Early life and career
Muñoz Seca was born into a large family in El Puerto de Santa María, Cadiz, Spain, on 20 February 1879. (Because Muñoz Seca loved palindromic numbers, however, he often claimed that he was born in 1881. He also claimed to have been born at 10:15 pm, "the normal time for shows to start".) Muñoz Seca attended primary school at the Jesuit school of San Luis Gonzaga in El Puerto de Santa María. He then moved to Seville to study philosophy and law; he graduated in 1901. While Muñoz Seca was still a student, his first plays premiered in El Puerto de Santa María (''República estudiantil'', ''Un Perfecto de pasivas'', and ''El señor de Pilili'') and in Seville (''Las Guerreras''). After his graduation, Muñoz Seca moved to Madrid.. There, he taught Latin, Greek, and Hebrew and later would work as a lawyer.. He often attended literary society meetings, and there met Sebastian Alonso. The two collaborated on the play ''El Contrabando'', which premiered in 1904. Muñoz Seca entered public service in 1908, taking a post in the Ministry of Public Works and Transport.. Soon thereafter, he married María Asunción Ariza Díez de Bulnes; they would have nine children.Career as playwright and death
His work often employed "slang, puns, plays on words, caricature, parody, and dramatic tricks". He was the inventor of a new genre of comic theatre, the astracanada, the most celebrated example of which is ''La venganza de Don Mendo'', a satire of the romances popular in Spain at the turn of the century. Muñoz Seca's popularity grew after the premiere of ''La venganza de Don Mendo''. Many of his later plays were very successful, including ''La pluma verde'' (1922), ''Los chatos'' (1924), ''La tela'' (1925), and ''Los extremeños se tocan'' (1927) (all written in collaboration with Pedro Pérez Fernández, but who contributed little to the works). These works shifted away fromLegacy
The Pedro Muñoz Seca Municipal Theater in El Puerto de Santa María and the Muñoz Seca Theater in Madrid are named in Muñoz Seca's honor. In 1995, the Pedro Muñoz Seca Foundation (''Fundación Pedro Muñoz Seca'') was established; it is sponsored by descendants of the author and by the government of El Puerto de Santa Maria. The foundation maintains a small museum devoted to the author in his former family home in El Puerto de Santa Maria. Muñoz Seca is the grandfather of Spanish writer and journalist Alfonso Ussía.Dramatic works
* ''República estudiantil'' * ''El espanto de Toledo'' * ''La novela de Rosario'' * ''Las inyecciones'' * ''¡Usted es Ortiz!'' * ''Calamar'' * ''El alfiler'' * ''¡Pégame, Luciano!'' * ''Satanelo'' * ''¡Un! ¡Dos! ¡Tres!... ¡La niña para usted!'' * ''¡Todo para ti!'' * ''El drama de Adán'' * ''Una que no sirve'' * ''Equilibrios'' * ''¡Te quiero, Pepe!'' * ''Bronca en el ocho'' * ''El refugio'' * ''Los quince millones'' * ''La Eme'' * ''El gran ciudadano'' * ''El rey negro'' * ''¡¡Cataplum!!'' * ''¡Sola!'' * ''Las cuatro paredes'' * '' El verdugo de Sevilla'' * '' La venganza de Don Mendo'' * ''Los extremeños se tocan'' * ''La Oca'' * '' Anacleto se divorcia'' * ''El último pecado'' * ''La razón de la locura'' * ''¡Por peteneras!'' * ''La canción húngara'' * ''Coba Fina'' * ''Las cosas de la vida'' * ''El medio ambiente'' * ''La Nicotina'' * ''Trampa y cartón'' * ''El milagro del santo'' * ''López de Coria'' * ''El incendio de Roma'' * ''Cachivache'' * ''Naide es ná'' * ''La perla ambarina'' * ''Lolita Tenorio'' * ''El marido de la Engracia'' * ''Albi-Melén'' * ''El voto de Santiago'' * ''El teniente alcalde de Zalamea'' * ''De rodillas a tus pies'' * ''La fórmula 3k3'' * ''Los rifeños'' * ''Un drama de Calderón'' * ''Trianerías'' * ''Las verónicas'' * ''La Tiziana'' * ''El mal rato'' * ''Los amigos del alma'' * ''Pepe Conde o el mentir de las estrellas'' * ''Martinglas'' * ''El clima de Pamplona'' * ''San Pérez'' * ''El parque de Sevilla'' * ''La hora del reparto'' * ''Tirios y troyanos'' * ''El número 15'' * ''De lo vivo a lo pintado'' * ''¡Plancha!'' * ''El Goya'' * ''La pluma verde'' * ''El rey nuevo'' * ''La mujer de nieve'' * ''Los chatos'' * ''Bartolo tiene una flauta'' * ''La tela'' * ''Los campanilleros'' * ''El sonámbulo'' * ''La cabalgata de los Reyes'' * ''María Fernández'' * ''Seguidilla gitana'' * ''El voto'' * ''La caraba'' * ''La mala uva'' * ''La Lola'' * ''El rajáh de Cochin'' * ''Ali-Gui'' * ''¡Un millón!'' * ''El sofá, la radio, el peque y la hija de Palomeque'' * ''¿Qué tienes en la mirada?'' * ''Los ilustres gañanes'' * ''El cuatrigémino'' * ''La perulera'' * ''Una mujer decidida'' * ''El alma de corcho'' * ''Mi padre'' * ''El corzo'' * ''¡No hay no!'' * ''Jabalí'' * ''Trastos viejos'' * ''La voz de su amo'' * ''El Ex...'' * ''Mi chica'' * ''El escándalo'' * ''¡Soy un sinvergüenza!'' * ''Papeles'' * ''Marcelino fue por vino'' * ''La plasmatoria'' * ''Zape'' * ''Las guerreras'' * ''El contrabando'' * ''De balcón en balcón'' * ''Las tres cosas de Jérez'' * ''El lagar'' * ''El jilguerillo de los parrales'' * ''La neurastenia de Satanás'' * ''La cucaña de Solarillo'' * ''Fúcar XXI'' * ''Pastor y Borrego'' * ''La niña de las planchas'' * ''La frescura de Lafuente'' * ''La casa de los crímenes'' * ''La Remolino'' * ''El castillo de los ultrajes'' * ''La escala de Milán'' * ''La conferencia de Algeciras'' * ''El último Bravo'' * ''Los cuatro Robinsones'' * ''La mujer'' * ''El rayo'' * ''Poca cosa es un hombre'' * ''La cura'' * ''El clamor'' * ''La Academia'' * ''La tonta del rizo'' * ''Las cuatro paredes'' (posthumous, premiered in 1940)Footnotes
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