Rodolfo Mederos
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Rodolfo Mederos (born March 25, 1940) is an
Argentine Argentines, Argentinians or Argentineans are people from Argentina. This connection may be residential, legal, historical, or cultural. For most Argentines, several (or all) of these connections exist and are collectively the source of their ...
bandoneonist, composer and arranger. He lived in
Cuba Cuba, officially the Republic of Cuba, is an island country, comprising the island of Cuba (largest island), Isla de la Juventud, and List of islands of Cuba, 4,195 islands, islets and cays surrounding the main island. It is located where the ...
and
France France, officially the French Republic, is a country located primarily in Western Europe. Overseas France, Its overseas regions and territories include French Guiana in South America, Saint Pierre and Miquelon in the Atlantic Ocean#North Atlan ...
; in Argentina, he founded the experimental group Generación Cero.


Early life

Mederos was born in the Constitución neighbourhood of
Buenos Aires Buenos Aires, controlled by the government of the Autonomous City of Buenos Aires, is the Capital city, capital and largest city of Argentina. It is located on the southwest of the Río de la Plata. Buenos Aires is classified as an Alpha− glob ...
. He spent his childhood in the province of Entre Ríos, and later went to the University of Córdoba to study biology. As a young man he was an admirer of fellow bandoneonist Ástor Piazzolla. He played with Piazzolla for several years before joining the Osvaldo Pugliese Orchestra, alongside other young musicians.


1960s

After 1960 he formed his early groups to play at provincial radio stations and on television. When he heard Mederos's Octeto Guardia Nueva during one of his tours, Astor Piazzolla suggested that Mederos should travel to Buenos Aires. Piazzolla later returned to Córdoba and invited Mederos to appear in his recitals. In 1965 Mederos traveled to Buenos Aires and made his first record, ''Buenos Aires, al rojo'', in which he played pieces by Cobián and Piazzolla as well as his own compositions. After spending two years abroad, first in Cuba and later in Paris, he returned to Argentina, and in 1969 he joined the new Osvaldo Pugliese orchestra, which was formed following a decision by its former players, who wanted to play only with the ensemble, Sexteto Tango, that they had recently put together. He was in the bandoneon section with Arturo Penón, Daniel Binelli and Juan José Mosalini.


Generación Cero

In 1976 Mederos started a new group, Generación Cero, which attracted a cult following, trying to create a fusion between jazz, rock and the music of Buenos Aires. Although the group contained a bandoneon, and despite other similarities, their music was not tango, either in riffs or rhythm, and the arrangements changed the melody until it was hardly recognizable. In 1976 the first LP was released, ''Fuera de broma 8''. The subsequent albums were ''De todas maneras'' (1977), ''Todo hoy'' (1978), ''Buenas noches, Paula'' (1983), ''Verdades y mentiras'' (1984) and ''Reencuentros'' (1989). These works reached a widespread audience, and Mederos's artistic personality was growing and achieving public acclaim, including internationally.


1990s

At the beginning of the 1990s, Mederos returned to the recording studios with a new series of CDs, in different settings: ''Tanguazo'' (1993), ''Carlos Gardel'' (1994), ''Mi Buenos Aires querido'' (with a trio that included pianist
Daniel Barenboim Daniel Moses Barenboim (; born 15 November 1942) is an Argentines, Argentine-Israeli classical pianist and conductor based in Berlin, who also has Spain, Spanish and State of Palestine, Palestinian citizenship. From 1992 until January 2023, Bare ...
; 1995), ''El día que Maradona conoció a Gardel'' (1996), ''El tanguero'' (1998) and ''Eterno Buenos Aires'' (1999). In 2000 he released the record ''Tango Mederos-Brizuela'', with another disc that included the soundtrack of the film ''Las veredas de Saturno'' that he had composed twenty years before. In 1999 Mederos formed a quintet with the pianist Hernán Posetti, the violinist Damián Bolotín, the guitarist Armando de la Vega and the double-bassist Sergio Rivas, who together recorded ''Eterno Buenos Aires''.


Soundtracks

Mederos composed the soundtrack and was also the lead actor in the French-Argentine film '' Les Trottoirs de Saturne'' (1986), directed by
Hugo Santiago Hugo Santiago Muchnick (12 December 1939 – 27 February 2018) was an Argentine film director. Born in Buenos Aires, Argentina and lived in France from 1959 until his death in 2018. Santiago studied Literature, Philosophy and Music. From 1959- ...
. Mederos also composed all or part of the soundtracks for Sergio Renán's ''Crecer de golpe'' (1976), Simón Feldman's '' Memorias y Olvidos'' (1987), Tristán Bauer's ''Después de la tormenta'' (1991), Jana Boková's '' Diario para un cuento'' (1997), Jaime Chávarri's '' Sus ojos se cerraron'' (1998) and Bebé Kamin's '' Contraluz'' (2001).


Collaborations

Mederos' has appeared alongside folk, pop and rock musicians, blending tango with different rhythms and genres in a series of recitals. Other collaborations include recordings with Enrico Rava, Mercedes Sosa and Luis Alberto Spinetta, and later with the Catalan Joan Manuel Serrat ("Cansiones"), with whom he also recorded two tracks of the album ''Nadie es perfecto'' in 1994. He appeared on the Selección Nacional de Tango album '' En Vivo'' in 2005.


References


External links

* http://www.todotango.com/ENGLISH/creadores/rmederos.asp * http://www.rodolfomederos.com.ar/ fficial Site {{DEFAULTSORT:Mederos, Rodolfo 1940 births Living people Musicians from Buenos Aires Argentine musicians Tango musicians Orquesta Osvaldo Pugliese