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Ritual clowns, also known as sacred clowns,
[Cazeneuve (1957) p.254 quotation: ] are a characteristic feature of the ritual life of many traditional religions,
[Jones, Lindsay (2005]
''Encyclopedia of religion'', Volume 6
p.1498 quotation: [Cazeneuve (1957) p.242 quotation: ] and they typically employ
scatology
In medicine and biology, scatology or coprology is the study of faeces.
Scatological studies allow one to determine a wide range of biological information about a creature, including its diet (and thus where it has been), health and diseases ...
and
obscenities.
Ritual clowning is where
comedy
Comedy is a genre of dramatic works intended to be humorous or amusing by inducing laughter, especially in theatre, film, stand-up comedy, television, radio, books, or any other entertainment medium.
Origins
Comedy originated in ancient Greec ...
and
satire
Satire is a genre of the visual, literary, and performing arts, usually in the form of fiction and less frequently non-fiction, in which vices, follies, abuses, and shortcomings are held up to ridicule, often with the intent of exposin ...
originated; in Ancient Greece, ritual clowning,
phallic processions and ritual ''
aischrologia'' found their
literary
Literature is any collection of written work, but it is also used more narrowly for writings specifically considered to be an art form, especially novels, plays, and poems. It includes both print and digital writing. In recent centuries, ...
form in the plays of
Aristophanes
Aristophanes (; ; ) was an Ancient Greece, Ancient Greek Ancient Greek comedy, comic playwright from Classical Athens, Athens. He wrote in total forty plays, of which eleven survive virtually complete today. The majority of his surviving play ...
.
[Reckford, Kenneth J. (1987]
''Aristophanes' Old-and-new Comedy: Six essays in perspective''
pp.449-51, 461-67 quotation:
Two famous examples of ritual clowns in North America are the ''Koyemshis'' (also known as ''Koyemshi'', ''Koyemci'' or ''Mudheads'') and the ''Newekwe'' (also spelled ''Ne'wekwe'' or ''Neweekwe'').
[Bonvillain, Nancy (200]
''The Zuni''
pp.24-5 French sociologist
Jean Cazeneuve is particularly renowned for elucidating the role of ritual clowns; reprising
Ruth Benedict
Ruth Fulton Benedict (June 5, 1887 – September 17, 1948) was an American anthropologist and folklorist.
She was born in New York City, attended Vassar College, and graduated in 1909. After studying anthropology at the New School of Social ...
's famous distinction of societies into
Apollonian and Dionysian, he said that precisely because of the strictly repressive (apollonian) nature of the
Zuni society, the ritual clowns are needed as a dionysian element, a
safety valve through which the community can give symbolic satisfaction to the
antisocial tendencies.
[Cazeneuve (1957) p.244-5 quotation: ][Durand (1960) p.421][Durand (1984) p.106 quotation: ] The Koyemshis clowns are characterized by a
saturnalian symbolism.
See also
*
Avadhuta
*
Clown
A clown is a person who performs physical comedy and arts in an Improvisational theatre#Comedy, open-ended fashion, typically while wearing distinct cosmetics, makeup or costume, costuming and reversing social norm, folkway-norms. The art of ...
*
Booger dance
*
Chou role
*
Clown society
*
Contrary (social role)
*
Divine madness
*
The Fool (tarot card)
*
Foolishness for Christ
*
Heyoka
The heyoka (, also spelled "haokah," "heyokha") is a type of sacred clown Shamanism, shaman in the culture of the Sioux (Lakota people, Lakota and Dakota people, Dakota people) of the Great Plains of North America. The heyoka is a contrarian, jest ...
*
Jester
A jester, also known as joker, court jester, or fool, was a member of the household of a nobleman or a monarch kept to entertain guests at the royal court. Jesters were also travelling performers who entertained common folk at fairs and town ma ...
*
Pueblo clown
*''
Sacred Clowns''
*
Sisters of Perpetual Indulgence
*
Trickster
In mythology and the study of folklore and religion, a trickster is a character in a story (god, goddess, spirit, human or anthropomorphisation) who exhibits a great degree of intellect or secret knowledge and uses it to play tricks or otherw ...
Notes
References
*
Jean Cazeneuve (1957
''Les dieux dansent à Cibola: le Shalako des indiens zuñis'' pp. 242–254. English version translated by Madeleine Turrell Rodack: ''The gods dance at Cibola''.
**Republished in 1993 as ''Les Indiens Zunis — Les dieux dansent à Cibola'', éditions du Rocher/Nuage Rouge, preface by Olivier Delavault. Excerpts on sacred clowns from the 1993 edition
*
Gilbert Durand (1960
''Les structures anthropologiques de l'imaginaire''*
Gilbert Durand (1984
1964''L'imagination symbolique''
also found i
SUP.: Initiation philosophique
(1954)
* Revue de métaphysique et de morale: Volume 65 (1960)
Volumes 64-65
Volume 65
Review of Cazeneuve (1957), pp. 117-seq
Further reading
*
Jean Cazeneuve (1956) ''Sacred Clowns in New Mexico/Clowns sacrés du Nouveau Mexique'', in
Paris Review
*
Jean Cazeneuve (1958) ''Les rites et la condition humaine''. Paris : P. U. F.
{{Clowns
Cultural anthropology
Satire