Raghavanka was a noted
Kannada
Kannada () is a Dravidian language spoken predominantly in the state of Karnataka in southwestern India, and spoken by a minority of the population in all neighbouring states. It has 44 million native speakers, and is additionally a ...
writer and a poet in the
Hoysala
The Hoysala Kingdom was a kingdom originating from the Indian subcontinent that ruled most of what is now Karnataka, India, Karnataka, parts of Tamilnadu and South-Western Telangana between the 11th and the 14th centuries Common Era, CE. The c ...
court who flourished in the late 12th to early 13th century. Raghavanka is credited for popularizing the use of the native ''
shatpadi'' metre (hexa metre, 6 line verse) in
Kannada literature
Kannada literature is the Text corpus, corpus of written forms of the Kannada language, which is spoken mainly in the Indian state of Karnataka and written in the Kannada script.
Attestations in literature span one and a half millennia,
R.S. ...
.
[Sastri (1955), p. 362] ''Harishchandra Kavya'', in ''shatpadi'' metre, is known to have been written with an interpretation unlike any other on the life of King
Harishchandra
Harishchandra () is a legendary king of the Solar dynasty, who appears in several legends in texts such as the ''Aitareya Brahmana'', ''Mahabharata'', the ''Markandeya Purana'', and the ''Devi-Bhagavata Purana, Devi Bhagavata Purana''. The most ...
is well known and is considered one of the important classics of
Kannada language
Kannada () is a Dravidian languages, Dravidian language spoken predominantly in the state of Karnataka in southwestern India, and spoken by a minority of the population in all neighbouring states. It has 44 million native speakers, an ...
. He was a nephew and protégé of the noted Early 12-century Kannada poet
Harihara.
[Narasimhacharya (1988), p. 20][Kamath (2001), p. 134] Although the ''shatpadi'' metre tradition existed in Kannada literature prior to Raghavanka, Raghavanka inspired the usage of the flexible metre for generations of poets, both
Shaiva
Shaivism (, , ) is one of the major Hindu traditions, which worships Shiva as the supreme being. It is the second-largest Hindu sect after Vaishnavism, constituting about 385 million Hindus, found widely across South Asia (predominantly in ...
(devotees of God
Shiva
Shiva (; , ), also known as Mahadeva (; , , Help:IPA/Sanskrit, ɐɦaːd̪eːʋɐh and Hara, is one of the Hindu deities, principal deities of Hinduism. He is the God in Hinduism, Supreme Being in Shaivism, one of the major traditions w ...
) and
Vaishnava
Vaishnavism () ), also called Vishnuism, is one of the major Hindu traditions, that considers Vishnu as the sole supreme being leading all other Hindu deities, that is, '' Mahavishnu''. It is one of the major Hindu denominations along wit ...
(devotees of God
Vishnu
Vishnu (; , , ), also known as Narayana and Hari, is one of the Hindu deities, principal deities of Hinduism. He is the supreme being within Vaishnavism, one of the major traditions within contemporary Hinduism, and the god of preservation ( ...
) to come.
[Shiva Prakash in K. Ayyappapanicker (1997), p. 208]
Writings
*''Harishchandra Kavya''
*''Siddharama charitra''
*''Somanatha charitra''
*''Viresvara charita''
*''Hariharamahatva''
*''Sarabha charitra''
Although ''Harishchandra Kavya'' (c. 1200 or c. 1225) is Raghavanka's ''
magnum opus
A masterpiece, , or ; ; ) is a creation that has been given much critical praise, especially one that is considered the greatest work of a person's career or a work of outstanding creativity, skill, profundity, or workmanship.
Historically, ...
'', it was rejected by his guru, poet Harihara (or Harisvara). In some ways, Raghavanka's writing surpasses his guru's talent, especially in describing characters in his story.
Legend has it that his guru was aghast at Raghavanka Pandita, a devotee of Hindu God
Shiva
Shiva (; , ), also known as Mahadeva (; , , Help:IPA/Sanskrit, ɐɦaːd̪eːʋɐh and Hara, is one of the Hindu deities, principal deities of Hinduism. He is the God in Hinduism, Supreme Being in Shaivism, one of the major traditions w ...
, for writing about ordinary mortals (such as King Harishchandra) instead of writing about Veerashaiva saints. According to the same legend, five of Raghavanka's teeth "fell off instantly" for going against his guru's wishes. In order to expiate his sin, he authored five writings eulogising Veerashaiva saints, one writing for each fallen tooth, and the teeth "returned one by one".
[Shiva Prakash (1997), p. 206] According to another source, Raghavanka's guru physically abused him, punishing him for wasting his poetic talent in eulogising a mere mortal.
[Nagaraj in Pollock (2003), p. 364] These five writings are the ''Siddharama charitra'' (or ''Siddharama Purana''), a eulogy of the dynamic and compassionate 12th century Veerashiava saint Siddharama of Sonnalige which brings out a larger-than-life image of the saint in a simple yet stylistic narrative;
the ''Somanatha charitra'', a propagandist work which describes the life of saint Somayya (or Adaiah) of Puligere, his humiliation after being lured by the charms of a
Jain girl, and his achievement of successfully converting a Jain temple into a Shiva temple; the ''Viresvara charita'', a dramatic story of the blind wrath of a Shaiva warrior Virabhadra; the ''Hariharamahatva'', a eulogy of Harisvara of
Hampi, and ''Sarabha charitra'', the last two works now considered lost.
[Shiva Prakash (1997), p. 207]
''Harishchandra Kavya''
In the ''Harishchandra Kavya'', Raghavanka brings out the clash of personalities with lively dialogues; between sage
Vishvamitra
Vishvamitra (, ) is one of the most venerated rishis or sages of ancient India. Vishvamitra is one of the seven Brahmarshi. According to Hindu tradition, he is stated to have written most of the Mandala 3 of the Rigveda, including the Gay ...
and sage
Vashishta, between Harishchandra and Vishvamitra and between Harishchandra and the "unreal" girls ("dancing girls"). Also narrated is Harishchandra's fidelity to truth against all odds and the redemption of Harishchandra after being rescued by an untouchable he had once rejected.
According to professor
L. S. Sheshagiri Rao of the Sahitya Akademi, in no other language has the story of King Harishchandra been dealt with this interpretation. The writing is original both in tradition and inspiration fully utilizing the potential of the ''shatpadi'' metre.
[Rao in Datta, Sahitya Akademi (1988), pp. 1181] One piece of
elegiac verse, written in the ''mandanila ragele'' metre (rhymed couplets) is the mourning of Chandramati over the death of her young son Lohitashva from snake bite, while gathering firewood for his Brahmin taskmaster.
[Sahitya Akademi (1988), p. 1149] The poem has remained popular for centuries and is recited by ''
Gamakis'' (narration of story accompanied by music).
Notes
References
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{{Karnataka topics
History of Karnataka
Kannada poets
Poets from Karnataka
13th-century Indian poets
12th-century Indian poets
Indian male poets
Hoysala people