Rongorongo (; Rapa Nui: ) is a system of

glyph A glyph () is any kind of purposeful mark. In typography, a glyph is "the specific shape, design, or representation of a character". It is a particular graphical representation, in a particular typeface, of an element of written language. A g ...

s discovered in the 19th century on Easter Island that appears to be writing or proto-writing. Text A of the rongorongo corpus, also known as ''Tahua'', is one of two dozen surviving texts.

Other names

A is the standard designation, from Barthel (1958). Fischer (1997) refers to it as RR1. It is also known as the Oar ''(la rame),'' the object from which it was made.

Location

General archives of the '' Padri dei Sacri Cuori'' (SSCC), Casa Generalizia, Via Rivarone 85, I-00166 Rome, Italy. Reproductions are located at the SSCC; the

Bishop Museum The Bernice Pauahi Bishop Museum, designated the Hawaii State Museum of Natural and Cultural History, is a museum of history and science in the historic Kalihi district of Honolulu on the Hawaiian island of Oʻahu. Founded in 1889, it is the lar ...

, Honolulu; and the '' Cinquantenaire,'' Brussels.

Description

''Tahua'' is the cut-off blade of a narrow, rectangular European or American oar, 91 x 11.5 x 2 cm, said to be made of European ash, though the wood has never been tested. It is in excellent condition, with a few ink stains and a few small holes and notches.

Provenance

One of Jaussen's tablets, ''Tahua'' was apparently collected on Easter Island by Fathers Roussel and Zumbohm in 1870 and sent to him in Tahiti. It was sent to the headquarters of the ''Congrégation des Sacrés-Coeurs et de l'Adoration'' (SSCC) in Paris, where it was deposited in the Missionary Museum, either by Jaussen in 1888 or by the French navy in 1892 after his death. In 1905 it was moved to the SSCC museum in Braine-le-Comte, Belgium. In 1953 it followed the SSCC to Grottaferrata, near Rome, and in 1964 to Rome itself. In 1974 the SSCC moved to its permanent headquarters in Rome.

The proper starting point of the inscription is unclear. (Jaussen's informant Metoro Taua Ure 'read' it starting with side b.) Kudryavtsev discovered that several lines of ''Tahua'' were paraphrased on the Large St. Petersburg tablet (tablet P). Barthel (1958) noted sections of the ''Taure'' text repeated, in seemingly random distribution, on tablets B ''Aruku'', C ''Mamari'', E ''Keiti'', H Large Santiago, P Large St Petersburg, and Q Small St Petersburg. Butinov (1959:74) suggested that ''Tahua'' might contain a genealogy.

Text

There are eight lines of glyphs on each side, with a total of ~ 1,825 glyphs. Through comparison of phrases shared with other texts, Pozdniakov has established that the reading order of the lines follows Barthel, though the order of the two sides may still be either a–b or b–a. ;Barthel ;Fischer

Image gallery

Image:Rongorongo_A-a_Tahua_left.jpg, Side a left end Image:Rongorongo_A-a_Tahua_center.jpg, Side a center Image:Rongorongo_A-a_Tahua_right.jpg, Side a right end Image:Rongorongo_A-b_Tahua_left.jpg, Side b left end Image:Rongorongo_A-b_Tahua_center.jpg, Side b center Image:Rongorongo_A-b_Tahua_right.jpg, Side b right end

References

* BARTHEL, Thomas S. 1958. ''Grundlagen zur Entzifferung der Osterinselschrift'' (Bases for the Decipherment of the Easter Island Script). Hamburg : Cram, de Gruyter. * BUTINOV, Nikolai A. 1959. ''Ieroglificheskie teksty ostrova Paskhi (Rapa-Nui).'' Vestnik istorii mirovoi kul'tury, Moscow, pp. 69–80. * FISCHER, Steven Roger. 1997. ''RongoRongo, the Easter Island Script: History, Traditions, Texts.'' Oxford and N.Y.: Oxford University Press. * POZDNIAKOV, Konstantin (1996). "Les Bases du Déchiffrement de l'Écriture de l'Ile de Pâques (The Bases of Deciphering the Writing of Easter Island)". '' Journal de la Société des Océanistes'' 103 (2): 289–303.

External links

Barthel's coding of text A
{{Rongorongo Rongorongo inscriptions