A prologue or prolog (from

Ancient Greek Ancient Greek (, ; ) includes the forms of the Greek language used in ancient Greece and the classical antiquity, ancient world from around 1500 BC to 300 BC. It is often roughly divided into the following periods: Mycenaean Greek (), Greek ...

πρόλογος ''prólogos'', from πρό ''pró'', "before" and λόγος ''lógos'', "speech") is an opening to a story that establishes the context and gives background details, often some earlier story that ties into the main one, and other miscellaneous information. The Ancient Greek word πρόλογος includes the modern meaning of ''prologue'', but was of wider significance, more like the meaning of

preface __NOTOC__ A preface () or proem () is an introduction to a book or other literature, literary work written by the work's author. An introductory essay written by a different person is a ''foreword'' and precedes an author's preface. The preface o ...

. The importance, therefore, of the prologue in

Greek drama A theatrical culture flourished in ancient Greece from 700 BC. At its centre was the city-state of Athens, which became a significant cultural, political, and religious place during this period, and the theatre was institutionalised there as par ...

was very great; it sometimes almost took the place of a romance, to which, or to an episode in which, the play itself succeeded.

Latin

On the Latin stage the prologue was often more elaborate than it was in Athens, and in the careful composition of the poems which

Plautus Titus Maccius Plautus ( ; 254 – 184 BC) was a Roman playwright of the Old Latin period. His comedies are the earliest Latin literary works to have survived in their entirety. He wrote Palliata comoedia, the genre devised by Livius Andro ...

prefixes to his plays we see what importance he gave to this portion of the entertainment; sometimes, as in the preface to the '' Rudens'', Plautus rises to the height of his genius in his adroit and romantic prologues, usually placed in the mouths of persons who make no appearance in the play itself.

Molière Jean-Baptiste Poquelin (; 15 January 1622 (baptised) – 17 February 1673), known by his stage name Molière (, ; ), was a French playwright, actor, and poet, widely regarded as one of the great writers in the French language and world liter ...

revived the Plautian prologue in the introduction to his ''

Amphitryon Amphitryon (; Ancient Greek: Ἀμφιτρύων, ''gen''.: Ἀμφιτρύωνος; usually interpreted as "harassing either side", Latin: Amphitruo), in Greek mythology, was a son of Alcaeus, king of Tiryns in Argolis. His mother was named ...

''. Racine introduced Piety as the speaker of a prologue which opened his choral tragedy of

Esther Esther (; ), originally Hadassah (; ), is the eponymous heroine of the Book of Esther in the Hebrew Bible. According to the biblical narrative, which is set in the Achaemenid Empire, the Persian king Ahasuerus falls in love with Esther and ma ...

. The tradition of the ancients vividly affected our own early dramatists. Not only was the

mystery play Mystery plays and miracle plays (they are distinguished as two different forms although the terms are often used interchangeably) are among the earliest formally developed plays in medieval Europe. Medieval mystery plays focused on the represe ...

s and miracles of the

Middle Ages In the history of Europe, the Middle Ages or medieval period lasted approximately from the 5th to the late 15th centuries, similarly to the post-classical period of global history. It began with the fall of the Western Roman Empire and ...

begun by a

homily A homily (from Greek ὁμιλία, ''homilía'') is a commentary that follows a reading of scripture, giving the "public explanation of a sacred doctrine" or text. The works of Origen and John Chrysostom (known as Paschal Homily) are considered ...

, but when the drama in its modern sense was inaugurated in the reign of Elizabeth, the prologue came with it, directly adapted from the practice of Euripides and

Terence Publius Terentius Afer (; – ), better known in English as Terence (), was a playwright during the Roman Republic. He was the author of six Roman comedy, comedies based on Greek comedy, Greek originals by Menander or Apollodorus of Carystus. A ...

. Sackville, Lord Buckhurst, prepared a sort of prologue in the dumb show for his ''

Gorboduc Gorboduc ('' Welsh:'' Gorwy or Goronwy) was a legendary king of the Britons as recounted by Geoffrey of Monmouth. He was married to Judon. When he became old, his sons, Ferrex and Porrex, feuded over who would take over the kingdom. Porrex tri ...

'' of 1562; and he also wrote a famous Induction, which is, practically, a prologue, to a

miscellany A miscellany (, ) is a collection of various pieces of writing by different authors. Meaning a mixture, medley, or assortment, a miscellany can include pieces on many subjects and in a variety of different forms. In contrast to anthologies, w ...

of short romantic epics by diverse hands.

Elizabethan

Prologues of Renaissance drama often served a specific function of transition and clarification for the audience. A direct address made by one actor, the prologue acted as an appeal to the audience's attention and sympathy, providing historical context, a guide to themes of the play, and occasionally, a disclaimer. In this mode, a prologue, like any scripted performance, would exist as the text, the actor who speaks that text, and the presentation of the language as it is spoken. In ushering the audience from reality into the world of the play, the prologue straddles boundaries between audience, actors, characters, playwrights—basically, it creates a distinction between the imaginary space within the play and the outside world.

Ben Jonson Benjamin Jonson ( 11 June 1572 – ) was an English playwright, poet and actor. Jonson's artistry exerted a lasting influence on English poetry and stage comedy. He popularised the comedy of humours; he is best known for the satire, satirical ...

has often been noted as using the prologue to remind the audience of the complexities between themselves and all aspects of the performance. The actor reciting the prologue would appear dressed in black, a stark contrast to the elaborate costumes used during the play. The prologue removed his hat and wore no makeup. He may have carried a book, scroll, or placard displaying the title of the play. He was introduced by three short trumpet calls, on the third of which he entered and took a position downstage. He made three bows in the current fashion of the court, and then addressed the audience. The Elizabethan prologue was unique in incorporating aspects of both classical and medieval traditions. In the classical tradition, the prologue conformed to one of four subgenres: the ''sustatikos'', which recommends either the play or the poet; the ''epitimetikos'', in which a curse is given against a rival, or thanks given to the audience; ''dramatikos'', in which the plot of the play is explained; and mixtos, which contains all of these things. In the medieval tradition, expressions of morality and modesty are seen, as well as a meta-theatrical self-consciousness, and an unabashed awareness of the financial contract engaged upon by paid actors and playwrights, and a paying audience.

Use in fiction

Prologues have long been used in non-dramatic fiction, since at least the time of

Geoffrey Chaucer Geoffrey Chaucer ( ; – 25 October 1400) was an English poet, author, and civil servant best known for ''The Canterbury Tales''. He has been called the "father of English literature", or, alternatively, the "father of English poetry". He w ...

's ''

Canterbury Tales ''The Canterbury Tales'' () is a collection of 24 stories written in Middle English by Geoffrey Chaucer between 1387 and 1400. The book presents the tales, which are mostly written in verse (poetry), verse, as part of a fictional storytellin ...

'', although Chaucer had prologues to many of the tales, rather than one at the front of the book. '' The Museum of Eterna's Novel'' by the Argentine writer Macedonio Fernandez has over 50 prologues by the author. Their style varies between metaphysical, humoristic, psychological, discussions about the art of the novel, etc.

References

Attribution

External links