Pedro Nolasco Jústiz Rodríguez, better known as Peruchín (January 31, 1913 – December 24, 1977), was a Cuban pianist specializing in

jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, h ...

-influenced Cuban popular music. He was an important figure in the 1950s descarga (jam session) scene in

Havana Havana (; ) is the capital and largest city of Cuba. The heart of La Habana Province, Havana is the country's main port and commercial center.

Biography

Early life and career

Pedro Jústiz was born in Banes, Holguín, on January 31, 1913 into a family of local musicians. Taught by his mother since 1923, he soon learned to play the piano and joined the family band La Rechiva del Son, directed by his uncles. In 1928 he moved to Antilla to study piano and saxophone under the supervision of his grandfather, Emilio Rodríguez. In Santiago, Peruchín had to give up the saxophone due to his asthma, so he concentrated on piano. In the mid-1930s he debuted with Orquesta Chepín-Chovén, where he would alternate on piano with director Bernardo Chovén. In 1940, he joined Los Trovadores del Tono, where he met José "Chombo" Silva and encouraged him to take up the saxophone. Silva would become a successful saxophonist and violinist in the New York salsa scene. Los Trovadores del Tono was directed by drummer Aurelio Miró Jr., who shortly after moved to Havana, as did Peruchín and other members of the band. In Havana, Peruchín worked occasionally with Orquesta Casino de la Playa and Mariano Mercerón's orchestra. In 1942 he joined Los Swing Boys, a big band directed by saxophonist Emilio Peñalver and featuring José "Chombo" Silva. He then became a member of the Conjunto Matamoros, an expanded version of the Trio Matamoros. In 1943 he joined Armando Romeu's Tropicana Club orchestra. He rejected an offer by Mario Bauzá to replace Joe Loco in his band, The Afrocubans, and instead recommended René Hernández.

Panama and back in Cuba

Between 1944 and 1949 he lived in Panama, where he played in Carlos Boza's band, frequently performing in clubs and radio stations. After returning to Havana he joined Julio Gutiérrez's orchestra at the Teatro Campoamor. He then formed a duo with double bassist Alfredo León before joining the popular Orquesta Riverside. He then arranged for singer Olga Guillot and was the pianist in Benny Moré's Banda Gigante during the year 1953. Playing with the Riverside did not prevent him from performing with various ensembles, including descarga sessions with Julio Gutiérrez (

Panart Panart was one of the first and most successful independent record labels in Cuba, founded in 1944 by engineer Ramón Sabat. In 1961, its studios were seized by Fidel Castro's communist regime and the label was nationalized, becoming "Panart Naci ...

's ''Cuban Jam Session''), Chico O'Farrill, Emilio Peñalver, and Antobal's Cuban All-Stars. He also directed his own ensembles into the 1960s, releasing LPs such as ''Piano con moña'' (recorded in March 1958). He eventually left Orquesta Riverside, focusing on his jazz groups. He formed a trio with Alberto Limonta on double bass and Rodolfo Castiñeira on drums and percussion. He occasionally played in the Club Cubano de Jazz with musicians such as bassist Cachao and drummer Walfredo de los Reyes. He also worked with bassist Cachaíto and drummer Tibo Lee.

Later years and death

Peruchín faded from the forefront of the Cuban jazz scene in the second half of the 1960s, giving way to up-and-coming figures such as Chucho Valdés. Since 1972, he sometimes replaced Frank Emilio Flynn in his band Quinteto Instrumental de Música Moderna (also known as Los Amigos), featuring Cachaíto on bass, Guillermo Barreto on drums and Tata Güines on congas. In 1975 he released his last album ''Piano y ritmo''. On December 24, 1977, he died in Havana.

Style

Peruchín's style was characterized by the frequent use of block chords, as heard in "Peruchineando", influencing notable pianists such as Charlie Palmieri, George Shearing,

Eddie Palmieri Eddie Palmieri (born December 15, 1936) is an American Grammy Award-winning pianist, bandleader, musician, and composer of Corsican and Puerto Rican ancestry. He is the founder of the bands La Perfecta, La Perfecta II, and Harlem River Drive. ...

, Papo Lucca, Chucho Valdés and Alfredo "Sabor" Linares. Famed pianist Bebo Valdés was his disciple. Together with

Lilí Martínez Luis Martínez Griñán (19 August 1915 – 26 August 1990), better known as Lilí Martínez, was a Cuban pianist, arranger and composer specializing in the son montuno style. He played in the Conjunto de Arsenio Rodríguez and Conjunto Chappo ...

, Noro Morales and Jesús López, he is responsible for establishing the modern Cuban piano style. His frantic way of concatenating guajeos gave rise to a

neologism In linguistics, a neologism (; also known as a coinage) is any newly formed word, term, or phrase that has achieved popular or institutional recognition and is becoming accepted into mainstream language. Most definitively, a word can be considered ...

: ''peruchinear''. Such style has been said to combine a "percussive" right hand with a "swinging" left hand.

Family

His son, Pedro Andrés Jústiz Márquez, "Peruchín Jr.", is a guitarist (and pianist too) who played with Orquesta Revé and Los Reyes '73, before directing his own band. His grandson, Rodolfo Argudín Jústiz, also known as Peruchín, is a pianist as well, playing timba with NG La Banda.Lam, Rafael (2013).
Peruchín: el piano de la timba cubana
.

Discography

Albums

*1954: ''His Piano and Rhythm Accompaniment'' (Puchito) *1960: ''Piano con moña'' (Gema; re-released as ''The Incendiary Piano of Peruchín'') *1960: ''Can can cha'' (Velvet; re-released as ''Descargas con el ritmo de Cachao'') *1964: ''Pianoforte'' (EGREM) – split with Adolfo Guzmán and Frank Emilio Flynn *1966: ''Guantanamera'' (Areito) *1975: ''Piano y ritmo'' (Areito; re-released as ''¡La descarga!'')

Compilations

*2005: ''El Marqués del Marfil: Grabaciones indispensables 1954–1965'' (Tumbao Cuban Classics)

Appearances

With Julio Gutiérrez *''Cuban Jam Session, Vol. 1'' (Panart, 1956) *''Cuban Jam Session, Vol. 2'' (Panart, 1957) With Chico O'Farrill's All Star Cuban Band / All-Stars Cubano *''Chico's Cha Cha Cha'' (Panart, 1957) *"Descarga número uno / Descarga número dos" (Gema, 1957) *''Los mejores músicos de Cuba'' (Gema, 1959)

References

External links

Peruchín
''Rate Your Music''.
Peruchín
''Discogs''. {{DEFAULTSORT:Peruchin 1913 births 1977 deaths People from Banes, Cuba Cha-cha-cha musicians Cuban jazz composers Cuban jazz bandleaders Cuban jazz pianists Afro-Cuban jazz pianists 20th-century pianists Orquesta Riverside members 20th-century jazz composers Son cubano musicians