Biography
Cohen was born in 1938 in Washington, D.C. His theatrical education began as an undergraduate student at Dartmouth College and UC Berkeley and earned his DFA (Doctorate in Fine Arts) in 1965 at the Yale School of Drama. Soon after, Cohen joined the charter faculty of the brand new campus of the University of California, Irvine, where he served as its founding departmental chair of drama for twenty-five years, and, since 2015, has become an emeritus Bren Fellow and Claire Trevor Professor of Drama for the University. He is an accomplished director, scholar, drama critic, and theorist, and his approach to stage acting, which employs a system he refers to as " GOTE," , a derivative combination of Chekov and Meisner, Cohen has been acknowledged as one of the most widely used approaches to stage acting in use today. Cohen resides in Laguna Beach, California with his wife Lorna. They have two children, Michael and Whitney.Directing career
Cohen signed his first Equity contract to direct a production of Wilder's '' Our Town'' for the Virginia Museum Theater with his Yale classmate Keith Fowler as producer and actor in the role of the Stage Manager. In his directing career he has staged twelve classical productions at the Utah and Colorado Shakespeare Festivals and over ninety stage productions at his Irvine campus and other theatres; his work includes classics like '' King Lear'', ''Writing career
As a writer, Cohen published a wide variety of theatre texts, including ''Acting One'', ''Acting Two,'' ''Acting Power'', ''Acting Professionally: Raw Facts about Careers in Acting'', and his latest text, ''Acting Power: the 21st Century Edition,'' most of which are used in colleges, universities, and conservatories around the world; some having been translated into Hungarian, Romanian, Finnish, Estonian, Chinese and Korean. His texts explain and demonstrate a system of acting and theatre analysis called ''GOTE,'' as well as presenting a series of theatre exercises ranging from beginner to advanced. Cohen's ''Theatre'', now in its eleventh edition, has become one of the leading texts on the history of world theatre. Reviewing this book, the "Revue d'histoire du theatre" noted that: " he Theatrewas written in a very clear fashion and an elegant and compelling style,… makes for a document that should be found in every library." Cohen's other books include ''Jean Giraudoux: Three Faces of Destiny,'' a study of the French playwright; ''Creative Play Direction, Working Together in Theatre: Collaboration and Leadership'', ''More Power To You''; his 2014 autobiography, ''Falling Into Theatre...and Finding Myself'', a memoir, ''Acting iShakespeare'', and his 2015 ''Shakespeare on Theatre'', plus more than three dozen journal articles and four hundred play reviews. Most of his reviews are in the London-published ''Plays International'', while his essays have appeared in ''Theatre Journal'', ''Theatre Topics, Theatre Forum, Theatre Survey, Modern Drama, Theater der Zeit, Essays in Theatre, On Stage Studies, The Drama Review, Contemporary Literature, Contemporary Literary Criticism, Slavic and East European Performance, Experiment and Innovation, Dramatics, Alternatives Théâtrales, ''and ''Dramatic Theory and Criticism''. Cohen's play, ''Machiavelli: the art of terror'' (formerly ''The Prince''), published by Dramatic Publishing Company and in Romania and the U.K., has been professionally produced in Los Angeles, Long Beach, Pittsburgh, the Madach Theatre in Budapest and the National Romanian Theatre in Cluj, and in staged readings in New York and Los Angeles. ''The Moebius Strip'' premiered at the National Romanian Theatre in Cluj in 2013–16, and his ''Bzaap''! premiered with the Transversal Theatre Company in Amsterdam in 2014 and the National Romanian Theatre in Cluj in 2016. His dramatic translations (''The Bourgeois Gentleman'', ''The Misanthrope, Clizia,'' and ''Tibi's Law''), and his opera translations (''The Magic Flute, Carmen'') have been both produced and published widely.International reputation as lecturer
Internationally, Cohen has lectured and/or conducted multi-day "Acting Power" residencies at the Theatre Academy of Bucharest (Romania), the Korean National University for the Art(Seoul), the Shanghai Theatre Academy (China), the University of Ghana (Legon), the National Theatre of Ghana (Accra), the Hungarian National Theatre and Film Academy (Budapest), the Hong Kong Academy for the Performing Arts, theG.O.T.E. Sheet
The methods that Cohen developed in his derivative approach to the training of the actor are represented by the word " GOTE." Cohen's GOTE Sheet consists of four elements of acting, each represented by a letter in the acronym "GOTE": :Goal (of the character) :Other people (that stand in the way of the character's goal) :Tactics (that the character employs) :Expectations (that the character has) Robert Cohen's approach to stage acting has become one of the most widely used in America today.''Los Angeles Times'', June 4, 1994, p. 1See also
* UC Berkeley * UC Irvine * Yale School of Drama * Jean GiraudouxBibliography
Original plays
*''Abraham and Isaac in Jerusalem'' (2010) *''Machiavelli: the art of terror'' (formerly ''The Prince'') (2004) *''The Moebius Strip'' (2013) *''Bzzap!'' (2014)Play translations
*''Tibi's Law'' *''The Misanthrope'' *''Pedro Gynt'' *''The Bourgeois Gentleman'' *''The Plaie Called Corpus Christi: The Beginnings'' *''Clizia''Opera translations
*''Carmen'' *''The Magic Flute''Articles
Cohen has published scholarly articles in the following: *'' Theatre Journal'' *'' Theatre Topics'' *''Theatre Forum'' *''Books
*''Acting Professionally: Raw Facts about Careers in Acting'' *''Acting One'' *''Acting Two'' (formerly ''Advanced Acting'') *''Acting Power'' *''Acting Power: the 21st Century Edition'' *''Acting in Shakespeare'' *''Theatre'' *''More Power to You'' *''Dramatic Anthologies'' *''Creative Play Direction'' *''Giraudoux: Three Faces of Destiny'' *''Working Together in Theatre: Collaboration and Leadership''*''Falling Into Theatre...and finding myself'' *''Shakespeare on Theatre: A Critical Look at his Theories and Practices''References
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