Riddles Of Aldhelm

The ''Epistola ad Acircium, sive Liber de septenario, et de metris, aenigmatibus ac pedum regulis'' ('letter to Acircius, or the book on sevens, and on metres, riddles, and the regulation of poetic feet') is a Latin treatise by the West-Saxon scholar Aldhelm (d. 709). It is dedicated to one Acircius, understood to be King Aldfrith of Northumbria (r. 685-704/5). It was a seminal text in the development of riddles as a literary form in medieval England.

Origins

Aldhelm records that his riddles, which appear in this collection, were composed early in his career "as scholarly illustrations of the principles of Latin versification"; they may have been the work where he established his poetic skill in Latin.Andy Orchard, 'Enigmata', in ''The Wiley Blackwell Encyclopedia of Anglo-Saxon England'', ed. by Michael Lapidge, John Blair, Simon Keynes, and Donald Scragg, 2nd edn (Chichester: Wiley Blackwell, 2013), s.v. Aldhelm's chief source was Priscian's ''Institutiones Grammaticae''.

Contents

The treatise opens with a verse ''praefatio'' ("preface") addressing 'Acircius', which is remarkably contrived, incorporating both an acrostic and a telestich: the first letters of each line in the left-hand margin spell out a phrase which is paralleled by the same letters on the right-hand margin of the poem, forming a double acrostic. This 36-line message reads "Aldhelmus cecinit millenis versibus odas" ("Aldhelm composed a thousand lines in verse").

After the preface, the letter consists of three treatises:
*''De septenario'', treatise on the number seven in arithmology
*''De metris'', treatise on metre, including the ''Enigmata'' (see below).
*''De pedum regulis'', didactive treatise on metrical feet, such as iambs and spondees.

The ''Enigmata''

The ''Epistola'' is best known today for including one hundred hexametrical riddles, which Aldhelm included for purposes of illustration of metrical principles. Among the more famous are the riddle entitled '' Lorica'', and the last and longest riddle, ''Creatura''.

Aldhelm's model was the collection known as ''Symposii Aenigmata'' ("The Riddles of Symphosius"), and many of his riddles were directly inspired by Symphosius's. But overall, Aldhelm's collection is quite different in tone and purpose: as well as being an exposition of Latin poetic metres, diction, and techniques, it seems to be intended as an exploration of the wonders of God's creation. The riddles generally become more metrically and linguistically complex as the collection proceeds. The first eight riddles deal with cosmology. Riddles 9-82 are more heterogeneous, covering a wide variety of animals, plants, artefacts, materials and phenomena, but can be seen to establish purposeful contrasts (for example between the light of a candle in Enigma 52 and that of the Great Bear in 53) or sequences (for example the animals of Enigmata 34-39: locust, screech-owl, midge, crab, pond-skater, lion). Riddles 81-99 seem all to concern monsters and wonders. Finally, the long hundredth riddle is "Creatura", the whole of Creation. The Latin ''enigmata'' of Aldhelm and his Anglo-Latin successor are presented in manuscripts with their solutions as their title, and seldom close with a challenge to the reader to guess their solution.Andy Orchard, 'Enigmata', in ''The Wiley Blackwell Encyclopedia of Anglo-Saxon England'', ed. by Michael Lapidge, John Blair, Simon Keynes, and Donald Scragg, 2nd edn (Chichester: Wiley Blackwell, 2013), s.v.

Example

An example of an ''enigma'' by Aldhelm is his ''Elleborus'', by which word Aldhelm understood not the hellebore, but woody nightshade. It is number 98 in his collection:

List of riddles

The subjects of Aldhelm's riddles are as follows.

Influence

Aldhelm's riddles were almost certainly the key inspiration for the forty riddles of Tatwine, an early eighth-century Mercian priest and Archbishop of Canterbury, along with the probably slightly later riddles of Eusebius and of Boniface. Two appear in Old English translation in the tenth-century Old English Exeter Book riddles, and Aldhelm's riddles in general may have been an inspiration for that collection.Andy Orchard, "Enigma Variations: The Anglo-Saxon Riddle-Tradition," in ''Latin Learning and English Lore: Studies in Anglo-Saxon Literature for Michael Lapidge'', ed. by Andy Orchard and Katherine O’Brien O’Keeffe, 2 vols (Toronto: University of Toronto Press, 2005), I 284-304.

Editions and translations

*Ehwald, Rudolf (ed.). ''Aldhelmi Opera''. MGH Scriptores. Auctores antiquissimi 15. Berlin, 1919
Scans available from the Digital MGH

*''Aldhelm: The Prose Works.'' Trans. Michael Lapidge and Michael Herren. D. S. Brewer, 1979. .
*''Aldhelm: The Poetic Works.'' Trans. Michael Lapidge and James L. Rosier. Boydell & Brewer, 1984. .

The ''Enigmata'' only

* ''The Riddles of Aldhelm.'' Text and translation by James Hall Pittman. Yale University Press, 1925.
* ''Through a Gloss Darkly: Aldhelm’s Riddles in the British Library ms Royal 12.C.xxiii'', ed. and trans. by Nancy Porter Stork, Pontifical Institute of Mediaeval Studies, Studies and Texts, 98 (Toronto: Pontifical Institute of Mediaeval Studies, 1990). (A digital facsimile of the manuscript edited in this book is availabl
here
)
* ''Saint Aldhelm's Riddles'' Translated by A. M. Juster, University of Toronto Press, 2015, .

References

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Riddles
Latin poetry