Ravananugraha

Ravananugraha or Ravananugraha-murti ("form showing favour to Ravana") is a benevolent aspect of the Hindu god Shiva, depicted seated on his abode Mount Kailash with his consort Parvati, while the '' rakshasa''-king (demon-king) Ravana of Lanka attempts to uproot it.

According to Hindu scriptures, Ravana once tried to lift Mount Kailash, but Shiva pushed the mountain into place, and trapped Ravana beneath it. For a thousand years, the imprisoned Ravana sang hymns in praise of Shiva, who finally blessed him and granted him an invincible sword and a powerful linga (Shiva's aniconic symbol, Atmalinga) to worship.

The theme is popular in Indian art and is found as early as the Gupta-Pallava era (300–600 CE).

Legend

The ''Uttara Kanda'' of the Hindu epic '' Ramayana'' records: the ten-headed, twenty-armed mighty King Ravana defeated and looted Alaka – the city of his step-brother and god of wealth Kubera, situated near Mount Kailash. After the victory, Ravana was returning to Lanka in the '' Pushpaka Vimana'' (the flying chariot stolen from Kubera), when he spotted a beautiful place. However, the chariot could not fly over it. Ravana met Shiva's demigod-bull attendant Nandi (Nandisha, Nandikeshvara) at the place, and asked the reason behind his chariot's inability to pass over the place. Nandi informed Ravana that Shiva and Parvati resided on the mountain, and that no one was allowed to pass. Ravana mocked Shiva and Nandi. Enraged by the insult to his master, Nandi cursed Ravana that monkeys would destroy him. In turn, Ravana decided to uproot Kailash, infuriated by Nandi's curse, and his inability to proceed further. He put all his twenty arms under Kailash, and started lifting it. As Kailash began to shake, a terrified Parvati embraced Shiva. However, the omniscient Shiva realised that Ravana was behind the menace, and pressed the mountain into place with his big toe, trapping Ravana beneath it. Ravana gave a loud cry in pain. Advised by his ministers, Ravana sang hymns in praise of Shiva for a thousand years. Finally, Shiva not only forgave Ravana, but also granted him an invincible sword. Since Ravana cried, he was given the name "Ravana" – one who cried.

In the Tevaram, a Tamil Shaiva work, Ravana cut off one of his heads and built a veena from it. He used his tendons for the strings and began singing praises of Shiva. The song was the ''Shiva Tandava Stotram''. The pleased Shiva bestowed a powerful linga, the Atmalinga (lingam of the soul), his symbol, to be worshipped by Ravana at Lanka, but with the condition that wherever the linga was placed on earth, it would stay there for eternity. Aided by Shiva's son Ganesha, the gods devised a plan and tricked Ravana to hand the linga to Ganesha, who immediately placed it on the ground. Temples at Gokarna as well as Kumbharagadhi in Balasore district, claim to house this powerful linga.

Iconography

Shiva and Parvati are depicted seated on Mount Kailash in the upper portion of the portrayal, while Ravana, lifting the mount is portrayed in the lower register.

In the upper register, the central figures are the four-armed Shiva and to his left hand side, Parvati, who clings to her husband with her two arms flung around him.Kala pp. 38–42 Shiva is calm, comforting his terrified consort, embracing her with one or two arms. Shiva wears a jata-mukuta (a headdress formed of piled, matted hair), while Parvati's hair is arranged in a bun. In an upper arm, Shiva holds a '' trishula'' (trident) and his lower right arm makes the '' abhayamudra'' (fear-not gesture). The couple may be seated on a lotus pedestal or rest their feet on it. In some cases, Parvati is seated on Shiva's left lap. Sometimes, he may touch her chin lovingly.

The mountain may be pictured variously as a simple piles of rocks or even as a simple platform to an elaborate multi-tiered structure. In the latter depiction, various levels show Kailash's various inhabitants including divinities, attendants, sages and animals, while Shiva and Parvati are perched on the top of the mountain. Even otherwise, male attendants of Shiva and female ones of Parvati as well as Shiva's dwarfish follower '' gana''s may be depicted surrounding the divine couple on Kailash. Other flying divinities may also be pictured with them, praising Shiva and Parvati. Noteworthy portrayals include the couple's two sons – the elephant headed god of wisdom Ganesha and Kartikeya, the god of war; Shiva's '' vahana'' – the bull Nandi and Parvati's lion. In some cases, animals and attendants run away, frightened by the trembling mountain. In some cases, the inhabitants attack Ravana with arms and boulders.

Ravana is depicted as a strongly built man lifting the mountain with all his might. Ravana is generally depicted ten-headed; however, he may be depicted with fewer heads or just a single head. A donkey's head may be also depicted as his tenth head. His expression may show frustration or pain. Ravana is pictured as multi-armed; however, the number of arms is not fixed and extends up to twenty arms. Generally, his rear or upper arms hold up the mountain, while the lower ones may rest on ground or his knee for support, or may carry weapons in them. He sometimes holds a large sword, alluding to the divine sword granted by Shiva.Rao pp. 218–20 Other weapons include a shield, a bow, an arrow and a thunderbolt. Ravana may be crouching or kneeling.

Notes

References

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External links

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Forms of Shiva
Ramayana