Plot
Mr. Graham, a deputy under manager in a bank in the West End of London, is dissatisfied with his boring life. He meets Lady Britt Dorset, a spendthrift aristocrat and recruits her and her husband, Lord Nicholas Dorset, to help him carry out his plan to steal £300,000 from the bank. Graham also starts an affair with Lady Dorset. The plan is to be enacted on a day that the manager absents himself to indulge his passion for golf. With Graham's assistance, Lord Dorset is to pose as a bank inspector there to check the bank's emergency cash reserve, and will substitute counterfeit money for the real money which he will place in Britt's deposit box which she has there as a customer; she will collect the money shortly afterwards, and then they will all take a flight to Switzerland. Lady Dorset agrees with Graham that they will take a different flight and leave Lord Dorset with nothing, but she also agrees a similar plot with Dorset to cut out Graham. At the first opportunity, the scheme has to be abandoned when a real bank inspector arrives. When they are able to carry it out, all goes to plan, but Lady Dorset absconds alone with the cash. Graham and Lord Dorset realize that she has double-crossed both of them. They decide to carry out the same plan to rob the bank again the following year.Cast
Production
Dimitri de Grunwald had set up a new production and distribution consortium, the International Film Consortium, a co-op of independent film distributors throughout the world. They raised finance for a series of films produced by London Screenplays Ltd – '' The McMasters'' (1970), ''Perfect Friday'', '' The Virgin and the Gypsy'' (1970), '' The Last Grenade'' (1970), and '' Connecting Rooms'' (1970). De Grunwald described ''Perfect Fridays commercial prospects as "safe-ish". The film was produced by Stanley Baker who later said of it: "I think he eter Hallwill produce film work as interesting as what he's done on the stage. ...What I like about ''Perfect Friday'' is that everybody lies to each other and everybody believes each other's lies. I don't know if the audience realises it, but every time the characters speak to each other, they're lying." Peter Hall said the sex scenes "were meant to make fun of all those sex films that steam up the West End."Release
The film opened at the Odeon Leicester Square in London on 23 December 1970.Critical reception
'' Kine Weekly'' wrote that film "is a cynical puzzle loaded with suspense and topped up with brittle sophisticated humour." '' The Monthly Film Bulletin'' wrote: "Difficult to imagine what attracted Peter Hall to this routine piece of nonsense. ...As in most films centring on a robbery, the ingenuity of the theft itself is the focus of interest, and in this case the preliminaries—which occupy the first half of the film-are fairly tedious in spite of a witty line or two smartly delivered by David Warner. The tension of the actual robbery is reasonably well maintained, but even this fails to interest as much as it should simply because neither director nor players have engaged audience sympathy. This sort of amoral junketing needs immense verve and charm if it is to succeed, but though Peter Hall keeps up a good pace and is helped by a jolly Dankworth score, he lacks the necessary lightness of touch. And his actors, competent though they are, are as charmless a trio as ever robbed a bank." Writing in the ''References
External links
* * {{Peter Hall 1970 films 1970 comedy films 1970 crime films 1970s British films 1970s crime comedy films 1970s English-language films 1970s heist films British crime comedy films British heist films English-language crime comedy films Films about bank robbery Films based on television plays Films directed by Peter Hall Films scored by John Dankworth Films set in London Films shot at Pinewood Studios