Razzennest

''Razzennest'' is a 2022 Austrian supernatural, satirical horror film written and directed by Johannes Grenzfurthner. The film was produced by art group monochrom.

Horror and sound play an essential role in the film. Grenzfurthner says that ''Razzennest'' forms a trilogy with '' Masking Threshold'' (2021) and ''Solvent'' (2024).

Plot

South African filmmaker and enfant terrible Manus Oosthuizen meets with film critic Babette Cruickshank in a Los Angeles sound studio. With key members of Manus's crew joining, they record an audio commentary track for his new "elegiac feature documentary ''Razzennest''" that cryptically deals with the legacy of the Thirty Years' War. Strange incidents occur during the recording session; one by one, the film crew members are possessed by the ghosts of soldiers and peasants from 1645, and history repeats itself.

Cast

* Sophie Kathleen Kozeluh as Babette Cruickshank
* Michael Smulik as Manus Oosthuizen
* Anne Weiner as Ellen Zampaglione
* Roland Gratzer as Hetti Friesenbichler
* Jim Libby as Pat Kirkpatrick
* Bob Rose as Bob
* Joe Dante as Joe Dante, narrator

Themes

''Razzennest'' combines elements of satire, tragicomedy, drama, horror, and ghost story, but can also be considered a film about filmmaking and a self-reflexive film. In a statement for ''Daily Dead'', Grenzfurthner said:

''Razzennest'' not only gave me the unique opportunity to write a love letter to genre films and rain ridicule on pretentious arthouse films, but also to write a love letter to arthouse films and mock the inherent problems of genre films. It allowed me to realize my decades-old dream of making a film about the Thirty Years' War and its endless atrocities without needing a budget of millions of dollars to depict the war's bloody significance. ..Given the political climate in the United States and other Western societies, the film is a necessary reflection on the undead legacy of murderous Christianity.

Grenzfurthner cites Nikolaus Geyrhalter's 2016 documentary film ''Homo Sapiens'' as an aesthetic template for the kind of arthouse film that he wanted to satirize or "emulate."
Although Grenzfurthner calls ''Razzennest'' "bizarre", he remarks that he thinks that it is more accessible than his previous film '' Masking Threshold''.

Production

Filming

Principal photography started on 2 March 2022, entirely in the Rohrwald region, with most of the shots in the villages Oberrohrbach ( Leobendorf), Niederhollabrunn, Niederfellabrunn, and Leitzersdorf. Grenzfurthner states that the film "provided an exciting chance to portray a fascinating landscape, the Rohrwald, which is only a few kilometers from where I grew up."

As the plot focuses on the so-called '' Schwedenhöhlen'' (Swedish Caves), earthen stables that were carved into the loess in the 16th and 17th centuries, the film was shot at these very locations, bringing their historical significance to life.

Post-production

Grenzfurthner edited the film himself and mentioned in interviews that he wanted to be as precise as possible with the style and pace of the fictitious director/editor Oosthuizen.

Music

The soundtrack was created by German experimental electronic musician Alec Empire.
Critic Richard Propes writes about the soundtrack: "Alec Empire's original score for the film is an immersive creepster that complements the visuals without dominating them. Empire never tells us what to think or feel, a refreshing approach consistent with Grenzfurthner's own artistry."

Release

''Razzennest'' had its world premiere on 29 September 2022 at Fantastic Fest as part of the ''Burnt Ends'' showcase. Festival curator Annick Mahnert calls it "an audio commentary feature film filled with surprises and inside jokes." The European premiere took place at the B3 Biennial of the Moving Image in Frankfurt. Festivals such as Nightmares Film Festival, A Night of Horror International Film Festival, South African Horrorfest, Cucalorus Film Festival, Feratum Film Festival (Mexico), and BizarroLand Film Festival have screened the film. The Austrian premiere was at Diagonale 2023 in Graz.

It was released on the US streaming service Fandor on 2 May 2023.

Reception

Critical response

Critical response has been positive. The film holds a 93% approval rating on the review aggregator website Rotten Tomatoes, with a weighted average of 7/10. ''Film Threat'' awards ''Razzennest'' 8/10 and summarizes: "The listener is drawn into the horrific eventualities as the story charts a course from banal film banter to eventually painting the darkest expressions of one's own imagination. The soundscape and voice acting create an alternate world. Pairing that aural experience with abstract but related visuals brings another level of engagement to the viewer/listener. This is truly madness, but the method behind it creates an effective and unique filmic (and audio) experience." ''Daily Dead'' calls ''Razzennest'' "genuinely thought-provoking, scary, a bit satirical and bitingly funny." ''iHorror'' writes that the film is "an entirely new kind of horror film."
''Daily Grindhouse'' Katelyn Nelson states that the film is "a novel approach to the forced confrontation with history we occasionally seem to need. Not in our faces enough to be decried as obvious or too on-the-nose, but impactful enough to make us think and remember. Is it worse to watch the horrors of war unfold before our eyes, or to hear them reinhabited in the present?" Melissa Hannon of ''Horror Geek Life'' states that "the sharp satirical dialogue rarely misses a beat." Timothy Glaraton of ''Horror Obsessive'' writes: "The highest form of praise I can give to ''Razzennest''—and the highest form of praise I'll personally give to any film—is that it is truly unlike anything I've ever seen—not simply at Fantastic Fest, but anywhere." Louisa Moore of ''Screen Zealots'' says: "From the vivid and violent descriptions to the bloodcurdling screams, ''Razzennest'' is the stuff of nightmares." Screen Anarchy's Kyle Logan writes: "It not only effectively brings a horrific audio drama into cinema without losing any of the power of its images or its audio-only narrative, but also succeeds in exploring the themes of the far more self-consciously artful film-within-a-film. There are moments throughout that are not only scary, but also evoke a real sense of pathos for those who lived through the horrors of a 400-year-old war. That the film also manages to be hilarious at several points only adds to how special it is."

Awards

* ''Best Director'' for Johannes Grenzfurthner for ''Razzennest'' at Nightmares Film Festival 2022
* ''Best Screenplay'' for Johannes Grenzfurthner for ''Razzennest'' at South African Horrorfest 2022
* ''Best Editing'' for Johannes Grenzfurthner for ''Razzennest'' at South African Horrorfest 2022
* ''Special Jury Mention'' for ''Razzennest'' at ''Film Maudit 2.0'' (Los Angeles) 2023
* ''Antonio Margheriti Award'' for ''Razzennest'' at the ''TOHorror Fantastic Film Fest'' (Turin, Italy) 2023

See also

* Art horror
* Supernatural horror film

References

External links

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{{DEFAULTSORT:Razzennest
2022 films
Austrian horror films
Austrian independent films
2020s English-language films
2022 multilingual films
2022 horror films
Found footage films
Films shot in Austria
Films set in Austria
Films set in 2022
Films about filmmaking
Self-reflexive films
Films about death
Films about spirit possession
Films about religion
Films critical of religion
Thirty Years' War films
Films about mercenaries
Films about film directors and producers
Films about films
Monochrom
Films directed by Johannes Grenzfurthner
English-language independent films
English-language horror films
Postmodern films