Roman Haubenstock-Ramati
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Roman Haubenstock-Ramati, born Roman Haubenstock (; 27 February 1919 – 3 March 1994) was a composer and music editor who worked in Kraków, Tel Aviv and Vienna.


Life

Haubenstock-Ramati was born in Tonie (a village near Krakow, to which it was incorporated only in 1941) as a son of Samuel (a farmer) and Regina née Gronner.''Sprawozdanie Dyrekcji II. Państwowego Gimnazjum im. św. Jacka w Krakowie za rok szkolny 1934/5, 1935/6 i 1936/7'', s. 48, Kraków, 1937 He obtained his secondary school-leaving certificate at the Cracow 2nd State St. Jack Gymnasium in 1937. After that he studied composition,
music theory Music theory is the study of theoretical frameworks for understanding the practices and possibilities of music. ''The Oxford Companion to Music'' describes three interrelated uses of the term "music theory": The first is the "Elements of music, ...
, violin and philosophy there from 1934 to 1938, and in
Lemberg Lviv ( or ; ; ; see #Names and symbols, below for other names) is the largest city in western Ukraine, as well as the List of cities in Ukraine, fifth-largest city in Ukraine, with a population of It serves as the administrative centre of ...
from 1939 to 1941. Among his teachers were Artur Malawski and Józef Koffler. In 1939, his family fled from the Germans to Lviv, which was incorporated into the Soviet Union as a result of the Hitler-Stalin Pact. Due to his multilingualism, he was arrested shortly before the German invasion of the Soviet Union in 1941 on charges of espionage and deported to Tomsk via Odessa. There he was amnestied to join General Władysław Anders' Polish Army and arrived in Palestine with the 2nd Polish Corps. He stayed there for several years and in 1943 he took the second part of his surname "Ramati" - from then on he appeared as Roman Haubenstock-Ramati. After his coming back to Poland - from 1947 to 1950 he was head of the music department of Kraków Radio, and from 1950 to 1956 he was director of the State Music Library in Tel Aviv. In 1957 he was awarded a six-month stipend for the Academy for
musique concrète Musique concrète (; ): " problem for any translator of an academic work in French is that the language is relatively abstract and theoretical compared to English; one might even say that the mode of thinking itself tends to be more schematic ...
. From 1957 to 1968 he was an editor of new music for Universal Edition in Vienna. In addition he gave guest lectures and composition seminars in Tel Aviv,
Stockholm Stockholm (; ) is the Capital city, capital and List of urban areas in Sweden by population, most populous city of Sweden, as well as the List of urban areas in the Nordic countries, largest urban area in the Nordic countries. Approximately ...
,
Darmstadt Darmstadt () is a city in the States of Germany, state of Hesse in Germany, located in the southern part of the Frankfurt Rhine Main Area, Rhine-Main-Area (Frankfurt Metropolitan Region). Darmstadt has around 160,000 inhabitants, making it the ...
, Bilthoven (the
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) and
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, and from 1973 held a professorship at the Musikhochschule in Vienna. He died in Vienna in 1994. Haubenstock-Ramati was also a designer and painter.


Works

*String Trio No. 1 ''Ricercari'' (1948) *''Bénédictions'' (''Blessings'') for soprano (vocals) and nine instruments (1951) *''Recitativo ed aria'' (''Konzert für Cembalo und Orchester'') (1954) *''Studie in Form'', graphic score (1954) *''Papageno's Pocket-Size'', concerto for glockenspiel and orchestra (1956) *''Les Symphonies de timbres'' for orchestra (1957) *''Chants et prismes'' for orchestra (1957) *''Exerque pour une symphonie'' for tape (1957) *Passacaille for tape (1957) *''Chanson populaire'' for tape (1957) *''L'amen de verre'' for tape (1957) *''Ständchen sur le nom de Heinrich Strobel'' for orchestra (1958) *''Petite musique de nuit'', mobile for orchestra (1958) *''Séquences'' ersion 1for violin and orchestra (1958) *''Interpolation'', mobile for flute (one, two or three flutes or tape recordings) (1958) *''Liaisons'', mobile for vibraphone and marimbaphone with one performer and tape or for two performers (1958) *''Séquences'' ersion 2for violin and chamber orchestra (1958–88) *''Décisions'', ten graphic scores for undefined sound sources (1959–71) *''Jeux 6'', mobile for six percussionists (1960) *''Credentials or "Think, Think Lucky"'' for voice (speaker) and eight players (1960) *''Mobile for Shakespeare'' for voice and six players (1960) *''Twice for Cathy'' for voice and tape (1960) *''Prosa-Texte'' ersion 1for four reciting choirs (1962) *''Prosa-Texte'' ersion 2for two reciting choirs and tape (1962) *''Prosa-Texte'' ersion 3for reciting choir and tape (1962) *''Vermutungen über ein dunkles Haus'' for three orchestras, two of which are pre-recorded (1962–63) *''Amerika'', opera in two parts after Franz Kafka's novel (1962–64) *''Jeux 2'', mobile for two percussionists (1965) *Rounds, for six performers (1965) *''Multiple 1'' for two string instruments ad libitum (1965) *''Multiple 2'' for three string instruments, two woodwind instruments and two brass instruments ad libitum (1965) *''Multiple 3'' for two string instruments, two woodwind instruments and two brass instruments ad libitum (1965) *''Multiple 4'' for one woodwind instrument and one brass instrument ad libitum (1965) *''Multiple 5'' for one string instrument and one woodwind instrument ad libitum (1965) *''Multiple 6'' for one string instrument and one brass instrument ad libitum (1965) *''Klavierstücke I'' for piano (1965) *''Alone 1'', graphic score for undefined low-pitched instrument and percussion ad libitum (1965) *''Jeux 4'', mobile for four percussionists (1966) *''Tableau I'' for orchestra (1967) *''Psalm'' for orchestra (1967) *''Symphonie 'K' '' for orchestra (1967) *''Comédie'', anti-opera in one act after Samuel Beckett (1967) *''Catch 1'' for one or two harpsichords (1968) *''Catch 2'' for one or two pianos (1968) *Divertimento, composer's text collage after Plato and others, for actors, dancers, and (or) mimes, two percussionists, tape or live *''electronics ad libitum'' (1968) *''Alone 2'', graphic score for ensemble (1969) *''Batterie'', graphic score for percussion (1969) *''Describe'' for voice and piano (1969) *''Tableau II'' for orchestra (1970) *''Ludus musicalis'', twelve models for group of young musicians and for school orchestras (1970) *Madrigal for a four-part mixed choir a cappella (1970) *''Tableau III'' for orchestra (1971) *''Multiple 7'' for trumpet and cello (1971) *''Konstellationen'' – mixed media, 25 sheets of graphic score (1971) *''In memoriam Igor Stravinsky'', graphic score for undefined instrument (1971) *''Chorographie I'' for three a cappella choirs (1971) *''Act-if'', graphic score for ensemble (1971) *''Discours'', graphic score for guitar and voice (speaker) (1972) *Duo, graphic score for guitar and percussion (1972) *''Kreise'', graphic score for voice (speaker) and percussion (1972) *''La sonnambula'', graphic score for vocals (speaker) and guitar ad libitum (1972) *''Frame'', graphic score for guitar solo (1972) *''Kammermusik'' for orchestra (1972) *''Poetics I für James Joyce. The Moon Is Still Blue'', graphic score for ensemble (1972) *''Poetics II für James Joyce. Speload Mc'', graphic score for ensemble (1972) *Solo, graphic score for any string instrument (1972) *''Concerto a tre'' for piano, trombone, and percussion (1973) *String Quartet No. 1 (1973) *''Hexachord 1'' and ''2'' for one or two guitars (1973) *''Shapes 1'' for pipe organ (1973) *''Shapes 2'' for pipe organ, piano, harpsichord, and celesta for one, two, or four performers (1973) *''Pour piano'', graphic score (1973) *''Sonans'', graphic score for vocal ensemble and tape or live electronics ad libitum (1973) *''Musik für 12 Instrumente'' (1974) *Concerto for Strings (1975) *Cello Sonata (1975) *''Endless'' for seven performers (1975) *''Chordophonie 1'', mobile for harpsichord (1976) *''Chordophonie 2'', mobile for clavichord (1976) *''Symphonien'' for orchestra (1977) *String Quartet No. 2 (1977) *''Song'' for percussion (1978) *''Self I'' for bass clarinet (or clarinet) and live electronics (1978) *''Self II'' for alto saxophone and live electronics (1978) *''Polyphonien'' for one-two orchestras or orchestra with tape accompaniment (1978) *''Ulysses. Scenen einer Wanderung'', ballet – twelve tableaus for tape (1979) *''Nocturnes I'' for orchestra (1981) *''Nocturnes II'' for orchestra (1982) *''Ohne Titel'', graphic score for pipe organ (1983) *Piano Sonata (1983) *''Musik für zwei Klaviere'' (1983–84) *''Cantando'' for six performers (1984) *''Mirrors/Miroirs I'', mobile for sixteen pianos (1984) *''Mirrors/Miroirs II'', mobile for eight pianos (1984) *''Mirrors/Miroirs III'', mobile for six pianos (1984) *''Schlossbergmusik'', sound installation (1984) *''Nocturnes III'' for orchestra (1985) *String Trio No. 2 (1985) *''Enchaîné'' for saxophone quartet (1985) *''Für Kandinsky'', trio for flute, oboe, and clarinet (1985) *''Sottovoce'' for chamber orchestra (1986) *Trio (''Enchaîné II'') for flute, oboe, and piano (1986) *''Imaginaire'' for orchestra (1986–87) *''Zeichen für S.B.'', graphic score for soloists and plucked string instruments' orchestra (1987) *''Beaubourg musique'' for chamber orchestra (1988) *''Cathédrale I'' for harp solo (1988) *''Cathédrale II'', mobile for two to sixteen harps (1988) *''Extensions'' for one or two marimbas (1988) *''For Boguslaw Schaeffer'' for flutes, percussion, keyboard instrument, and computer (1989) *''Deux préludes'' for guitar (1989) *''Invocations'' for chamber orchestra (1990) *''Pluriel'' ersion 1 mobile for two violins, viola, and cello (1991) *''Pluriel'' ersion 2 mobile for violin, viola, and cello (1991) *''Pluriel'' ersion 3 mobile for violin and viola (1991) *''Pluriel'' ersion 4 mobile for violin and cello (1991) *''Pluriel'' ersion 5 mobile for viola and cello (1991) *''Tenebrae'' for tape (1991) *''Tenebrae II'' for tape and piano (1991) *''Adagio I'' for tape (1991) *''Adagio II'' for saxophone and tape (1991) *''Morendo'' for tape (1991) *''Morendo II'' for flute and tape (1991) *''Unruhiges Wohnen'', ballet (1991–92) *''Nouvoletta I'', mobile for flute, piano, percussion, and cello (1992) *''Nouvoletta II'', mobile for flute, piano, percussion, and cello (1992) *''Nouvoletta III'', mobile for flute, harp, percussion, and celesta (or harpsichord) (1992) *''Nouvoletta IV'', mobile na for flute, percussion, cello, and celesta (or harpsichord) (1992) *''Nouvoletta V'', mobile for flute, cello, and percussion (1992) *''Nouvoletta VI'', mobile for flute, percussion, and celesta (or harpsichord) (1992) *''Nouvoletta VII'', mobile for cello, percussion, and celesta (or harpsichord) (1992) *''Équilibre'' for chamber ensemble (1993)


References


Works cited

* * *


Further reading

* . 1966. "''Amerika''". ''
Neue Zeitschrift für Musik The New Journal of Music (, and abbreviated to NZM) is a music magazine, co-founded in Leipzig by Robert Schumann, his teacher and future father-in law Friedrich Wieck, Julius Knorr and his close friend Ludwig Schuncke. Its first issue appe ...
'' 27 (1966), 438–41. * Clements, Andrew. 1992. "Haubenstock-Ramati, Roman". ''
The New Grove Dictionary of Opera ''The New Grove Dictionary of Opera'' is an encyclopedia of opera. It is the largest work on opera in English, and in its printed form, amounts to 5,448 pages in four volumes. The dictionary was first published in 1992 by Macmillan Reference, L ...
'', edited by Stanley Sadie. London: Macmillan Publishers.


External links

* Examples of Notations: * Biography and works, Universal Edition: versions i
German
() an
English
() * Biography by Erhard Karkoschka: {{DEFAULTSORT:Haubenstock-Ramati, Roman 1919 births 1994 deaths 20th-century Austrian painters Austrian male painters 20th-century Polish classical composers Austrian classical composers Austrian designers Austrian male classical composers Austrian music educators Composers for the classical guitar International Rostrum of Composers prize-winners Jewish classical composers Jewish painters Musicians from Vienna Musicians from Kraków Polish male classical composers Polish designers Polish exiles 20th-century Polish Jews Polish music educators Polish painters Polish male painters 20th-century Polish male musicians Polish emigrants to Israel Israeli emigrants to Austria 20th-century Austrian male artists