(also, ) ''aka'' is a Japanese
film director
A film director or filmmaker is a person who controls a film's artistic and dramatic aspects and visualizes the screenplay (or script) while guiding the film crew and actors in the fulfillment of that Goal, vision. The director has a key role ...
,
actress
An actor (masculine/gender-neutral), or actress (feminine), is a person who portrays a character in a production. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. ...
, and
screenwriter
A screenwriter (also called scriptwriter, scribe, or scenarist) is a person who practices the craft of writing for visual mass media, known as screenwriting. These can include short films, feature-length films, television programs, television ...
, known for her work in the ''
pink film
refers in Japan to movies produced by independent studios that includes nudity (hence 'pink') or deals with sexual content. This encompasses everything from dramas to action thrillers and exploitation film features. Many pink films would be a ...
'' genre. After making her acting debut in 1965, she appeared in independent ''pink films'' throughout the rest of the decade, often for director
Akitaka Kimata, whom she would later marry, and his son Seiji Izumi. Tama took a brief retirement in the early 1970s, then began appearing in films in
Nikkatsu
is a Japanese film studio located in Bunkyō. The name ''Nikkatsu'' amalgamates the words Nippon Katsudō Shashin, literally "Japan Motion Pictures".
Shareholders are Nippon Television Holdings (35%) and SKY Perfect JSAT Corporation (28.4%). ...
's ''Roman Porno'' series in 1975. She began directing in 1981, helming at least 80 films as of 2002.
Life and career
Early life and career
Rumi Tama was born on January 15, 1949 in
Tokyo
Tokyo, officially the Tokyo Metropolis, is the capital of Japan, capital and List of cities in Japan, most populous city in Japan. With a population of over 14 million in the city proper in 2023, it is List of largest cities, one of the most ...
's
Setagaya
is a special ward in the Tokyo Metropolis in Japan. It is also the name of a neighborhood and administrative district within the ward. Its official bird is the azure-winged magpie, its flower is the fringed orchid, and its tree is the '' Ze ...
neighborhood.
Her family had close ties to the film industry. Her father was a set designer at
Daiei Film
Daiei Film Co. Ltd. ( Kyūjitai: Shinjitai: ''Daiei Eiga Kabushiki Kaisha'') was a Japanese film studio. Founded in 1942 as Dai Nippon Film Co., Ltd., it was one of the major studios during the postwar Golden Age of Japanese cinema, produci ...
, and her uncle was the cinematographer
Kimio Watanabe at the same studio.
Tama's brother was employed at
Toei as a lighting technician.
Her sister also became a ''pink film'' actress, following Tama's entry into the field, appearing in
Masao Adachi
Masao Adachi (足立正生 ''Adachi Masao'', born May 13, 1939) is a Japanese screenwriter, director, actor and former Japanese Red Army member who was most active in the 1960s and 1970s. He was born in Fukuoka Prefecture.
Career
Best known for ...
's . Using the stagename , her career mostly involved acting in supporting roles in films with Tama.
[Sharp, p. 296.]
Rumi Tama made her film debut as an actress in the 1965 Tokyo Eiga pink film release, .
She starred in many of these independent softcore theatrical films throughout the rest of the decade, appearing often in films by and his son Akiyoshi, who was born in 1946 and directed under the stagename . These films were produced through Kimata's Pro Taka, and usually distributed by
Million Film
was one of the early independent studios which produced pink films. Along with OP Eiga, Shintōhō Eiga, Kantō and Kōji Wakamatsu's production studio, Million Film was one of the most influential on the genre during its first decade. Many of t ...
.
Akitaka Kimata was born in 1915 and founded Pro Taka as a pink film production company in 1965. His first film in the genre, ''River of Flesh'', was directed by his son, and included Tama in the cast. Tama would later marry Akitaka Kimata, becoming his third wife.
Typical of the films Tama made with her future husband was ''Pervert'' (''Koshokuma'', 1968), in which she was cast as one of the victims of a college professor who enjoys capturing women for torture. Tama received attention particularly for her role in
Shin'ya Yamamoto (director)'s .
She retired from the film industry for a time in the early 1970s to devote time to her family.
[Weisser, p. 82.]
Acting at Nikkatsu
Rumi Tama came out of retirement to act for the major film studio
Nikkatsu
is a Japanese film studio located in Bunkyō. The name ''Nikkatsu'' amalgamates the words Nippon Katsudō Shashin, literally "Japan Motion Pictures".
Shareholders are Nippon Television Holdings (35%) and SKY Perfect JSAT Corporation (28.4%). ...
in 1975, and appeared in their Roman Porno films for the next six years.
In order to offset the loss of many filmmakers who had left when the studio changed its production to almost solely its Roman Porno series in 1971, Nikkatsu recruited performers from the ''pink film'' world. An admirer of Tama, Nikkatsu director
Shogorō Nishimura was instrumental in the studio's decision to hire the actress to star in their ''Apartment Wife'' series.
[Weisser, p. 224.]
The ''Apartment Wife'' series was one of the leading titles in Nikkatsu's Roman Porno genre. Nikkatsu inaugurated its Roman porno line with Nishimura's ''
Apartment Wife: Affair In the Afternoon'' (1971), and its success ensured the continuation of the Roman Porno direction the studio took for the next 17 years.
The "Apartment Wife" series had made Roman Porno "queens" out of
Kazuko Shirakawa
(born September 30, 1947) is a Japanese actress who is best known for her appearances in Nikkatsu's '' Roman Porno'' films during the 1970s. She appeared in Nikkatsu's first film in the ''Roman Porno'' series, ''Apartment Wife'' (1971), and is c ...
and then
Junko Miyashita, who starred in eight entries in the series.
[Weisser, p. 48.] Nikkatsu chose Tama to be Miyashita's successor in the series, and her debut film for the studio was Nishimura's .
Tama's husband Akitaka Kimata also came out of retirement to write the script for Tama's second "Apartment Wife" episode, . This film is credited with rejuvenating the series.
[Weisser, p. 49.] Its story, in which a husband discovers that his wife has been appearing in pornography without his knowledge, has been cited as an influence on the ''
Angel Guts'' series (1978–1994).
Tama refused to act in the next entry in the ''Apartment Wife'' series, director Shinichi Shiratori's , complaining that the script was inferior.
Among the films in which Tama acted for Seiji Izumi, her future stepson, during this era were , which Jasper Sharp describes as "Pinku eiga at its most mean-spirited and thuggish". Sharp notes that the film, while not very explicit, is nonetheless disturbing due to its sober depictions of a series of assaults. He comments that Tama performing these scenes for her future stepson director lends the film some inadvertently Freudian connotations.
Tama starred for Shogorō Nishimura again in . This film had Tama straying far from her "Apartment Wife" persona, playing the role of a woman who has served prison time for physically abusing her unfaithful husband. Upon her release from incarceration she goes on a love-making spree with the intent of exacting revenge on her ex-husband by seducing his mistress' lover.
Though Nishimura was an enthusiastic supporter of Tama, most of their collaborations are not ranked among the best efforts of either of the two.
Tama played pop-singer-turned-Roman Porno-actress
Runa Takamura's mother in
Kōyū Ohara
was a Japanese film director known for his popular '' Roman Porno'' films, '' Fairy in a Cage'' (1977) and the ''Pink Tush Girl'' series (1978–1980). One of Nikkatsu's most versatile and prolific directors, filming eight movies in 1979 alone, ...
's 1976 Roman Porno, , based on Takamura's life. Known as the "King of Pop Art Porn", director Ohara again worked with Tama in the 1978
nunsploitation
Nunsploitation is a subgenre of exploitation film which had its peak in Europe in the 1970s. These films typically involve Christian nuns living in convents during the Middle Ages.
Criteria
The main conflict of the story is usually of a religio ...
film, . Tama returned to the ''Apartment Wife'' series in 1978, for ''Apartment Wife: Night By Ourselves''. She and Akitaka Kimata were married on September 15, 1978.
Directing
In the early 1980s, Rumi Tama began directing, becoming one of the few women to direct in the ''pink film'' genre. According to publicity from the
Ōkura Eiga studio (later renamed OP Eiga), Kyōko Ōgimachi was the first female director of a pink film when she helmed ''Yakuza Geisha'' in 1965.
[Sharp pp. 294-295.] Pink film industry insiders, however, doubt the veracity of this claim, noting that Ōgimachi was the mistress of Mitsugu Ōkura, head of the studio, and that he was known for showing preferential treatment to Ōgimachi. After this film, Ōgimachi never directed again.
Sachi Hamano
a.k.a. ''and'' (born March 19, 1948), is a Japanese film director. She is the most prolific and written-about female ''pink film'' director.
Life and career
Sachi Hamano was born as Sachiko Suzuki in Tokushima Prefecture on March 19, 1948. Wh ...
was the first significant female pink film director. She debuted in 1971 and founded her own studio in 1984.
Rumi Tama made her debut as a director in 1981 with the film .
By 2002 she had directed and scripted about eighty films, most of which were produced and distributed by her husband's Pro Taka and
Million Film
was one of the early independent studios which produced pink films. Along with OP Eiga, Shintōhō Eiga, Kantō and Kōji Wakamatsu's production studio, Million Film was one of the most influential on the genre during its first decade. Many of t ...
studios. Her later films were distributed by Exces.
Tama's , distributed by
Million Film
was one of the early independent studios which produced pink films. Along with OP Eiga, Shintōhō Eiga, Kantō and Kōji Wakamatsu's production studio, Million Film was one of the most influential on the genre during its first decade. Many of t ...
, is a
rape and revenge film involving a college-aged protagonist who avenges herself against her abusers: her father and her professor.
Some of Tama's directorial credits are , , and .
During the late 1990s, Tama worked in
Shintōhō Eiga
is a Japanese pink film production company and film distributor located in Tokyo, Japan which has been among the most influential studios in the pink film genre since its beginnings.
Foundation
The first Shintōhō, or "New Toho", also known ...
's "Hard Porno" line of videos.
[Weisser, pp. 83, 151.] Her last directorial effort, as of 2009, was the
V-cinema
Direct-to-video or straight-to-video refers to the release of a film, television series, short or special to the public immediately on home video formats rather than an initial theatrical release or television premiere. This distribution strate ...
.
Bibliography
English
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Notes
{{DEFAULTSORT:Tama, Rumi
1949 births
People from Setagaya
Japanese film actresses
Japanese film directors
Japanese women film directors
Pink film directors
Pink film actors
Japanese screenwriters
Living people
Japanese women screenwriters
20th-century Japanese actresses