris Defoort, he made the improvisation solo ''Action'' in 2010.


Latent Fuss and cooperation with kunst/werk

After Salva Sanchis left Rosas, a short period followed in which he started his own organization (Latent Fuss vzw) to produce his transition work ''Objects in mirror are closer than they appear'' (2008). This is a production for four dancers and a musician that confronts pure movement with extraterrestrial abductions, Out of Body Experiences (OBE) and developments in cognitive neurology. In 2010, he switched to kunst/werk, a Belgian subsidized dance organization where he is responsible for artistic leadership together with Marc Vanrunxt. He produced choreographies such as ''Now here'' (2011), ''Angle'' (2012), ''The Phantom Layer'' (2013), ''Islands'' (2014) and ''Radical Light'' (2016). ''Angle'' and ''Radical Light'' are also performances in which music plays a crucial role. ''Angle'' is a solo in collaboration with pianist Yutaka Oya, who plays short compositions of
György Ligeti György Sándor Ligeti (; ; 28 May 1923 – 12 June 2006) was a Hungarian-Austrian composer of contemporary classical music. He has been described as "one of the most important avant-garde music, avant-garde composers in the latter half of the ...
,
John Cage John Milton Cage Jr. (September 5, 1912 – August 12, 1992) was an American composer and music theorist. A pioneer of indeterminacy in music, electroacoustic music, and Extended technique, non-standard use of musical instruments, Cage was one ...
,
Luciano Berio Luciano Berio (24 October 1925 – 27 May 2003) was an Italian composer noted for his experimental music, experimental work (in particular his 1968 composition ''Sinfonia (Berio), Sinfonia'' and his series of virtuosic solo pieces titled ''Seque ...
,
Jo Kondo Jo, jo, JO, or J.O. may refer to: Arts and entertainment * ''Jo'' (film), a 1972 French comedy * ''Jo'' (TV series), a French TV series *"Jo", a song by Goldfrapp from ''Tales of Us'' *"Jo", a song by Mr. Oizo from '' Lambs Anger'' * Jo a ficti ...
and Keiko Harada. For ''Radical Light'', Salva Sanchis began a dialogue with the music of Discodesafinado (Senjan Jansen and Joris Vermeiren), resulting in a choreography that was completely based on the musical concept of 'pulse'.


Return to Spain

In the first months of 2016, it became known that, after a stay of more than twenty years in Brussels, Salva Sanchis returned to his native region in Spain to complete his studies in psychology. In the meantime, he only wants to restage older choreographic work. The return to Spain also means his departure from kunst/werk.


Reception of choreographic work

The choreographies that Salva Sanchis has created for kunst/werk and Latent Fuss vzw have toured in Belgium and abroad, especially ''Radical Light'' (Salva Sanchis, 2016),Page about ''Radical Light'' (Salva Sanchis, 2016)
on the website of kunst/werk
''Islands'' (Salva Sanchis, 2014)Page about ''Islands'' (Salva Sanchis, 2014)
on the website of kunst/werk
and ''Objects in mirror are closer than they appear'' (Salva Sanchis, 2008).Page about ''Objects in mirror are closer than they appear'' (Salva Sanchis, 2008)
on the website of kunst/werk
In Belgium (mainly in Flanders and Brussels), they were performed in the main theatres (Kaaitheater in Brussels, art centre STUK in Leuven, Monty and deSingel in Antwerp, Vooruit in Ghent, Concertgebouw in Bruges and art centre BUDA in Kortrijk), but also in cultural centres in smaller cities. Outside Belgium they were performed in Austria (Vienna), France (Lyon, Villeneuve D'ascq and Valenciennes), Hungary (Budapest), Italy (Firenze), the Netherlands (Rotterdam), Portugal (Lisbon) and Spain (Barcelona and Santiago de Compostela). In 2017, ''Radical Light'' was selected for the Flemish TheaterFestival. In 2018, ''Radical Light'' (Salva Sanchis, 2016) will be performed for six days at the Théâtre de la Bastille in Paris. The revised version of ''A Love Supreme'' (Salva Sanchis and Anne Teresa De Keersmaeker / Rosas, 2017) has even toured more intensely, with performances in Austria, Belgium, France, Germany and Italy since its premiere in April 2017. In 2017 and 2018, more performances will follow in Belgium, France, Hungary, Italy, the Netherlands, Spain, Switzerland and the United States. In 2017, the Rosas dancers José Paulo dos Santos, Bilal El Had, Jason Respilieux and Thomas Vantuycom were awarded the prix de la Critique by the French dance press for their performance in ''A Love Supreme''(Salva Sanchis and Anne Teresa De Keersmaeker / Rosas, 2017).


Work as a teacher

In parallel with his choreographic activities, Salva Sanchis has developed an extensive pedagogical career. He has given dance workshops in different countries. At the same time, he has been closely associated since 2004 with P.A.R.T.S., the dance school where he studied. He is one of the permanent teachers, and is also responsible for the selection of new students. In his work as a dance teacher, Salva Sanchis focuses on an eclectic technical approach to improvisation that is strongly linked to his own choreographic work.


Productions

Own work: * ''Radical Light'' (Salva Sanchis, 2016) * ''Islands Revisited'' (Salva Sanchis, 2015) * ''Islands'' (Salva Sanchis, 2014) * ''The Phantom Layer'' (Salva Sanchis, 2013) * ''Angle'' (Salva Sanchis, 2012) * ''now h e r e'' (Salva Sanchis, 2011) * ''Action'' (Salva Sanchis and Kris Defoort, 2010) * ''Objects in mirror are closer than they appear'' (Salva Sanchis, 2008) * ''The Organ Project'' (Salva Sanchis and Bernard Foccroulle, 2008) * ''Still Live'' (Salva Sanchis, 2007) * ''Ten Variations in G'' (Salva Sanchis, 2006) * ''Double Trio Live'' (Salva Sanchis, 2005) * ''Double Duet Live'' (Salva Sanchis, 2004) * ''Constant Relay'' (Salva Sanchis, 2002) * ''Previous'' (Salva Sanchis, 2002) * ''Itch & Fear'' (Salva Sanchis, 2000) * ''Gap'' (Salva Sanchis, 2000) * ''Reckless Reckoning'' (Salva Sanchis and Florence Augendre, 1998) * ''Less than a moment'' (Salva Sanchis, 1998) * ''Underline'' (Salva Sanchis, 1998) With Anne Teresa De Keersmaeker / Rosas: * ''A Love Supreme'' (Salva Sanchis and Anne Teresa De Keersmaeker / Rosas, 2017) * Raga for the Rainy Season / A Love Supreme (Anne Teresa De Keersmaeker / Rosas, 2005) * ''Desh'' (Anne Teresa De Keersmaeker / Rosas, 2005) * ''Kassandra - speaking in twelve voices'' (Anne Teresa De Keersmaeker / Rosas, 2004) * ''Bitches Brew / Tacoma Narrows'' (Anne Teresa De Keersmaeker / Rosas, 2003) With Marc Vanrunxt: * ''Trigon'' (Marc Vanrunxt, Salva Sanchis, Georgia Vardarou, 2012) * ''For Edward Krasinski'' (Marc Vanrunxt, 2010) * ''Most recent'' (Marc Vanrunxt, 2002) * ''Some Problems of Space Perception'' (Marc Vanrunxt, 2001) * Performance (Marc Vanrunxt, 2000) With others: * ''Phenomena'' (Georgia Vardarou, 2013) * ''MicroSleepDub'' (Peter Lenaerts, 2015) * ''Curtain'd with a cloudy red'' (Thomas Plischke, 1998) * ''Only now does he turn'' (Jan Ritsema, 1997)


Filmography

* ''Radical / Light'' (Robbrecht Desmet, 2016)Page about ''Radical / Light'' (Robbrecht Desmet, 2016)
on the website of Robbrecht Desmet


References


Sources


Overview page about Salva Sanchis
on the website of kunst/werk
Kunstenpunt - Persons - Salva Sanchis
according to the Flemish Arts Institute


Further reading

* Michaël Bellon
''Rosas danst Coltrane''
interview met Salva Sanchis en Anne Teresa De Keersmaeker door De Munt / La Monnaie op de website van Rosas * Charlotte De Somviele, ''Flexibel in dansen en denken'', in: De Standaard/DS2, 09/11/2015, p. 2 * Charlotte De Somviele, ''Een spirituele apotheose'', in: De Standaard/DS2, 01/03/2017, p. 4 * Lieve Dierckx
Salva Sanchis: The Phantom Layer
in: Etcetera, 13/11/2013 * Lieve Dierckx
''Salva Sanchis - Making sure I am doing well at what I am doing''
in: Theo Van Rompay (ed.), ''P.A.R.T.S. 20 years - 50 portraits'', 2016, P.A.R.T.S, p. 59-65, * Lieve Dierckx
''Salva Sanchis / Kunst/Werk''
in: Dans & Publiek - Een dossier van Kunstenpunt * Lieve Dierckx
''Action!: Salva Sanchis en Kris Defoort maken zich op voor ‘on the spot’ ontmoeting''
* Lieve Dierckx
''Over de ruimte en de vrijheid - Action! - Kris Defoort en Salva Sanchis''
* Guy Duplat, ''John Coltrane chorégraphié par ATDK, c’est magnifique'', in: La Libre Belgique, 25/02/2017, p. 56 * Wannes Gyselinck
''Improviseren met zwaartekracht - Een dubbelgesprek met Anne Teresa De Keersmaeker en Salva Sanchis''
in Rekto:Verso * Gilles Michiels and Jonas Denduyver
''Radical Light: een vat vol onvoltooide vormen''
in: Veto, 17/10/2016 * Joaquim Noguero
''Observations on the stances of the body. The theoretical and practical case of Salva Sanchis. ''
* Jeroen Peeters
''Sporen van beweging''
in: Financieel-Economische Tijd, 28/06/2000 * Jeroen Peeters
''Retinale resonanties''
in: Financieel-Economische Tijd, 10/06/2000 * Jeroen Peeters
''Angst om te vallen? ''
in: Financieel-Economische Tijd, 09/12/2000 * Ditta Rudle
''ImPulsTanz: Salva Sanchis – „Radical Light“''
* Pieter T'Jonck, ''Wie is bang voor abstracte kunst? '', in: De Morgen, 16/01/2007, p. 22 * Pieter T'Jonck
''Mooi maar autistisch: Dans > 'Still Live' van Salva Sanchis''
in: De Morgen, 13/01/2007 * Pieter T'Jonck, ''Rosas doet Coltrane, dit keer nog beter'', in: De Morgen, 27/02/2017, p. 21 * Sarah Vankersschaever, ''Angle'', in: De Standaard/DS2,09/02/2012, p. 9 * Sarah Vankersschaever
''Stil, trager, stilst: The Phantom Layer''
in: De Standaard, 14/11/2013 * Els Van Steenberghe

in: Knack Focus, 23/03/2016 * Jean-Marie Wynants, ''La fascination de l'immobilité'', in: Le Soir/Namur Luxembourg, 15/01/2007, p. 44 {{DEFAULTSORT:Sanchis, Salva Date of birth missing (living people) Living people Spanish choreographers Spanish male dancers 21st-century Spanish educators Year of birth missing (living people) Male dancers from Catalonia People from Manresa