Richard Johnson (actor)

Richard Keith Johnson (30 July 1927 – 5 June 2015) was an English stage and screen actor, writer and producer. Described by Michael Coveney as "a very 'still' actor – authoritative, calm and compelling," he was a staple performer in British films and television from the 1960s through the 2010s, often playing urbane sophisticates and authoritative characters. He had a distinguished theatrical career, notably as a cornerstone member of the Royal Shakespeare Company, and was once acclaimed as "the finest romantic actor of his generation."

Biography

Early life and career

Johnson was born to Frances Louisa Olive (née Tweed) and Keith Holcombe Johnson in Upminster, Essex.

Johnson went to Felsted School, and wanted to act instead of going into the family paint business. He trained at RADA and due to the manpower shortage of wartime made his first professional appearance relatively quickly, on stage in Manchester with John Gielgud's company in a production of ''Hamlet'' in 1944."Richard Johnson, actor – obituary"
''The Daily Telegraph'', 7 June 2015. Retrieved 9 June 2015

He served in the Royal Navy from 1945 to 1948.

Early screen appearances

Johnson made his screen debut in an adaptation of ''Tusitala'' for ''BBC Sunday-Night Theatre''. He made his film debut with an uncredited part in ''Captain Horatio Hornblower'' (1951) and was also uncredited in ''Calling Bulldog Drummond'' (1951).

He was at the Shakespeare Memorial Theatre from 1952 to 1957. "It was an electric time to be in that company", he later recalled.

Johnson played Mr Wickham in a 1952 TV adaptation of ''Pride and Prejudice'' (with Peter Cushing as Darcy) and was D'Artagnan in a TV adaptation of ''The Three Musketeers'' (1952). He could be seen in ''Lady in the Fog'' (1952), "The Mayor of Torontal" for ''Wednesday Theatre'' (1952), ''The Heir of Skipton'' (1953), ''Saadia'' (1953) for MGM, ''A Party for Christmas'' (1954), ''The Queen Came By'' (1954), "The Rescue" for ''ITV Television Playhouse'', "The Orderly" for '' Theatre Royal'', and ''Plaintiff in a Pretty Hat'' (1955).

In 1955 he was in ''The Lark'', by Jean Anouilh, with Dorothy Tutin.Pendreigh, Brian (2015
"Obituary: Richard Johnson, actor"
''The Scotsman'' (Edinburgh, Scotland), 8 June 2015. Retrieved 26 February 2019.

He was Laertes to Paul Scofield's ''Hamlet'' in 1956. That was directed by Peter Brook who also directed Johnson in ''Heaven and Earth'' (1957).

In 1958 he and Tutin played ''Romeo and Juliet'' at Stratford.

He also appeared in episodes of ''Assignment Foreign Legion'', ''The Buccaneers'', ''Armchair Theatre'', and ''Four Just Men'', and had the lead in ''Epilogue to Capricorn'' (1960).

Royal Shakespeare Company

In 1958 he appeared in Peter Hall's first production at the theatre, ''Cymbeline'', alongside Peggy Ashcroft. Reviews were strong, praising Johnson as "The finest romantic actor of his generation".

Johnson appeared in the title role in Tony Richardson's production of ''Pericles, Prince of Tyre'' in 1958. The same year he was in ''Twelfth Night'' (as Sir Andrew Aguecheek) for Peter Hall.

Hall took over the direction of the company in 1959 – it was renamed the Royal Shakespeare Company (RSC), and he invited Johnson to be part of the first group of actors to be named an Associate Artist of the RSC, a position he retained until he died.Lewis, Peter (1992). "Return of an old stage hand; Richard Johnson; Drama", ''The Times'', 28 June 1992.

MGM

After Johnson's stage performances had received excellent reviews, MGM offered him a long-term contract in June 1959. His first work for the studio was in ''Never So Few'' (1959) with Frank Sinatra.

"I never took myself very seriously as a movie star", said Johnson later. "But it was thrilling to be among the idols I'd worshipped as a kid. I did a test with Gary Cooper, went to a party with Spencer Tracy, made a film with Frank Sinatra."

Johnson was director Terence Young's preferred choice for the role of James Bond in the first film in the series, but he had to turn the role down as he was under contract to MGM. Johnson said later, "Eventually they offered it to Sean Connery, who was completely wrong for the part. But in getting the wrong man they got the right man, because it turned the thing on its head and he made it funny. And that's what propelled it to success."

Johnson did '' Ondine'' on stage for the RSC with Leslie Caron and director Peter Hall (this was filmed in 1961). Also for TV he did productions of ''Journey's End'', ''This Happy Breed'', ''Sword of Vengeance'' and ''The Sponge Room''.

In 1961–62 he portrayed Clive Root on Broadway in Graham Greene's '' The Complaisant Lover'', which ran for 101 performances at the Ethel Barrymore Theatre.

Johnson was second-billed to George Sanders in ''Cairo'' (1963) for MGM British. He co-starred with Claire Bloom in ''80,000 Suspects'' (1963) for Val Guest.

He was then in '' The Haunting'' (1963) also featuring Claire Bloom and Julie Harris. It was directed by Robert Wise who said Johnson has "the attack of the young Gable" and predicted he would be a big star.

Johnson wrote a play ''The Golden Age'', composed from poems, diaries and speeches from the age of Queen Elizabeth I. It had a short run on Broadway in 1963.

In 1964 he did a Kingsley Amis script, ''A Question of Happiness #1: A Question About Hell'' for TV, followed by ''A Question of Happiness #2: Another Port, Another Storm''.

Johnson had a support role in ''The Pumpkin Eater'' (1964) and went to France for '' The Other Woman'' (1964). He did episodes of '' Armchair Mystery Theatre'', '' The Human Jungle'', and ''The Alfred Hitchcock Hour''. He also portrayed Duncan Sandys in ''Operation Crossbow'' (1965).

Film stardom

Johnson was second billed to Kim Novak in ''The Amorous Adventures of Moll Flanders'' (1965), directed by Terence Young. When filming ended, Johnson and Novak were married. Around this time he expressed interest in writing and directing as well as acting.

Johnson was Colonel Stewart in ''Khartoum'' (1966) with Charlton Heston and Laurence Olivier.

He was top billed in the Italian horror film ''The Witch'' (1966) then was cast as Bulldog Drummond in ''Deadlier Than the Male'' (1967) with Elke Sommer for director Ralph Thomas, a James Bond-style adventure. Johnson said about playing Drummond "I consciously tried to use more of myself than in anything else I've done... I said, all right, if you want me, you'll get me, but this is a braver, more physical version of me."

He supported Anthony Quinn and Rita Hayworth in '' The Rover'' (1967), again directed by Young. He starred in another James Bond-type spy film, '' Danger Route'' (1967) for director Seth Holt.Bryce, Allan (2000), editor. ''Amicus: The Studio That Dripped Blood'' (Winter Park, Florida: Stray Cat Publishing, 2000): 47-48. He announced he had formed his own company and would star in ''An Alibi for a Playboy'' but it was not made.

Johnson was Creon in ''Oedipus the King'' (1968) with Christopher Plummer, then starred in the spy film ''A Twist of Sand'' (1968).

He was a Roman officer in ''Columna'' (1968) and Horatio Nelson in ''Emma Hamilton'' (1968), with Michèle Mercier. He reprised his role as Drummond in ''Some Girls Do'' (1969).

Johnson later recalled in 2000 that "It comes as a curious shock to me now to realise that I was making around £1m a year in today's money. And I managed to spend it all having a hell of a good time... I knew it wasn't going to last for ever, but I also knew I had to enjoy it while the time was right.'"

Johnson played Rembrandt for British TV in 1969 and was Cassius in Charlton Heston's version of '' Julius Caesar'' (1970).

He did '' The Fifth Day of Peace'' (1970) with Franco Nero, ''Hamlet'' (1970) with Richard Chamberlain, '' The Beloved'' (1971) with Raquel Welch, '' A Man About a Dog'' (1972), ''A Marriage'' (1972) and ''I Want to Marry Your Son'' (1973).

Return to theatre

Johnson returned to theatre in 1972, going to Stratford to play Antony, opposite Janet Suzman's Cleopatra, in one of Trevor Nunn's season of Roman plays. He continued to act on TV in such shows as ''Thriller'' (1973) and '' Orson Welles' Great Mysteries'', and filmed his ''Antony and Cleopatra'' (1974) for TV.

He did a horror film '' Beyond the Door'' (1974), and ''Churchill's People'', '' The Night Child'' (1975), and ''Hennessy'' (1975) for director Don Sharp; he provided the original story of the latter.

Johnson was in episodes of ''Quiller'', '' Space: 1999'', and ''Hart to Hart''. He was in the films '' Aces High'' (1976), '' Take All of Me'' (1976) in Italy, ''The Four Feathers'' (1978) for Sharp, '' The Comeback'' (1978), '' Screamers'' (1979), ''Zombi 2'' (1979), '' The Flame Is Love'' (1979), '' Island of the Fishmen'' (1979) and ''The Great Alligator'' (1979). He had the lead in ''A Nightingale Sang in Berkeley Square'' (1979) directed by Thomas. Retrieved 27 February 2019.

In the 1980s Johnson could be seen in '' Spy!'', '' Portrait of a Rebel: The Remarkable Mrs. Sanger'' (1980), '' Haywire'' (1980), ''The Marquise'' (1980), ''The Monster Club'' (1981), ''The Member for Chelsea'' (1981), ''The Kenny Everett Television Show'', '' Tales of the Unexpected'' (several episodes), ''Cymbeline'' (1982) in the title role, ''Magnum, P.I.'', '' The Aerodrome'' (1983), and '' Mr. Palfrey of Westminster'' (1984).

Producer

In 1982 Johnson helped set up United British Artists, the film and theatre-producing company, along with fellow actors Albert Finney, Maggie Smith and Glenda Jackson. Johnson said, "In this profession it is mighty irritating always to be in the hands of other people, waiting on the end of a telephone, unable to guide your ship. When I propounded the idea that we all get together to do high-quality work on a continuing commercial basis, they were very enthusiastic."

He acted in and was executive producer on '' The Biko Inquest'' (1984). Johnson acted in ''What Waits Below'' (1985) for Don Sharp, and acted in and produced ''Turtle Diary'' (1985). He worked as a producer on ''Castaway'' (1986) and '' The Lonely Passion of Judith Hearne'' (1987).

Johnson says however that the company "didn't quite come off. Unfortunately we ran out of money. We didn't have enough to start with... One day I was in Hollywood with my old friend Angela Lansbury and she said, 'Anybody can be a producer. You've got talent and you're wasting it.' I decided to get back to what I've always wanted to do since I was seven: acting. I'd like to be on test. I need challenges."

As an actor only, he was in '' Lady Jane'' (1986), ''Dempsey and Makepeace'', ''Murder, She Wrote'', '' A Man for All Seasons'' (1988) with Heston, '' Voice of the Heart'' (1989), ''Treasure Island'' (1990) with Heston as Squire Trelawney, '' The Secret Life of Ian Fleming'' (1990), ''Made in Heaven'', ''Diving In'' (1990), ''Duel of Hearts'' (1991), ''The Crucifer of Blood'' (1991) with Heston as Sherlock Holmes and Johnson as Watson, ''The Camomile Lawn'' (1992), and '' Anglo Saxon Attitudes'' (1992). According to one reviewer, his performance in ''Anglo Saxon'' earned him "a sheaf of golden notices and put him at the top of the ratings for mature heart-throbs. The key attraction was his effortless screen technique in saying so little yet conveying so much. There was much virtuoso eyebrow work and a wonderful use of the crinkled tissue around the eyes." He did ''Antony and Cleopatra'' on stage again in 1991.

In 1992 Johnson returned to the RSC after a 25-year absence under the direction of Peter Hall, appearing in a production of ''All's Well that Ends Well''. "It would have been nice to be able to afford to go back more often", he said. "Unfortunately, what my agent used to call the 'shit factor' comes into play: the better quality the work, the less the money."

Johnson appeared in '' Heavy Weather'' (1995), ''Kavanagh QC'', ''Murder Most Horrid'', ''Tales from the Crypt'', ''Breaking the Code'' (1996), ''The Ruth Rendell Mysteries'' (1996), '' Supply & Demand'', ''The Echo'', ''Milk'' (1999), and ''Happy Days'' (2000). He did the original story for ''A Kind of Hush'' (1999).

A third divorce and the financial failure of a hotel he co owned meant he needed to work. In a 2000 interview he said "Now I'm constantly worried where the next job is coming from. At least at my age the opposition gets less and less because they keep dying."

Later career

Johnson's later career appearances included doing ''The Seagull'' at Stratford in 2000, plus ''The Whistle-Blower'' (2001), '' Lara Croft: Tomb Raider'' (2001), ''The Royal'', ''The Robinsons'', '' Whatever Love Means'' (2005) as Louis Mountbatten, 1st Earl Mountbatten of Burma, ''Wallis & Edward'' (2005) (as Stanley Baldwin), ''Rebus'', ''Scoop'' (2006), ''Doc Martin'', ''Midsomer Murders'', '' Waking the Dead'', ''The Raven'' (2007), '' Two Families'' (2007), and '' Jump!'' (2008) (which he also helped produce).

From 2007, he led the cast of the BBC's radio comedy series ''Bleak Expectations'' which ran until 2012. He also had a successful stage show with a revival of '' On Golden Pond''.

Film-wise he was in '' The Boy in the Striped Pajamas'' (2008), '' Spooks'', ''Inspector Lewis'', ''The Bleak Old Shop of Stuff'' (2011), and ''Silent Witness''. He had a good role in ''Radiator'' (2015), saying "Right from the off I felt it was a superior piece of writing for the screen."

He was in ''The Man Who Knew Infinity'' (2015).

Other work

Throughout his career Johnson continued to teach young actors and students. He toured American universities and taught summer schools at the Royal Academy of Dramatic Art (RADA). He was appointed to the Council of RADA in 2000, and served as a Council Member of the British Academy of Film and Television Arts (BAFTA) in the 1970s. Johnson wrote the original story for the 1975 thriller, ''Hennessy''.

As well as founding the British production company United British Artists (UBA) in 1981, he also served as the company's CEO until 1990, when he resigned in order to resume his acting career. During his tenure at UBA he produced the films ''Turtle Diary'' (starring Glenda Jackson and Ben Kingsley, with a screenplay commissioned from Harold Pinter), and '' The Lonely Passion of Judith Hearne''. In London, he produced Pinter's ''Old Times'', a revival of ''Serjeant Musgrave's Dance'' (Old Vic), and for theatre and television, the docudrama ''Biko'', about the death of Stephen Biko.

Johnson wrote travel articles regularly for the London mass-circulation newspaper ''The Mail on Sunday''. He kept a blog and teaching website called ''The Shakespeare Masterclass''.

Personal life

By his first marriage, to Sheila Sweet, Johnson had two children, tabletop games designer Jervis Johnson (b. 1959) and actress Sorel Johnson. His second wife was American actress Kim Novak, with whom he appeared in the film ''The Amorous Adventures of Moll Flanders'' (1965); the marriage didn't last long and they had no children, but they remained on friendly terms after the divorce. He also had another daughter, Jennifer Johnson, by his third wife, Marie-Louise Norlund, and a fourth child, Nicholas Johnson, by Françoise Pascal. Johnson then married Lynne Gurney on a beach in Goa, India, in 1989, following this with a discreet civil wedding at Kings Road, Chelsea in 2004.

Johnson was the founder of ''It's a Green Green World'', a global listing of environmentally friendly hotels.

Death

Richard Johnson died on 5 June 2015, aged 87, after a short illness at the Royal Marsden Hospital in Chelsea, London.

Filmography

Film

Television

References

External links

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{{DEFAULTSORT:Johnson, Richard (Actor)
1927 births
2015 deaths
Alumni of the Royal Academy of Dramatic Art
English male film actors
English film producers
English male stage actors
English male television actors
Metro-Goldwyn-Mayer contract players
People educated at Felsted School
People from Upminster
Royal Navy personnel of World War II
Royal Shakespeare Company members
20th-century English businesspeople