Robin Orr

Robert Kemsley (Robin) Orr (2 June 1909 – 9 April 2006) was a Scottish organist and composer.

Life

Born in Brechin, and educated at Loretto School, he studied the organ at the Royal College of Music in London under Walter Galpin Alcock, and piano with Arthur Benjamin.Griffiths, Paul. 'Orr, Robin [Robert
/nowiki> (Kemsley)' in Grove Music Online">obert">Griffiths, Paul. 'Orr, Robin [Robert
/nowiki> (Kemsley)' in Grove Music Online/ref> He then continued his studies at Pembroke College, Cambridge under Cyril Rootham. Following studies with Alfredo Casella and Nadia Boulanger in Paris he returned to Cambridge in 1938 as Organist of Choir of St John's College, Cambridge, St John's College, succeeding Rootham. During his war service in the Royal Air Force Herbert Howells deputised for him.

After World War II he became a lecturer at Cambridge and a professor at the Royal College of Music, then Gardiner Professor of Music at Glasgow University from 1956 to 1965. While in Glasgow he worked with Alexander Gibson to set up the Musica Viva contemporary music festival, promoting the work of (among others) Stockhausen, Schoenberg, Stravinsky, Iain Hamilton, Thea Musgrave, and Orr himself. Gibson also asked Orr to help him form Scottish Opera in 1960, and Orr served as the founding chairman between 1962 and 1976.

He returned to Cambridge in 1965 as Professor of Music, a post he held until his retirement in 1976 (later Emeritus). He was made a CBE in 1972. Robin Orr married Margaret Mace, the daughter of Egyptologist Arthur Cruttenden Mace, in December 1937. They had three children. In 1979 they divorced and Orr married again, to Doris Winny-Meyer.McLeod, John
'Orr, Robert Kemsley [Robin
/nowiki>'">obin">'Orr, Robert Kemsley [Robin
/nowiki>'in ''The Oxford Dictionary of National Biography'' An "entertaining if somewhat personally reticent" autobiography, ''Musical Chairs'', was published in 1999.

He was not related to Buxton Orr (1924-1997) – also a Scottish composer.

Music

The overture ''The Prospect of Whitby'' (after the Prospect of Whitby, London pub) attracted some attention in 1948. But it was the ''Symphony in One Movement'' (1960–63), first championed by Norman Del Mar and the BBC Scottish Orchestra, but soon taken up and recorded by the Royal Scottish National Orchestra under Alexander Gibson, that put Orr on the map as a composer. Gibson subsequently conducted the work at the BBC Proms in 1966. There were two further symphonies (1970 and 1978), both also one movement works. He wrote three operas: the "pithy, socially perceptive" ''Full Circle'' (commissioned by Scottish Television for Scottish Opera in 1968), the "tense and powerful" ''Hermiston'' (Edinburgh Festival 1975) and the "witty, artful comic opera" ''On the Razzle'' (1988), based on Tom Stoppard's play. And Orr also made a substantial contribution to Anglican church music, much of it written for St John's College. Notable is the anthem ''Come and let yourselves be built'' (1961).

A CD of his orchestral music, including the ''Italian Overture'' (1952), ''From the Book of Philip Sparrow'' for soprano and strings setting John Skelton (1969), ''Rhapsody'' for string orchestra (1958) and ''Journeys and Places'' for soprano and orchestra setting Edwin Muir (1971) was issued in 2000 to mark the composer's 90th birthday. A further CD of his chamber music, including Max Rostal's historic 1948 recording of the Sonatina for violin and piano (1941), as well as other archive recordings of the Violin Sonata (1947), ''Serenade'' for string trio (1948, rev. 1989) and Duo for violin and cello in one movement (1953, rev. 1965), was issued for the centenary in 2009. The chamber music shows a growing maturity of compositional technique and intensity of feeling, especially after the war (for instance in the slow ''dolente'' movement of the 1947 Violin Sonata). The Serenade shows the growing influence on Central European expressionism on his music. The Duo for violin and cello is so dense it sometimes sounds almost like a string quartet.

The ''Sinfonietta Helvetica'' (1990) was his final orchestral work. It written in Switzerland, where he had a second home near Klosters, to mark the 700th anniversary of the Swiss confederation. It was first performed at the Glasgow Royal Concert Hall on 6 December 1991 by the BBC Scottish Symphony Orchestra, conducted by Feodor Glushchenko.''Radio Times'', issue 3545, 21 November 1991, p 104
/ref>

Selected works

* Sonatina for violin and piano (1941)
* Violin Sonata (1947)
* ''Serenade'' for string trio (1948, rev. 1989)
* ''The Prospect of Whitby'', orchestral overture (1948)
* ''Italian Overture'', in orchestral and chamber versions (1952/1960)
* Duo for violin and cello (1953, rev. 1965)
* ''Spring Cantata'' for soloist, chorus, percussion and strings (1955)
* ''Rhapsody'' for string orchestra (1956)
* ''Come and let yourselves be built'', choral anthem (1961)
* Symphony (No. 1) in one movement (1963)
* ''Full Circle'', television opera (1968)
* ''From the Book of Philip Sparrow'' for mezzo-soprano and strings (1969)
* Symphony No. 2 (1970)
* ''Journeys and Place'' for mezzo-soprano and strings (1971)
* ''Hermiston'', opera (1975)
* Symphony No. 3 (1978)
* ''Verses from Ogden Nash'' for voice and strings (1978)
* ''On the Razzle'', opera (1988)
* ''Sinfonietta Helvetica'' (1990)

References

External links

Symphony in One Movement
Royal Scottish National Orchestra, Alexander Gibson (Conductor)

{{DEFAULTSORT:Orr, Robert
1909 births
2006 deaths
Scottish classical composers
Scottish opera composers
British male opera composers
Alumni of Pembroke College, Cambridge
English classical organists
Fellows of St John's College, Cambridge
Academics of the University of Glasgow
Commanders of the Order of the British Empire
Alumni of the Royal College of Music
People from Brechin
Honorary members of the Royal Academy of Music
People educated at Loretto School, Musselburgh
Scottish Renaissance
20th-century British organists
20th-century Scottish male musicians
Professors of Music (Cambridge)
British male classical organists
20th-century British musicologists