Biography
Albarrán was born in theCareer
Due to the arrival of his second child and as a tribute to his first, Rubén, together with his wife, decided to release ''Bienvenido al Sueño'' in 2006. For this project he called himself Sizu Yantra and his wife, Psikini. He was supported in his live appearances by a band of friends and relatives called ''Tepetokio''. In 2010 Rubén Albarrán formed the group Hoppo!, a Latin American folk song covers band, with two Chilean musicians and with Alejandro Flores, better known as "the fifth Tacvbo". In subsequent appearances various musicians were added to the project. In 2011, the band's appearances only consisted of Rubén and the Chilean musicians Rodrigo "El Chino" Aros and Juan Pablo "El Muñeco" Villanueva. In addition to his records, Albarrán contributed in various beneficial associations. In 2016, he participated in the dubbing of the film ''Moana: a sea of adventures'' performing the song "I know the way" together with Opetaia Foa'i.Collaborations
Albarrán has taken part in various duets and collaborations. *1995 - participated on the album ''Guarra Gaucha'' by the band Enanitos Verdes, on the song "Ella". *1999 - collaboration with the band Control Machete, on their song "Danza" on the album ''Artillería pesada presenta...''; also on the song "El Fin de la Historia" by Rafael "El Señor González". *2001 - participated under the pseudonym Nrü with "Desconocido Soy" on the album ''Look in to the Eyeball'' by David Byrne. *2002 - collaborated with the band Inspector and Roco, a member of Maldita Vencindad, performing the song "Amnesia" together with vocalist Big Javy. In the same year, he appeared on Yucatán-a-go-go's album ''Rock cabezón para chavitos'' on the songs "Los mayas (a go-go)" and "La piñata". He also played with the band in their cover of the song "Alármala de tos". In the same year he also collaborated on the first album of Fermin IV (Control Machete) in the song "Nadie Como", and the song "Son del Sol" by the Mexican band Fase. *2004 - made a duet with the Mexican singer María Barracuda, of the song "Chale". *2005 - made "Horal", a duo with Argentinian singer-songwriter León Gieco, taken from the album ''Por favor, perdón y gracias''. *2007 - took part in the song "La Luna" by the Argentinian/Uruguayan band Butumbaba, and the track "Todas Las Mañanas" by Gabriel Aury for her debut album ''Este Es El Momento''. Both collaborations were under the pseudonym Sizu Yantra. *2008 - collaborated on ''Los de atrás vienen conmigo'' with Calle 13 in the song "No Hay Nadie Como Tú". Also in the same year he collaborated with Kharlos for a duet on the album ''Sin copa y sin sopa'', on the single "Cómo quiero a mi charlangas" which was nominated for a Grammy Latino that year. He also collaborated on the songs "Perro Negro" by Lila Downs, "Aunque no sea conmigo" and "Si Mañana" by Celso Piña, and "Haikú" by La Barranca. *2011 - participated as special guest in the song "El Poder Emborracha" by Desorden Público. In November of that year he did a special duet with the Argentinian rock/ska band Los Auténticos Decadentes with whom he recorded the song "Corazón". *2013 - collaborated on the song "Vuelve" by Julieta VenegasOther artistic projects
In 2011, together with Ofelia Medina he made the theatrical performance ''El placer de nuestra lengua'', consisting of a histrionic montage with erotic poetry. The work had performances in Mexico, the United States and Spain.Aesthetics
Alter egos
Albarrán's constant change of names is due to the creation of characters or alter egos. The singer has declared that he does it to "breathe fresh air" and free himself from "being Rubén". In an interview in the Argentine music magazine ''Los Inrockuptibles'' he mentions the origin of his constant name changes: "Sometimes I regret eing Rubén Albarránand other times I take it as a game. On one hand, I free myself from the weight of being Rubén, and on the other, it's a breath of fresh air - besides, in short, it's therapeutic for me." In the era of the formation of Café Tacvba, Albarrán already was experimenting with his attire. In the words of Joselo when he spoke of it for the first time, "Rubén was on that occasion with a white hat and a bag, and it was a strange and interesting thing, because no vocalist saw themselves like that, they all like rockers, but not him." *Pinche Juan: The first time that Albarrán used an alter ego was in 1990 when Café Tacvba started to play in underground places for rock in Spanish. At that time was a rise of the aesthetic of dark and punk bands, such as The Cure, so people went to bars like Tutti Frutti in Mexico City dressed in attire related to that subgenre. "They all had to come dressed in black, very dark. The joke was to make fun of that but at the same time we liked it", Albarrán said regarding the song "Pinche Juan", which is the Spanish form of "Johnny Rotten". Given the popularity of the track, people who saw him in the street started to shout "pinche Juan"; furthermore, Albarrán admired the band Ritmo Peligroso, whose members used pseudonyms, particularly the singer Piro Pendas, therefore he decided to adopt the pseudonym Juan for his appearance on the first album in 1992. In that era the band characteristically went out on stage in traditional Mexican clothing, an aesthetic they maintained until the release of their next album. *Cosme: Café Tacvba wanted to create a concept album with Re. Part of the storyline is to do with the concept of duality in the beliefs of Mesoamerican people and ideas like atl-tlachinolli. Albarrán created the character of Cosme, dying his hair red, combing it to form small devil horns and wearing a red jacket and a checkered skirt. He took the name from the area of Rivera de San Cosme in Mexico City, where street vendors sold contraband since the 1970s. *Anónimo (Anonymous): When recording Avalancha de Éxitos it was Quique who suggested the new name "Anónimo", and so in 1996 Anónimo appeared as the main voice of Café Tacvba. *Massiossare: Rubén once more changed to be Massiossare during the few engagements that were left of the band and one occasion which was a collaboration with other bands. *Nrü y Amparo Tonto Medardo In Lak'ech: Facing the creation of the double album Revés/YoSoy, being two different discs, he took two different names. On one side was Nrü (which supposedly comes from an abbreviation of the phrase "Núcleo Radio Üno") and on the other side was Amparo Tonto Medardo In Lak' ech. "Amparo tonto" for a national political scandal of the time; "Medardo", name of the Vizconde de Terralba in the fantasy novel ''El vizconde demediado'' written by Italo Calvino; and "In Lak'ech" which in Maya means "I am another you" *Rita Cantalagua: When Café Tacvuba took a year's break and split up, Rubén again changed his name, this time to Rita Cantalagua.. He explained its origin in an interview in 2001: "The Rita one I took from a German film called ''The Legends of Rita'', and Cantalagua is a village I encountered on a trip around Mexico: one day I passed through here and I saw the sign "Hacienda Cantalagua". It sounded to me like ''canta el agua'' (the water sings)." *Gallo Gassss: With the release of ''Vale callampa'' in tribute to Los Tres, Rubén was known as "Gallo Gassss" and performed in a white suit and a hat with a cockerel's crest. *Ixaya Matatzin Tléyotl: Collectively given to him by his contects on MySpace *Elfego Buendía: The recording of ''Cuatro Caminos'' started in which Rubén returned transformed into "Elfego Buendía": Elfego in homage to one of his uncles who disappeared and Buendía after the family from the novel ''Cien años de soledad'' *Cone Cahuitl *Zopilote: a pseudonym used in 2012. In 2013, with the release of the album ''El objeto antes llamado disco'' he decided to stick with his real name, which has remained until the present with the release of ''Jei beibi''Discography
With Café Tacvba
*1992 – ''Café Tacuba'' *1994 – ''Re'' *1996 – ''Avalancha De Éxitos'' *1999 – ''Revés/Yo Soy'' *2001 – ''Tiempo Transcurrido'' *2002 – ''Vale Callampa'' *2003 – ''Cuatro Caminos'' *2005 – ''Un Viaje'' *2005 – ''MTV Unplugged (recorded in 1995)'' *2007 – ''Sino'' *2012 – ''El objeto antes llamado disco'' *2017 – ''Jei Beibi'' *2019 – ''Un Segundo MTV Unplugged''As soloist
*2006 – ''Bienvenido al sueño''Activism
On top of his artistic work, Albarrán is an activist for different causes, primarily related to environmental protection and land protection. In 2012 he formed the collective Aho with other artists, a group in defense of sacred land of the indigenous Wixaricas, Wirikuta. In this year he publicly showed his support for the YoSoy132 movement. In 2013 he joined protests against the structural reforms of the government of Enrique Peña Nieto. In 2015 he joined Manu Chao and Roco Pachukote to show support in favour of the conservation of the Amazon. Albarrán is a supporter of theReferences
{{DEFAULTSORT:Albarrán, Rubén 1967 births Mexican male singer-songwriters Mexican singer-songwriters Rock en Español musicians Singers from Mexico City Living people Latin music songwriters