The cultural and artistic events of

Italy Italy, officially the Italian Republic, is a country in Southern Europe, Southern and Western Europe, Western Europe. It consists of Italian Peninsula, a peninsula that extends into the Mediterranean Sea, with the Alps on its northern land b ...

during the period 1400 to 1499 are collectively referred to as the Quattrocento (, , ) from the Italian word for the number 400, in turn from , which is Italian for the year 1400. The Quattrocento encompasses the artistic styles of the late

Middle Ages In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of global history. It began with the fall of the Western Roman Empire and ...

(most notably

International Gothic International Gothic is a period of Gothic art that began in Burgundy, France, and northern Italy in the late 14th and early 15th century. It then spread very widely across Western Europe, hence the name for the period, which was introduced by the ...

), the early

Renaissance The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and sur ...

(beginning around 1425), and the start of the

High Renaissance In art history, the High Renaissance was a short period of the most exceptional artistic production in the Italian states, particularly Rome, capital of the Papal States, and in Florence, during the Italian Renaissance. Most art historians stat ...

, generally asserted to begin between 1495 and 1500.

Historical context

After the decline of the

Western Roman Empire In modern historiography, the Western Roman Empire was the western provinces of the Roman Empire, collectively, during any period in which they were administered separately from the eastern provinces by a separate, independent imperial court. ...

in 476, economic disorder and disruption of trade spread across Europe. This was the beginning of the

Early Middle Ages The Early Middle Ages (or early medieval period), sometimes controversially referred to as the Dark Ages (historiography), Dark Ages, is typically regarded by historians as lasting from the late 5th to the 10th century. They marked the start o ...

, which lasted roughly until the 14th century, when trade increased, population began to expand and the people regained their authority. In the late Middle Ages, the political structure of the European continent slowly coalesced from small, turbulent

fiefdom A fief (; ) was a central element in medieval contracts based on feudal law. It consisted of a form of property holding or other rights granted by an overlord to a vassal, who held it in fealty or "in fee" in return for a form of feudal alle ...

s into larger, more stable

nation state A nation state, or nation-state, is a political entity in which the State (polity), state (a centralized political organization ruling over a population within a territory) and the nation (a community based on a common identity) are (broadly ...

s ruled by

monarchies A monarchy is a form of government in which a person, the monarch, reigns as head of state for the rest of their life, or until abdication. The extent of the authority of the monarch may vary from restricted and largely symbolic (constitutio ...

. In Italy, urban centers arose, populated by merchant and trade classes able to defend themselves.

Money Money is any item or verifiable record that is generally accepted as payment for goods and services and repayment of debts, such as taxes, in a particular country or socio-economic context. The primary functions which distinguish money are: m ...

replaced land as the primary measure of wealth, and increasing numbers of

serf Serfdom was the status of many peasants under feudalism, specifically relating to manorialism and similar systems. It was a condition of debt bondage and indentured servitude with similarities to and differences from slavery. It developed du ...

s became freedmen. The changes in

Medieval Italy The history of Italy in the Middle Ages can be roughly defined as the time between the collapse of the Western Roman Empire and the Italian Renaissance. Late antiquity in Italy lingered on into the 7th century under the Ostrogothic Kingdom and ...

and the decline of

feudalism Feudalism, also known as the feudal system, was a combination of legal, economic, military, cultural, and political customs that flourished in Middle Ages, medieval Europe from the 9th to 15th centuries. Broadly defined, it was a way of struc ...

paved the way for social, cultural, and economic changes. The Quattrocento is viewed as the transition from the Medieval period to the age of the

Italian Renaissance The Italian Renaissance ( ) was a period in History of Italy, Italian history between the 14th and 16th centuries. The period is known for the initial development of the broader Renaissance culture that spread across Western Europe and marked t ...

, principally in the cities of

Rome Rome (Italian language, Italian and , ) is the capital city and most populated (municipality) of Italy. It is also the administrative centre of the Lazio Regions of Italy, region and of the Metropolitan City of Rome. A special named with 2, ...

Florence Florence ( ; ) is the capital city of the Italy, Italian region of Tuscany. It is also the most populated city in Tuscany, with 362,353 inhabitants, and 989,460 in Metropolitan City of Florence, its metropolitan province as of 2025. Florence ...

Milan Milan ( , , ; ) is a city in northern Italy, regional capital of Lombardy, the largest city in Italy by urban area and the List of cities in Italy, second-most-populous city proper in Italy after Rome. The city proper has a population of nea ...

Venice Venice ( ; ; , formerly ) is a city in northeastern Italy and the capital of the Veneto Regions of Italy, region. It is built on a group of 118 islands that are separated by expanses of open water and by canals; portions of the city are li ...

Naples Naples ( ; ; ) is the Regions of Italy, regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 908,082 within the city's administrative limits as of 2025, while its Metropolitan City of N ...

. The period saw the

fall of Constantinople The Fall of Constantinople, also known as the Conquest of Constantinople, was the capture of Constantinople, the capital of the Byzantine Empire by the Ottoman Empire. The city was captured on 29 May 1453 as part of the culmination of a 55-da ...

to the

Ottoman Empire The Ottoman Empire (), also called the Turkish Empire, was an empire, imperial realm that controlled much of Southeast Europe, West Asia, and North Africa from the 14th to early 20th centuries; it also controlled parts of southeastern Centr ...

, and it has been compared with the

Timurid Renaissance The Timurid Renaissance was a historical period in Asian history, Asian and Islamic history spanning the late 14th, the 15th, and the early 16th centuries. Following the Islamic Golden Age, the Timurid Empire, based in Central Asia and ruled by ...

which unfolded at the same time in Central Asia.

Development of Quattrocento styles

Quattrocento art shed the decorative

mosaic A mosaic () is a pattern or image made of small regular or irregular pieces of colored stone, glass or ceramic, held in place by plaster/Mortar (masonry), mortar, and covering a surface. Mosaics are often used as floor and wall decoration, and ...

s typically associated with

Byzantine art Byzantine art comprises the body of artistic products of the Eastern Roman Empire, as well as the nations and states that inherited culturally from the empire. Though the empire itself emerged from the decline of Rome, decline of western Rome and ...

along with Christian and Gothic media, as well as styles in

stained glass Stained glass refers to coloured glass as a material or art and architectural works created from it. Although it is traditionally made in flat panels and used as windows, the creations of modern stained glass artists also include three-dimensio ...

fresco Fresco ( or frescoes) is a technique of mural painting executed upon freshly laid ("wet") lime plaster. Water is used as the vehicle for the dry-powder pigment to merge with the plaster, and with the setting of the plaster, the painting become ...

es,

illuminated manuscripts An illuminated manuscript is a formally prepared manuscript, document where the text is decorated with flourishes such as marginalia, borders and Miniature (illuminated manuscript), miniature illustrations. Often used in the Roman Catholic Churc ...

and

sculpture Sculpture is the branch of the visual arts that operates in three dimensions. Sculpture is the three-dimensional art work which is physically presented in the dimensions of height, width and depth. It is one of the plastic arts. Durable sc ...

. Instead, Quattrocento artists incorporated the more classic forms developed by classical

Roman Roman or Romans most often refers to: *Rome, the capital city of Italy *Ancient Rome, Roman civilization from 8th century BC to 5th century AD *Roman people, the people of Roman civilization *Epistle to the Romans, shortened to Romans, a letter w ...

and Greek art.

List of Italian Quattrocento artists

Since the Quattrocento overlaps with part of the Renaissance, it would be inaccurate to say that a particular artist was Quattrocento ''or'' Renaissance. Artists of the time probably would not have identified themselves as members of a school or period. *

Andrea del Castagno Andrea del Castagno () or Andrea di Bartolo di Bargilla (; – 19 August 1457) was an Italian Renaissance painting, Italian Renaissance painter in Florence, influenced chiefly by Masaccio and Giotto, Giotto di Bondone. His works include fresc ...

Andrea del Verrocchio Andrea del Verrocchio ( , , ; born Andrea di Michele di Francesco de' Cioni; – 1488) was an Italian sculpture, sculptor, List of Italian painters, painter and goldsmith who was a master of an important workshop in Florence. He apparently bec ...

Andrea della Robbia Andrea della Robbia (20 October 14354 August 1525) was an Italian Renaissance sculptor, especially in ceramics. Biography Born in Florence, Robbia was the son of Marco della Robbia, whose brother, Luca della Robbia, popularized the use of g ...

Andrea Mantegna Andrea Mantegna (, ; ; September 13, 1506) was an Italian Renaissance painter, a student of Ancient Rome, Roman archeology, and son-in-law of Jacopo Bellini. Like other artists of the time, Mantegna experimented with Perspective (graphical), pe ...

Antonello da Messina Antonello da Messina (; 1425–1430February 1479), properly Antonello di Giovanni di Antonio, but also called Antonello degli Antoni and Anglicized as Anthony of Messina, was an Italian painter from Messina, active during the Italian Early Ren ...

Antoniazzo Romano Antonio di Benedetto Aquilo degli Aquili (c. 1430 – c. 1510), known as Antoniazzo Romano, was an Italian Early Renaissance painter, the leading figure of the Roman school during the latter part of the 15th century. He "made a speciality of ...

Antonio del Pollaiuolo Antonio del Pollaiuolo ( , , ; 17 January 1429/14334 February 1498), also known as Antonio di Jacopo Pollaiuolo or Antonio Pollaiuolo (also spelled Pollaiolo), was an Italian Renaissance painter, sculptor, engraver, and goldsmith, who made ...

Antonio Rossellino Antonio Gamberelli (1427–1479), Janson, H.W. (1995) ''History of Art''. 5th edn. Revised and expanded by Anthony F. Janson. London: Thames & Hudson, p. 465. nicknamed Antonio Rossellino for the colour of his hair, was an Italian Renaissance ...

Benozzo Gozzoli Benozzo Gozzoli (; born Benozzo di Lese; 4 October 1497) was an Italian Renaissance painter from Florence. A pupil of Fra Angelico, Gozzoli is best known for a series of murals in the Magi Chapel of the Palazzo Medici-Riccardi, depicting festi ...

Bertoldo di Giovanni Bertoldo di Giovanni (after 1420, in Poggio a Caiano – 28 December 1491, in Florence) was an Italian Renaissance sculptor and medallist. Most of his sculptures, as opposed to medals, were small bronzes for the Medici, of the sort Giambologna p ...

Carlo Crivelli Carlo Crivelli ( – ) was an Italian Renaissance painter of conservative Late Gothic decorative sensibility, who spent his early years in the Veneto, where he absorbed influences from the Vivarini, Squarcione, and Mantegna. He left the Vene ...

Cosimo Tura Cosimo is the Italian form of the Greek name ''Kosmas'' (latinised as ''Cosmas''). Cosimo may refer to: Characters * Cosimo Piovasco di Rondò, hero of Italo Calvino's 1957 novel ''The Baron in the Trees'' Given name Medici family * Cosimo ...

Desiderio da Settignano Desiderio da Settignano, real name Desiderio de Bartolomeo di Francesco detto Ferro ( 1428 or 1430 – 1464) was an Italian Renaissance sculptor active in north Italy. Biography He came from a family of stone carvers and stonemasons in Settigna ...

Domenico di Bartolo Domenico di Bartolo (birth name Domenico Ghezzi), born in Asciano, Siena, was a Sienese painter of the early Renaissance period. In the ''Lives of the Most Excellent Painters, Sculptors, and Architects'', Giorgio Vasari says that Domenico was ...

Domenico Ghirlandaio Domenico di Tommaso Curradi di Doffo Bigordi (2 June 1448 – 11 January 1494), professionally known as Domenico Ghirlandaio (also spelt as Ghirlandajo), was an Italian Renaissance painter born in Florence. Ghirlandaio was part of the so-c ...

Domenico Veneziano Domenico Veneziano (c. 1410 – May 15, 1461) was an Italian painter of the early Renaissance, active mostly in Perugia and Tuscany. Little is known of his birth, though he is thought to have been born in Venice, hence his last name. He then move ...

Donatello Donato di Niccolò di Betto Bardi ( – 13 December 1466), known mononymously as Donatello (; ), was an Italian Renaissance sculpture, Italian sculptor of the Renaissance period. Born in Republic of Florence, Florence, he studied classical sc ...

* Ercole de' Roberti *

Filippo Brunelleschi Filippo di ser Brunellesco di Lippo Lapi (1377 – 15 April 1446), commonly known as Filippo Brunelleschi ( ; ) and also nicknamed Pippo by Leon Battista Alberti, was an Italian architect, designer, goldsmith and sculptor. He is considered to ...

Filippo Lippi Filippo Lippi ( – 8 October 1469), also known as Lippo Lippi, was an Italian Renaissance painter of the Quattrocento (fifteenth century) and a Carmelite priest. He was an early Renaissance master of a painting workshop, who taught many paint ...

Fra Angelico Fra Angelico, O.P. (; ; born Guido di Pietro; 18 February 1455) was a Dominican friar and Italian Renaissance painter of the Early Renaissance, described by Giorgio Vasari in his ''Lives of the Artists'' as having "a rare and perfect talent" ...

Francesco del Cossa Francesco del Cossa (c. 1430 – c. 1477) was an Italian Renaissance painter of the School of Ferrara (Painting), School of Ferrara, who after 1470 worked in Bologna. Cossa is best known for his frescoes, especially his collaboration with Cosimo ...

Francesco di Giorgio Francesco di Giorgio Martini (1439–1501) was an Italian architect, engineer, painter, sculptor, and writer. As a painter, he belonged to the Sienese School. He was considered a visionary architectural theorist—in Nikolaus Pevsner's terms ...

Francesco Squarcione Francesco Squarcione (''c.'' 1395 – after 1468) was an Italian artist from Padua. His pupils included Andrea Mantegna (with whom he had many legal battles), Cosimo Tura and Carlo Crivelli. There are only two works signed by him: the ''Ma ...

Gentile Bellini Gentile Bellini (c. 1429 – 23 February 1507) was an Italian painter of the Venetian painting, school of Venice. He came from Venice's leading family of painters, and, at least in the early part of his career, was more highly regarded than his y ...

Gentile da Fabriano Gentile da Fabriano ( – 1427) was an Italian painter known for his participation in the International Gothic pictorial style. He worked in various places in central Italy, mostly in Tuscany. His best-known works are his '' Adoration of the ...

Giovanni Bellini Giovanni Bellini (; c. 1430 – 29 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, ...

Giovanni di Paolo Giovanni di Paolo di Grazia (''c.'' 1403–1482) was an Italian painter, working primarily in Siena, becoming a prolific painter and illustrator of manuscripts, including Dante's texts. He was one of the most important painters of the 15th cent ...

Jacopo de' Barbari Jacopo (also Iacopo) is a masculine Italian given name, derivant from Latin ''Iacōbus''. It is an Italian variant of Giacomo ( James in English). * Jacopo Aconcio (), Italian religious reformer * Jacopo Bassano (1592), Italian painter * Iac ...

Jacopo Bellini Jacopo Bellini (c. 1400 – c. 1470) was one of the founders of the Renaissance style of painting in Venice and northern Italy. His sons Gentile and Giovanni Bellini, and his son-in-law Andrea Mantegna, were also famous painters. Few of Bellini' ...

Justus of Ghent Justus van Gent or Joos van Wassenhove () was an Early Netherlandish painter, perhaps from Ghent, who after training and working in Flanders later moved to Italy where he worked for Federico da Montefeltro, duke of Urbino, and was known as Gius ...

Leonardo da Vinci Leonardo di ser Piero da Vinci (15 April 1452 - 2 May 1519) was an Italian polymath of the High Renaissance who was active as a painter, draughtsman, engineer, scientist, theorist, sculptor, and architect. While his fame initially rested o ...

Lorenzo Ghiberti Lorenzo Ghiberti (, , ; 1378 – 1 December 1455), born Lorenzo di Bartolo, was an Italian Renaissance sculptor from Florence, a key figure in the Early Renaissance, best known as the creator of two sets of bronze doors of the Florence Baptister ...

Luca della Robbia Luca della Robbia (, also , ; 1399/1400–1482) was an Italian Renaissance sculptor from Florence. Della Robbia is noted for his colorful, tin-glazed terracotta statuary, a technique that he invented and passed on to his nephew Andrea della R ...

Luca Signorelli Luca Signorelli ( – 16 October 1523) was an Italian Renaissance painter from Cortona, in Tuscany, who was noted in particular for his ability as a draftsman and his use of foreshortening. His massive frescos of the ''Last Judgment'' (1499–15 ...

Luciano Laurana Luciano Laurana (Lutiano Dellaurana, ) (c. 1420 – 1479) was a Dalmatian Italian architect and engineer from the historic Vrana settlement near the town of Zadar in Dalmatia, (today in Croatia, then part of the Republic of Venice) After educatio ...

Stokes, Adrian D. (2002) Quattro cento; and, Stones of Rimini Adrian Durham Stokes, https://books.google.com/books?id=TsIL1ziKIQEC Penn State Press. Original: 1932; footnote on p. 23 *

Masaccio Masaccio (, ; ; December 21, 1401 – summer 1428), born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great List of Italian painters, Italian painter of the Quattrocento period of the Italian Renaiss ...

Masolino Lordship of Perugia , death_date = , death_place = Florence, Republic of Florence , nationality = Italian , field = Painting, fresco , training = , movement = Italian Renaissance , works = frescoes in ...

Melozzo da Forlì Melozzo da Forlì ( – 8 November 1494) was an Italian Renaissance painter and architect. His fresco paintings are notable for the use of foreshortening. He was the most important member of the Forlì painting school. Biography Melozzo was s ...

Michelangelo Michelangelo di Lodovico Buonarroti Simoni (6March 147518February 1564), known mononymously as Michelangelo, was an Italian sculptor, painter, architect, and poet of the High Renaissance. Born in the Republic of Florence, his work was inspir ...

Nanni di Banco Giovanni di Antonio di Banco, called Nanni di Banco ( 1374 – 1421), was an Italian Renaissance sculptor from Florence. He was a contemporary of Donatello – both are first recorded as sculptors in the accounts of the Florence Duomo in 1406, p ...

Paolo Uccello Paolo Uccello ( , ; 1397 – 10 December 1475), born Paolo di Dono, was an Italian Renaissance painter and mathematician from Florence who was notable for his pioneering work on visual Perspective (graphical), perspective in art. In his book ''Liv ...

Pedro Berruguete Pedro Berruguete (c. 1450 – 1504) was a Spanish painter whose art is regarded as a transitional style between Gothic art, Gothic and Renaissance art. Berruguete most famously created paintings of the first few years of the Inquisition and of ...

Piero della Francesca Piero della Francesca ( , ; ; ; – 12 October 1492) was an Italian Renaissance painter, Italian painter, mathematician and List of geometers, geometer of the Early Renaissance, nowadays chiefly appreciated for his art. His painting is charact ...

Pietro Perugino Pietro Perugino ( ; ; born Pietro Vannucci or Pietro Vanucci; – 1523), an Italian Renaissance painter of the Umbrian school, developed some of the qualities that found classic expression in the High Renaissance. Raphael became his most famou ...

Sandro Botticelli Alessandro di Mariano di Vanni Filipepi ( – May 17, 1510), better known as Sandro Botticelli ( ; ) or simply known as Botticelli, was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 1 ...

* Il Sassetta * Troso da Monza * Vecchietta *

Vittore Carpaccio Vittore Carpaccio ( , , ; – ) was an Italian painter of the Venetian School (art), Venetian school who studied under Gentile Bellini. Carpaccio was largely influenced by the style of the early Italian Renaissance painter Antonello da Messina ...

* Vittore Crivelli Also see the list of 27 prominent 15th century painters made contemporaneously by

Giovanni Santi Giovanni Santi ( – 1 August 1494) was an Italian painter and decorator, father of Raphael Sanzio. He was born in 1435 at Colbordolo in the Duchy of Urbino. He studied under Piero della Francesca and was influenced by Fiorenzo di Lorenzo. He was ...

Raphael Sanzio Raffaello Sanzio da Urbino (; March 28 or April 6, 1483April 6, 1520), now generally known in English as Raphael ( , ), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of compos ...

's father as part of a poem for the

Duke of Urbino The Duchy of Urbino () was an independent duchy in early modern central Italy, corresponding to the northern half of the modern region of Marche. It was directly annexed by the Papal States in 1631. It was bordered by the Adriatic Sea in the ea ...

References

External links

{{Italy topics, state=collapsed .04 . Cultural history of Italy Renaissance art . . . . . .

Historical context

Development of Quattrocento styles

List of Italian Quattrocento artists

See also

References

Further reading

External links