Roberto Sierra

Roberto Sierra (born 9 October 1953) is a Puerto Rican composer of contemporary classical music.

Life

Sierra was born in Vega Baja, Puerto Rico. He studied composition at the Royal College of Music and at the Hochschule für Musik in Hamburg, Germany, notably with György Ligeti from (1979–1982). After his two-act opera ''El mensajero de plata'', to a libretto by Myrna Casas, had premiered at the Interamerican Festival in San Juan on 9 October 1986, Sierra came to prominence in 1987 when his first major orchestral composition, Júbilo, was performed at Carnegie Hall by the Milwaukee Symphony Orchestra. (Júbilo had been premiered in Puerto Rico in 1985 by the Puerto Rico Symphony Orchestra conducted by Zdeněk Mácal; it was also performed in 1986 by the same forces conducted by Akira Endo.) For more than three decades his works have been part of the repertoire of many of the leading orchestras, ensembles and festivals in the USA and Europe. His ''Fandangos'' was performed at the opening night of the 2002 Proms, performed by the BBC Symphony Orchestra and televised throughout Europe.

Sierra is a retired professor at Cornell University in Ithaca, New York, where he taught composition.

Music

On February 2, 2006 Sierra's '' Missa Latina'', premiered at the Kennedy Center, in Washington, D.C., conducted by Leonard Slatkin to considerable acclaim. The ''Washington Times'' judged it "the most significant symphonic premiere in the District since the late Benjamin Britten's ''War Requiem'' was first performed in the Washington National Cathedral in the late 1960s." On March 3, 2007, the ''Missa Latina'' was performed at the 51st Casals Festival in Sierra's homeland, Puerto Rico, where it was equally well-received.

Sierra's ''Concierto Barroco'' takes its inspiration from a scene in Alejo Carpentier's novel of the same name in which Handel and Vivaldi jam with a Cuban slave during the Venice Carnival. Sierra was commissioned by guitarist Manuel Barrueco to write a concerto that tried to capture what that might have been like. In ''Soundboard'' magazine, Eladio Scharron wrote that, "Sierra achieved – masterfully – a synthesis of a tradition of five centuries old... This work is truly a masterwork..."

Other commissioned works include:
* a Concerto for Orchestra for the centennial celebrations of the Philadelphia Orchestra commissioned by the Koussevitzky Music Foundation and the Philadelphia Orchestra;
* a Concerto for Saxophones and Orchestra, commissioned by the Detroit Symphony Orchestra for James Carter;
* ''Fandangos'' and ''Missa Latina'', commissioned by the National Symphony Orchestra;
* Sinfonía No. 3 "La Salsa", commissioned by the Milwaukee Symphony Orchestra;
* ''Danzas Concertantes'' for guitar and orchestra commissioned by the Orquesta de Castilla y León;
* a Double Concerto for Violin and Viola, co-commissioned by the Pittsburgh and Philadelphia Orchestras;
* ''Bongo+'', commissioned by the Juilliard School in celebration of the 100th anniversary;
* ''Songs from the Diaspora,'' commissioned by Music Accord for Heidi Grant Murphy, Kevin Murphy and the St. Lawrence String Quartet;
* ''Concierto para Violin y Orquesta a la memoria de una nina valiente'' commissioned by the Lydia Delfs Foundation and premiered by Juliana Athayde and the Rochester Philharmonic Orchestra; and
* ''Concierto de Cámara'', co-commissioned by the Santa Fe Chamber Music Festival, Chamber Music Northwest and Stanford Lively Arts.

Other ensembles who have commissioned Sierra include the orchestras of Pittsburgh, Atlanta, New Mexico, Houston, Minnesota, Dallas, San Antonio, and Phoenix, as well as the American Composers Orchestra, the New York Philharmonic, Los Angeles Philharmonic, Royal Scottish National Orchestra, the Zurich Tonhalle Orchestra, and the orchestras of Madrid, Galicia, and Barcelona.

Roberto Sierra's Music may be heard on CDs by Naxos, EMI, UMG’s EMARCY, New World Records

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