rani padmini

Padmini, also known as Padmavati, was a 13th–14th century Rani (queen) of the Mewar kingdom of present-day India. Several medieval texts mention her, although these versions are disparate and many modern historians question the extent of overall authenticity.

The Jayasi text describes her story as follows: Padmavati was an exceptionally beautiful princess of the Sinhalese kingdom (in Sri Lanka). Ratan Sen, the Rajput ruler of Chittor Fort, heard about her beauty from a talking parrot named Hiraman. After an adventurous quest, he won her hand in marriage and brought her to Chittor. Ratan Sen was captured and imprisoned by Alauddin Khalji, the Sultan of Delhi. While Ratan Sen was in prison, the king of Kumbhalner Devapal became enamoured with Padmavati's beauty and proposed to marry her. Ratan Sen returned to Chittor and entered into a duel with Devapal, in which both died. Alauddin Khalji laid siege to Chittor to obtain Padmavati. Facing a defeat against Khalji, before Chittor was captured, she and her companions committed Jauhar (self-immolation) thereby defeating Khalji's aim and protecting their honour. Coupled to the ''Jauhar'', the Rajput men died fighting on the battlefield.

Many other written and oral tradition versions of her life exist in Hindu and Jain traditions. These versions differ from the Sufi poet Jayasi's version. For example, Rani Padmini's husband Ratan Sen dies fighting the siege of Alauddin Khalji, and thereafter she leads a jauhar. In these versions, she is characterised as a Hindu Rajput queen, who defended her honour against a Muslim invader. Over the years she came to be seen as a historical figure and appeared in several novels, plays, television serials and movies.

Versions of the legend

Several 16th-century texts survive that offer varying accounts of Rani Padmini's life. Of these, the earliest is the Awadhi language '' Padmavat'' (1540 CE) of the Sufi composer Malik Muhammad Jayasi, likely composed originally in the Persian script. The 14th-century accounts written by Muslim court historians that describe Alauddin Khalji's 1302 CE conquest of Chittorgarh make no mention of this queen. Jain texts between 14th and 16th century – Nabinandan Jenudhar, Chitai Charitra and Rayan Sehra have mentioned Rani Padmini.

Subsequently, many literary works mentioning her story were produced; these can be divided into four major categories:

# Persian and Urdu adaptions — Between the 16th and 19th centuries, at least 12 Persian and Urdu translations or adaptations of Malik Muhammad Jayasi's ''Padmavat'' were produced. More Urdu versions appeared in the 20th century, all adhering to Jayasi's love poetry tradition.
# Rajput ballads — In 1589 CE, Hemratan composed ''Gora Badal Padmini Chaupai'', the first Rajput adaption of the legend, presenting it as a "true tale". Between 16th and 18th centuries, more Rajput versions of the Padmavati legend were compiled in present-day Rajasthan, under the patronage of the Rajput chiefs. Unlike Jayasi's theme of courting and marriage, the Rajput adaptions emphasized their honour in defending their kingdom against Alauddin Khalji.
# James Tod's version — During 1829–32, James Tod included a colonial re-telling of the legend in his ''Annals and Antiquities of Rajast'han''. His version was based on the information compiled from the oral and textual traditions of writers employed by the Rajput chiefs.
# Bengali adaptions — The epic poem Padmavati was written by the medieval Bengali poet Alaol. From the late 19th century onward, several Bengali versions of the legend were produced, when James Tod's work reached Calcutta, the capital of British India. These Bengali narratives portrayed Padmavati as a Hindu queen who immolated herself to protect her honour against a Muslim invader.

In addition to these various literary accounts, a variety of legends are located in vernacular oral traditions from about 1500 or later; these have evolved over time. The oral legends and the literary accounts share the same characters and general plot, but diverge in the specifics and how they express the details. The oral versions narrate the social group's perspective while the early literary versions narrate the author's court-centric context. According to Ramya Sreenivasan, the oral and written legends about Rani Padmini likely fed each other, each version of her life affected by the sensitivities of the audience or the patron, with Muslim versions narrating the conquest of Chitor by Delhi Sultanate under Alauddin Khalji, while the Hindu and Jain versions narrating the local resistance to the sultan of Delhi exemplified in the life of Padmini.

Accounts

Malik Muhammad Jayasi's ''Padmavat'' (1540 CE)

In the Jayasi version, states Ramya Sreenivasan, Padmavati is described as the daughter of Gandharvsen, the king of the island kingdom of Sinhala (Singhal kingdom, Sri Lanka). A parrot tells Chittor's king Ratansen of Padmavati and her beauty. Ratansen is so moved by the parrot's description that he renounces his kingdom, becomes an ascetic, follows the parrot as the bird leads him across seven seas to the island kingdom. There he meets Padmavati, overcomes obstacles and risks his life to win her. He succeeds, marries her and brings his wife to Chittor where he becomes king again. Ratansen expels a Brahmin scholar for misconduct, who then reaches Sultan Alauddin and tells him about the beautiful Padmavati. The sultan lusts for Padmavati, and invades Chittor in his quest for her. Ratansen, meanwhile, dies in another battle with a rival Rajput ruler. Padmavati immolates herself. Alauddin thus conquers Chitor for the Islamic state, but Alauddin fails in his personal quest.

This earliest known literary version is attributed to Jayasi, whose year of birth and death are unclear. He lived during the rule of Babur, the Islamic emperor who started the Mughal Empire after ending the Delhi Sultanate. Jayasi's compositions spread in the Sufi tradition across the Indian subcontinent. Variants derived from Jayasi's work on Padmavati were composed between the 16th and 19th centuries and these manuscripts exist in the Sufi tradition. In one, princess Padmavati became close friends with a talking parrot named Hiraman. She and the parrot together studied the Vedas – the Hindu scriptures. Her father resented the parrot's closeness to his daughter, and ordered the bird to be killed. The panicked parrot bade goodbye to the princess and flew away to save its life. It was trapped by a bird catcher, and sold to a Brahmin. The Brahmin bought it to Chittor, where the local king Ratan Sen purchased it, impressed by its ability to talk.

The parrot greatly praised Padmavati's beauty in front of Ratan Sen, who became determined to marry Padmavati. He leaves his kingdom as a Nath

HOME


Content is Copyleft
Website design, code, and AI is Copyrighted (c) 2014-2017 by Stephen Payne


Consider donating to Wikimedia



As an Amazon Associate I earn from qualifying purchases