Historical setting
The play is set in the context of the final phase of theTitle, characters, and settings
The title is a pun, which involves the Rajōmon (羅城門) outer castle gate but Kanze changed it by using the kanji shō for "life" rather than the original jō for "castle" (note that 羅城門 was originally read ''raseimon'' and 生 can also be read as ''sei''). It is one of the few Noh plays where the supporting ''waki'' (脇) rather than the normally leading ''shite'' (仕手) dominates the action. It is suggested that this can be attributed to the fact that Nobumitsu used to play ''waki'' roles when he was an actor. The s''hite'' character in this play only makes an appearance at the end and has no dialogue. Rashōmon is also a play which follows characters from one venue to another. Act 1 takes place in the dining hall of a general, but in Act 2 the ''waki'' character, Tsuna, climbs the Rasho Gate to determine the truth of a story that a demon resides on the gate top.Later allusions
Kikaku wrote a haiku based on the play: “Tsuna now is leaving/ Tsuna is on every tongue - / On a rainy night. This, with the play itself, was used as the basis for a painting by Gekkei ( Matsumura Goshun).L Zolbrod, ''Haiku Painting'' (Tokyo 1982) p. 26-7See also
* Benkei on the Bridge * Hogen disturbanceReferences
{{DEFAULTSORT:Rashomon (Noh play) Noh plays Rashōmon