Artistic expression
A starting point in much of Sundberg’s artwork is nature. Animals and plants are present in often unexpected juxtapositions; sometimes humorously created, sometimes more thoughtfully. In his glasswork, Sundberg often uses inset images in the form of decals from the old Gustavsberg porcelain factory and with properties to withstand high temperatures. The inset images contrast with one another, creating tension in the work. Sundberg also uses decals in his ceramic art, as well as ceramic figurines from flea markets. Unexpected encounters between sculpted nature and combinations of figurines take place. In some works, both in glass and ceramics, Sundberg discusses the concept of function. Is a special function associated with a particular shape? is one of the questions he investigates. Common to Sundberg’s oeuvre is the sculptural expression, which from around 2011 has become even more articulated.Education
Per B. Sundberg grew up in Huddinge, south of Stockholm, where he early showed interest in creative expression, including in textile. Sundberg applied and was accepted to the pottery division at Capellagården in Vickleby 1983-85. In the years 1985-1992 he studied glass and ceramics at Konstfack in Stockholm, with a break in 1988 to study at the Pilchuck Glass School in Seattle.Work
After completing his studies Per B. Sundberg established himself as glass and ceramic artist. He creates mostly unique art objects or public art, since 2005 full-time in his own studio in Gustavsberg. After training at Konstfack, he and some fellow students established a glass studio on the islets Fjäderholmarna, at the inlet to Stockholm. Here Sundberg blew glass, inter alia together with his colleagues Gunilla Kihlgren and Mårten Medbo. During the years 1994-2005, Per B. Sundberg was an employee at Orrefors glassworks. His glass art also attracted international attention and purchases, including by theSelected exhibitions
(Regarding Exhibitions please see Danius, Sara (2006), p. 95, http://www.galerienec.com/assets/Uploads/PerBSundbergCV.pdf and Peres, Maria (2011), p. 23) * 1988 Gallery De 20, Växjö * 1996 Orrefors Museum, Orrefors * 1997 Olle Olsson Hagalund Museum, Solna * 2000 Gallery Kamras, Borgholm * 2000 Stockholm New, New York * 2003 Gallery Orrefors Kosta Boda, Stockholm * 2004 “Beauty and the Beast”, Craft Council, London * 2004 VIDA art gallery, Öland * 2004 “Greatest Hits 1983-2004”, Röhsska Museum, Gothenburg * 2005 “Concept Design”, Nationalmuseum, Stockholm * 2006-2011 Voices, Swedish Institute touring exhibition, Germany, France, Belgium and the US * 2009 Hands on, Dunkers kulturhus, Helsingborg * 2009 State of Things, Kulturhuset, Stockholm * 2011 Per B. Sundberg, Gustavsberg Art Gallery, Gustavsberg * 2012 Per B. Sundberg, Bomuldsfabriken Kunsthall, Arendal, Norway * 2012 La galerie NeC nilsson et chiglien, ParisPublic works
(Regarding Public works please see Danius, Sara (2006), p. 95, http://www.galerienec.com/assets/Uploads/PerBSundbergCV.pdf and Peres, Maria (2011), p. 23) * 2003 Neon chandeliers, Family housing, Hammarby Sjöstad, Stockholm * 2005 Altarpiece and chandeliers, Church of Light, Hallunda, Stockholm * 2006 “Something that did not turn out but someone moved in”, BUP South General Hospital, Stockholm. Collaboration with artist Cecilia Elde (b. 1964) * 2006 New coat of arms for the Swedish Riksdag (Parliament), Riksdag Chamber, Stockholm. Cooperation with Ingegerd Råman (b. 1943) * 2006 Light installation, Akershus University Hospital, Lilleström, Norway. * 2009 “Painting and ceramic sculpture in communication”, Tussmötegården, Stureby, Stockholm. Collaboration with artist Cecilia Elde * 2010 "Crystal Tree”, Elinebo, Helsingborg * Represented inter alia atSources and literature
* Britton, Claes (2002). Pelle is different. Stockholm new (Stockholm). 2002 (12), pp. 66–68 * Danius, Sara (2006). Voices: contemporary ceramic art from Sweden: Frida Fjellman, Renata Francescon, Eva Hild, Pontus Lindvall, Mårten Medbo, Annasofia Mååg, Gustaf Nordenskiöld, Kjell Rylander, Per B Sundberg, Kennet Williamson. Stockholm: Carlsson * Helgeson, Susanne (2003). Tunggung: Glass that rocks. Form (Stockholm). 2003 (99: 6), pp. 32–41 * Littman, Brett (2000). Swedish peep show. Glass: The Urban Art Glass Quarterly (New York, N.Y.). 2000 (80), pp. 44–51 * Madestrand, Bo (2004). Rebel at Orrefors. Dagens Nyheter (Stockholm). 2004-09-24 * Nanfeldt, Michael (2004). Per B. Sundberg Greatest Hits 1983-2004: an exhibition in collaboration with Orrefors. Gothenburg: Röhsska Museum * Orrefors (2000). Orrefors Stockholm New York: er B. Sundberg, Ingegerd Råman xhibition Altman Building, New York, 9–12 May 2000 Stockholm * Peres, Maria (2011). Per B. Sundberg. Gustavsberg: Gustavsberg Art Gallery * Weibull, Nina (1996). Glaset dansar: Glass dancing. Form (Stockholm). 1996 (92: 6), pp. 26–33External links
* http://www.dn.se/kultur-noje/rebell-pa-orrefors (Swedish Newspaper Dagens Nyheter) Accessed 2015-01-06 * https://www.wsj.com/articles/SB123690376734313981 (The Wall Street Journal) Accessed 2015-01-06 * https://archive.today/20130418121624/http://hd.se/helsingborg/2010/09/06/en-konstfull-skapelse/ (Helsingborgs Dagblad, Swedish Newspaper) Accessed 2015-01-06 * http://www.konstnarsnamnden.se/default.aspx?id=17364 (Swedish Visual Arts Fund Scholarship). Accessed 2015-01-03 * http://www.designweek.co.uk/news/worlds-apart/1126024.article Accessed 2015-01-06 * http://www.galerienec.com/assets/Uploads/PerBSundbergCV.pdf Accessed 2015-01-11References
{{DEFAULTSORT:Sundberg, Per B. Swedish ceramists Swedish artists 1964 births Living people