Rectangular Octave Virginal
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''Rectangular Octave Virginal'' is a 16th-century
virginal The virginals is a keyboard instrument of the harpsichord family. It was popular in Europe during the late Renaissance and early Baroque periods. Description A virginals is a smaller and simpler, rectangular or polygonal, form of harpsichord. ...
in the style of Samuel Biedermann the Elder, probably made in Augsburg about 1600. It is in the collection of the
Metropolitan Museum of Art The Metropolitan Museum of Art, colloquially referred to as the Met, is an Encyclopedic museum, encyclopedic art museum in New York City. By floor area, it is the List of largest museums, third-largest museum in the world and the List of larg ...
.


Early history and creation

Little is known of the early history of this specific instrument. It was donated by
Mary Elizabeth Adams Brown Mary Elizabeth Adams Brown (1842–1918) was an American writer, collector, and curator of musical instruments. She is best known for her collection of musical instruments that she donated to the Metropolitan Museum of Art. She worked together wit ...
and is part of the Crosby Brown Collection of Musical Instruments gifted in 1889, where it is classified as a ''Chordophone-Zither-plucked-virginal''. It is decorated with hand-painted engravings by
Hans Sebald Beham Sebald Beham (1500–1550) was a German painter and printmaker, mainly known for his very small engravings. Born in Nuremberg, he spent the later part of his career in Frankfurt. He was one of the most important of the "Little Masters", the group ...
and Crispijn van de Passe I.


Description and interpretation

The left engraving shows the return of Tobias, showing the scene where the angel Raphael from The Book of Tobit takes leave of old Tobit and Sarah before flying off into heaven (his flight can be seen through the window). Tobit seated next to his bride under the cloth of honor looks at the angel. The right engraving shows a scene from the
Book of Daniel The Book of Daniel is a 2nd-century BC biblical apocalypse with a 6th-century BC setting. It is ostensibly a narrative detailing the experiences and Prophecy, prophetic visions of Daniel, a Jewish Babylonian captivity, exile in Babylon ...
when a hand writes the prophecy on the wall during
Belshazzar Belshazzar ( Babylonian cuneiform: ''Bēl-šar-uṣur'', meaning " Bel, protect the king"; ''Bēlšaʾṣṣar'') was the son and crown prince of Nabonidus (), the last king of the Neo-Babylonian Empire. Through his mother, he might have been ...
's feast (his murder can be seen in the background). File:Crispijn van de Passe after Maerten de Vos - Return of Tobias RP-P-1966-466.jpg, ''Tobias junior cum angelo et Sara sponsa sua domum redeuntes honorifice a parentibus'', Van de Passe after
Maerten de Vos Maerten de Vos, Maerten de Vos the Elder or Marten de Vos (1532 – 4 December 1603)Maerten de Vos
at the
(the engraving on the left) File:Rectangular Octave Virginal MET DT10869.jpg File:Crispijn van de Passe after Maerten de Vos - Belshazzar's feast RP-P-1966-467.jpg, ''
Belshazzar's feast Belshazzar's feast, or the story of the writing on the wall, chapter 5 in the Book of Daniel, tells how Neo-Babylonian royal Belshazzar holds a great feast and drinks from the vessels that had been looted in the destruction of the First Temple. ...
'', Van de Passe after
Maerten de Vos Maerten de Vos, Maerten de Vos the Elder or Marten de Vos (1532 – 4 December 1603)Maerten de Vos
at the
(the engraving on the right)


Later history and influence

The presence of the engravings helps to both date the piece as well as give a glimpse into the popular scenes from the bible after the
Protestant Reformation The Reformation, also known as the Protestant Reformation or the European Reformation, was a time of major theological movement in Western Christianity in 16th-century Europe that posed a religious and political challenge to the papacy and ...
.


See also

* Ottavini (singular form: ''Ottavino'') — miniature virginals with octave higher pitch, produced by both Italian and northern schools. * Double virginals — known as Mother and Child (moeder und kind), the instruments combined a normal virginal and ottavino, produced by Flemish school, in particular the Ruckers family.


References

{{Metropolitan Museum of Art Individual string instruments Harpsichord Collection of the Metropolitan Museum of Art