Reformation Symphony
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The Symphony No. 5 in D major/D minor, Op. 107, known as the ''Reformation'', was composed by
Felix Mendelssohn Jakob Ludwig Felix Mendelssohn Bartholdy (3 February 18094 November 1847), widely known as Felix Mendelssohn, was a German composer, pianist, organist and conductor of the early Romantic music, Romantic period. Mendelssohn's compositions inc ...
in 1830 in honor of the 300th anniversary of the Presentation of the
Augsburg Confession The Augsburg Confession (), also known as the Augustan Confession or the Augustana from its Latin name, ''Confessio Augustana'', is the primary confession of faith of the Lutheranism, Lutheran Church and one of the most important documents of th ...
. The Confession is a key document of
Lutheranism Lutheranism is a major branch of Protestantism that emerged under the work of Martin Luther, the 16th-century German friar and Protestant Reformers, reformer whose efforts to reform the theology and practices of the Catholic Church launched ...
and its Presentation to
Emperor Charles V Charles V (24 February 1500 – 21 September 1558) was Holy Roman Emperor and Archduke of Austria from 1519 to 1556, King of Spain (as Charles I) from 1516 to 1556, and Lord of the Netherlands as titular Duke of Burgundy (as Charles II) fr ...
in June 1530 was a momentous event of the
Protestant Reformation The Reformation, also known as the Protestant Reformation or the European Reformation, was a time of major theological movement in Western Christianity in 16th-century Europe that posed a religious and political challenge to the papacy and ...
. This symphony was written for a full orchestra and was Mendelssohn's second extended symphony. It was not published until 1868, 21 years after the composer's death – hence its numbering as '5'. Although the symphony is not very frequently performed, it is better known today than when it was originally published. Mendelssohn's sister, Fanny Mendelssohn Hensel, chose the name ''Reformation'' Symphony.


History

In December 1829, a year before the King of
Prussia Prussia (; ; Old Prussian: ''Prūsija'') was a Germans, German state centred on the North European Plain that originated from the 1525 secularization of the Prussia (region), Prussian part of the State of the Teutonic Order. For centuries, ...
Frederick William III Frederick William III (; 3 August 1770 – 7 June 1840) was King of Prussia from 16 November 1797 until his death in 1840. He was concurrently Elector of Brandenburg in the Holy Roman Empire until 6 August 1806, when the empire was dissolved. ...
had even announced the tercentennial Augsburg celebrations, Mendelssohn began work on the Reformation Symphony. Mendelssohn hoped to have it performed at the festivities in Berlin which took place on 25 June 1830. He had intended to finish the composition by January 1830 and tour for four months before the celebrations began in June. However, his ill health caused the Reformation Symphony to take longer to compose than he had initially expected. In late March the symphony was still in a state of fabrication, and in an inauspicious turn of events Mendelssohn caught measles from his sister Rebecka. With a further delay of the composing and touring, Mendelssohn eventually completed the symphony in May. Unfortunately, it was too late for the Augsburg commission to recognize the symphony for the celebrations. Some authorities have suggested that
antisemitism Antisemitism or Jew-hatred is hostility to, prejudice towards, or discrimination against Jews. A person who harbours it is called an antisemite. Whether antisemitism is considered a form of racism depends on the school of thought. Antisemi ...
may have played a role in the symphony's absence from Augsburg. But the successful competitor,
Eduard Grell Eduard Grell or August Eduard Grell (6 November 1800 – 10 August 1886) was a German composer, organist, and music teacher. Grell was born in Berlin. Among his early teachers were Carl Friedrich Zelter and Carl Friedrich Rungenhagen. On Zelt ...
, had already established himself as a competent and successful composer who was gaining considerable popularity in Berlin. Grell was extremely conservative in his compositions; his piece for male chorus perhaps matched what the Augsburg celebrations demanded, in contrast to Mendelssohn's extensive symphony, which may have been thought inappropriate at the time. Mendelssohn resumed his touring immediately after he had completed the Reformation Symphony. In Paris, in 1832, François Antoine Habeneck's orchestra turned the work down as 'too learned'; the music historian Larry Todd suggests that perhaps they also felt it to be too Protestant. He did not offer the symphony for performance at London. During the summer of 1832, Mendelssohn returned to Berlin where he revised the symphony. Later that year a performance of the Reformation Symphony finally took place. By 1838 however Mendelssohn regarded the symphony as 'a piece of
juvenilia Juvenilia are literary, musical or artistic works produced by authors during their youth. Written juvenilia, if published at all, usually appear as retrospective publications, some time after the author has become well known for later works. Bac ...
', and he never performed it again. It was not performed again until 1868, more than 20 years after the composer's death.


Key

The key of the symphony is stated as
D major D major is a major scale based on D (musical note), D, consisting of the pitches D, E (musical note), E, F♯ (musical note), F, G (musical note), G, A (musical note), A, B (musical note), B, and C♯ (musical note), C. Its key signature has two S ...
on the title page of Mendelssohn's autograph score. However, only the slow introduction is written in D major, whereas the main theme and the
cadence In Classical music, Western musical theory, a cadence () is the end of a Phrase (music), phrase in which the melody or harmony creates a sense of full or partial resolution (music), resolution, especially in music of the 16th century onwards.Don ...
setting of the first movement are in
D minor D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major. The D natural minor scale is: Changes needed ...
. The composer himself referred to the symphony on at least one occasion as in D minor.


Instrumentation

The symphony is scored for 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, " serpente" and
contrabassoon The contrabassoon, also known as the double bassoon, is a larger version of the bassoon, sounding an octave lower. Its technique is similar to its smaller cousin, with a few notable differences. Differences from the bassoon The Reed (mouthpie ...
(fourth movement only, now played either on contrabassoon alone or on contrabassoon and tuba), The Italian term for the serpent instrument was ''serpentone''; Mendelssohn very likely wrote for the
English bass horn The serpent is a bass (sound), low-pitched early wind instrument in the brass instrument, lip-reed family, developed in the Renaissance era. It has a trombone-like mouthpiece (brass), mouthpiece, with six tone holes arranged in two groups of t ...
, a form of upright serpent popular at the time.
2 horns, 2 trumpets, 3 trombones, timpani and strings.


Movements

The symphony is in four movements: # Andante
Allegro Allegro may refer to: Common meanings * Allegro (music), a tempo marking that indicates to playing quickly and brightly (from Italian meaning ''cheerful'') * Allegro (ballet), brisk and lively movement Artistic works * L'Allegro (1645), a poem b ...
con fuoco (
D major D major is a major scale based on D (musical note), D, consisting of the pitches D, E (musical note), E, F♯ (musical note), F, G (musical note), G, A (musical note), A, B (musical note), B, and C♯ (musical note), C. Its key signature has two S ...
D minor D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major. The D natural minor scale is: Changes needed ...
) #Allegro
vivace In musical terminology, tempo (Italian for 'time'; plural 'tempos', or from the Italian plural), measured in beats per minute, is the speed or pace of a given composition, and is often also an indication of the composition's character or atmos ...
(
B-flat major B-flat major is a major scale based on B, with pitches B, C, D, E, F, G, and A. Its key signature has two flats. Its relative minor is G minor and its parallel minor is B-flat minor. The B-flat major scale is: Changes needed for ...
, trio in
G major G major is a major scale based on G (musical note), G, with the pitches G, A (musical note), A, B (musical note), B, C (musical note), C, D (musical note), D, E (musical note), E, and F♯ (musical note), F. Its key signature has one sharp (music ...
) #Andante (
G minor G minor is a minor scale based on G, consisting of the pitches G, A, B, C, D, E, and F. Its key signature has two flats. Its relative major is B-flat major and its parallel major is G major. The G natural minor scale is: Changes n ...
, ending in G major) #Andante con moto – Allegro vivace – Allegro
maestoso () is an Italian musical term and is used to direct performers to play a certain passage of music in a stately, dignified and majestic fashion (sometimes march-like) or, it is used to describe music as such. ''Maestoso'' also is associated ...
(G major – D major) A typical performance lasts about 33 minutes.


First movement

: During the slow introduction, Mendelssohn cites the " Dresden Amen" on the strings. Mendelssohn's version of the "Dresden Amen" is as follows: : (The "Dresden Amen" was also adapted by
Richard Wagner Wilhelm Richard Wagner ( ; ; 22 May 181313 February 1883) was a German composer, theatre director, essayist, and conductor who is chiefly known for his operas (or, as some of his mature works were later known, "music dramas"). Unlike most o ...
as the "Grail"
leitmotif A leitmotif or () is a "short, recurring musical phrase" associated with a particular person, place, or idea. It is closely related to the musical concepts of ''idée fixe'' or ''motto-theme''. The spelling ''leitmotif'' is a partial angliciz ...
in his 1882 opera ''
Parsifal ''Parsifal'' ( WWV 111) is a music drama in three acts by the German composer Richard Wagner and his last composition. Wagner's own libretto for the work is freely based on the 13th-century Middle High German chivalric romance ''Parzival'' of th ...
'' or by
Anton Bruckner Joseph Anton Bruckner (; ; 4 September 182411 October 1896) was an Austrian composer and organist best known for his Symphonies by Anton Bruckner, symphonies and sacred music, which includes List of masses by Anton Bruckner, Masses, Te Deum (Br ...
in the finale of his Fifth Symphony and the adagio of the
Ninth In music, a ninth is a compound interval consisting of an octave plus a second. Like the second, the interval of a ninth is classified as a dissonance in common practice tonality. Since a ninth is an octave larger than a second, its ...
.) The strings are interrupted by battle-cries from the
brass Brass is an alloy of copper and zinc, in proportions which can be varied to achieve different colours and mechanical, electrical, acoustic and chemical properties, but copper typically has the larger proportion, generally copper and zinc. I ...
section as follows: The "Dresden Amen" soon reappears on the strings and the ''Allegro con fuoco'' section, which is in
sonata form The sonata form (also sonata-allegro form or first movement form) is a musical form, musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of t ...
, then begins. It opens as follows: :


Second movement

The second movement, a B-flat major
scherzo A scherzo (, , ; plural scherzos or scherzi), in western classical music, is a short composition – sometimes a movement from a larger work such as a symphony or a sonata. The precise definition has varied over the years, but scherzo often r ...
, is very different in spirit from the first movement, being much lighter in tone. :


Third movement

The third movement, in G minor, is a lyrical piece primarily for the strings. There are references to the "Dresden Amen", and, at the movement's end, to the second theme of the first movement. :


Fourth movement

The fourth movement is based on
Martin Luther Martin Luther ( ; ; 10 November 1483 – 18 February 1546) was a German priest, Theology, theologian, author, hymnwriter, professor, and former Order of Saint Augustine, Augustinian friar. Luther was the seminal figure of the Reformation, Pr ...
's
chorale A chorale is the name of several related musical forms originating in the music genre of the Lutheran chorale: * Hymn tune of a Lutheran hymn (e.g. the melody of " Wachet auf, ruft uns die Stimme"), or a tune in a similar format (e.g. one o ...
" Ein feste Burg ist unser Gott" ("A mighty fortress is our God"). It is in
sonata form The sonata form (also sonata-allegro form or first movement form) is a musical form, musical structure generally consisting of three main sections: an exposition, a development, and a recapitulation. It has been used widely since the middle of t ...
and is mostly in
time Time is the continuous progression of existence that occurs in an apparently irreversible process, irreversible succession from the past, through the present, and into the future. It is a component quantity of various measurements used to sequ ...
. There are a few unmarked
meter The metre (or meter in US spelling; symbol: m) is the base unit of length in the International System of Units (SI). Since 2019, the metre has been defined as the length of the path travelled by light in vacuum during a time interval of of ...
changes to to fit the meter of the original chorale.Kirill Polyanskiy's analysis of Mendelssohn's Fifth Symphony At the very end of the coda, a powerful version of Martin Luther's chorale is played by the entire orchestra. :


Notes


References

*Heuss, Alfred. 1904. "The 'Dresden Amen': In the First Movement of Mendelssohn's 'Reformation' Symphony." ''
The Musical Times ''The Musical Times'' was an academic journal of classical music edited and produced in the United Kingdom. It was originally created by Joseph Mainzer in 1842 as ''Mainzer's Musical Times and Singing Circular'', but in 1844 he sold it to Alfr ...
'' 45, no. 737 (4 July): 441–42. *Silber, Judith. 1987. "Mendelssohn and His 'Reformation' Symphony." ''
Journal of the American Musicological Society The ''Journal of the American Musicological Society'' is a triannual peer-reviewed academic journal and an official journal of the American Musicological Society. It is published by University of California Press and covers all aspects of musicol ...
'' 40, no. 2 (Summer): 310–36. *Taylor, Benedict. 2009. 'Beyond Good and Programmatic: Mendelssohn's 'Reformation' Symphony', ''Ad Parnassum'', 7/14 (October 2009): 115–27. *Todd, R. Larry. 2003. ''Mendelssohn – A Life in Music''. Oxford; New York: Oxford University Press. .


External links

* {{Authority control Symphonies by Felix Mendelssohn 1830 compositions Compositions by Felix Mendelssohn published posthumously Frederick William III of Prussia