Quatre études, Op. 7 (Stravinsky)
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The Quatre études (Four Studies), Op. 7 are a collection of short
étude An étude (; ) or study is an instrumental musical composition, designed to provide practice material for perfecting a particular musical skill. The tradition of writing études emerged in the early 19th century with the rapidly growing popu ...
s for
piano A piano is a keyboard instrument that produces sound when its keys are depressed, activating an Action (music), action mechanism where hammers strike String (music), strings. Modern pianos have a row of 88 black and white keys, tuned to a c ...
by
Igor Stravinsky Igor Fyodorovich Stravinsky ( – 6 April 1971) was a Russian composer and conductor with French citizenship (from 1934) and American citizenship (from 1945). He is widely considered one of the most important and influential 20th-century c ...
. They were composed between June and July 1908 in
Ustilug Ustyluh, also known as Ustilug, is a small city in Volodymyr Raion, Volyn Oblast, Ukraine. It is situated on the east side of the border with Poland, and west of the city of Volodymyr. Population: Igor Stravinsky had an estate in Ustyluh and ...
,
Russian Empire The Russian Empire was an empire that spanned most of northern Eurasia from its establishment in November 1721 until the proclamation of the Russian Republic in September 1917. At its height in the late 19th century, it covered about , roughl ...
. Along with his Piano Sonata in F-sharp minor, the études are one of his major early works for piano.


Structure

The four movements are listed as: These four études are focused on difficult and irregular rhythmical structures for pianists, countering
tuplet In music, a tuplet (also irrational rhythm or groupings, artificial division or groupings, abnormal divisions, irregular rhythm, gruppetto, extra-metric groupings, or, rarely, contrametric rhythm) is "any rhythm that involves dividing the beat ...
s with other rhythmically regular forms or other rhythmical structures that involve certain difficulty for performers. The first étude in
C minor C minor is a minor scale based on C, consisting of the pitches C, D, E, F, G, A, and B. Its key signature consists of three flats. Its relative major is E major and its parallel major is C major. The C natural minor scale is: Cha ...
, dedicated to (Etienne Mitoussow), consists of a regular with triplets against quintuplets or even septuplets at some point. The second étude in
D major D major is a major scale based on D (musical note), D, consisting of the pitches D, E (musical note), E, F♯ (musical note), F, G (musical note), G, A (musical note), A, B (musical note), B, and C♯ (musical note), C. Its key signature has two S ...
, dedicated to Nikolay Richter (Nicolas Richter), is in and opposes sixteenth notes against quadruplets and quintuplets. The third in
E minor E minor is a minor scale based on E, consisting of the pitches E, F, G, A, B, C, and D. Its key signature has one sharp, on the F. Its relative major is G major and its parallel major is E major. The E natural minor scale is: Change ...
, dedicated to Andrey Rimsky-Korsakov, doesn't require much effort or experience in
polyrhythm Polyrhythm () is the simultaneous use of two or more rhythms that are not readily perceived as deriving from one another, or as simple manifestations of the same meter. The rhythmic layers may be the basis of an entire piece of music (cross-rh ...
, while the long
legato In music performance and notation, legato (; Italian for "tied together"; French ''lié''; German ''gebunden'') indicates that musical notes are played or sung smoothly, such that the transition from note to note is made with no intervening si ...
melody is in the middle voice and the accompaniment figures are in the upper registers. The main trait of the fourth étude in
F-sharp major F-sharp major is a major scale based on F, consisting of the pitches F, G, A, B, C, D, and E. Its key signature has six sharps. Its relative minor is D-sharp minor (or enharmonically E-flat minor) and its parallel minor is F-sharp min ...
, which is dedicated to , is its
syncopation In music, syncopation is a variety of rhythms played together to make a piece of music, making part or all of a tune or piece of music off-beat (music), off-beat. More simply, syncopation is "a disturbance or interruption of the regular flow of ...
, present throughout the étude. Although much of this music is still derivative of Chopin,
Scriabin Alexander Nikolayevich Scriabin, scientific transliteration: ''Aleksandr Nikolaevič Skrjabin''; also transliterated variously as Skriabin, Skryabin, and (in French) Scriabine. The composer himselused the French spelling "Scriabine" which was a ...
, and
Rachmaninoff Sergei Vasilyevich Rachmaninoff; in Russian pre-revolutionary script. (28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of ...
, Stravinsky’s own voice asserts itself in the percussive final étude.


References


External links

* {{DEFAULTSORT:Quatre etudes, Op. 7 (Stravinsky) 1908 compositions
Stravinsky Igor Fyodorovich Stravinsky ( – 6 April 1971) was a Russian composer and conductor with French citizenship (from 1934) and American citizenship (from 1945). He is widely considered one of the most important and influential composers of ...
Piano compositions by Igor Stravinsky Compositions in C minor Compositions in D major Compositions in E minor Compositions in F-sharp major