Pedro de Escobar (c. 1465 – after 1535), a.k.a. ''Pedro do Porto'', was a Portuguese composer of the

Renaissance The Renaissance ( , ) is a Periodization, period of history and a European cultural movement covering the 15th and 16th centuries. It marked the transition from the Middle Ages to modernity and was characterized by an effort to revive and sur ...

, mostly active in

Spain Spain, or the Kingdom of Spain, is a country in Southern Europe, Southern and Western Europe with territories in North Africa. Featuring the Punta de Tarifa, southernmost point of continental Europe, it is the largest country in Southern Eur ...

. He was one of the earliest and most skilled composers of

polyphony Polyphony ( ) is a type of musical texture consisting of two or more simultaneous lines of independent melody, as opposed to a musical texture with just one voice ( monophony) or a texture with one dominant melodic voice accompanied by chord ...

in the

Iberian Peninsula The Iberian Peninsula ( ), also known as Iberia, is a peninsula in south-western Europe. Mostly separated from the rest of the European landmass by the Pyrenees, it includes the territories of peninsular Spain and Continental Portugal, comprisin ...

, whose music has survived.

Life

He was born at

Porto Porto (), also known in English language, English as Oporto, is the List of cities in Portugal, second largest city in Portugal, after Lisbon. It is the capital of the Porto District and one of the Iberian Peninsula's major urban areas. Porto c ...

Kingdom of Portugal The Kingdom of Portugal was a Portuguese monarchy, monarchy in the western Iberian Peninsula and the predecessor of the modern Portuguese Republic. Existing to various extents between 1139 and 1910, it was also known as the Kingdom of Portugal a ...

, but nothing is known of his life until he entered the service of

Isabella I of Castile Isabella I (; 22 April 1451 – 26 November 1504), also called Isabella the Catholic (Spanish: ''Isabel la Católica''), was Queen of Castile and List of Leonese monarchs, León from 1474 until her death in 1504. She was also Queen of Aragon ...

in 1489. His surname is of Castilian origin, and maybe he was born to Castilian immigrants, or descendants, established in

. But Castilians regarded him as Portuguese. He was a singer in the Catholic Queen's chapel for ten years, and clearly was working as a composer as well; in addition he was the only member of her chapel described in court records as Portuguese. In 1499 he returned to his native Portugal, but in 1507 received an offer of employment, which he accepted, as the ''maestro de capilla'' (chapel master in the Castilian language) at the cathedral in

Seville Seville ( ; , ) is the capital and largest city of the Spain, Spanish autonomous communities of Spain, autonomous community of Andalusia and the province of Seville. It is situated on the lower reaches of the Guadalquivir, River Guadalquivir, ...

. While there he had charge of the choirboys, having to take care of their room and board in addition to having to teach them to sing; he complained of low pay, and eventually resigned. In 1521 he was working in Portugal, as '' mestre de capela'' (chapel master in Portuguese) for prince Dom Afonso, Cardinal-Infante of Portugal, son of

Manuel I of Portugal Manuel I (; 31 May 146913 December 1521), known as the Fortunate (), was King of Portugal from 1495 to 1521. A member of the House of Aviz, Manuel was Duke of Beja and Viseu prior to succeeding his cousin, John II of Portugal, as monarch. Manu ...

. His career seems to have ended badly, however, for the final record of his life there is a mention in a document of 1535 that he was an alcoholic and living in squalor. He died in

Évora Évora ( , ), officially the Very Noble and Ever Loyal City of Évora (), is a city and a municipalities of Portugal, municipality in Portugal. It has 53,591 inhabitants (2021), in an area of . It is the historic capital of the Alentejo reg ...

Music and influence

Two complete masses of Escobar have survived, including a Requiem setting (''Missa pro defunctis''), the earliest by a composer from the

. His known work also includes a setting of the

Magnificat The Magnificat (Latin for "y soulmagnifies he Lord) is a canticle, also known as the Song of Mary or Canticle of Mary, and in the Byzantine Rite as the Ode of the Theotokos (). Its Western name derives from the incipit of its Latin text. This ...

, 7

motet In Western classical music, a motet is mainly a vocal musical composition, of highly diverse form and style, from high medieval music to the present. The motet was one of the preeminent polyphonic forms of Renaissance music. According to the Eng ...

s (including one '' Stabat Mater''), 4 antiphons, 8

hymn A hymn is a type of song, and partially synonymous with devotional song, specifically written for the purpose of adoration or prayer, and typically addressed to a deity or deities, or to a prominent figure or personification. The word ''hymn'' d ...

s, and 18

villancico The ''villancico'' ( Spanish, ) or vilancete ( Portuguese, ) was a common poetic and musical form of the Iberian Peninsula and Latin America popular from the late 15th to 18th centuries. Important composers of villancicos were Juan del Encina, P ...

s, but it is highly probable that his authorship is hidden among the many anonymous works of the Portuguese and Spanish renaissance manuscripts. His music was popular, as attested by the appearance of copies in far-off places; for example native scribes copied two of his manuscripts in

Guatemala Guatemala, officially the Republic of Guatemala, is a country in Central America. It is bordered to the north and west by Mexico, to the northeast by Belize, to the east by Honduras, and to the southeast by El Salvador. It is hydrologically b ...

. His motet ''Clamabat autem mulier Cananea'' was particularly praised by his contemporaries, and served as the source for instrumental pieces by later composers, namely Alonso Mudarra.

Notes

References and further reading

* * *

External links

* {{DEFAULTSORT:Escobar, Pedro de Portuguese classical composers Portuguese male classical composers Renaissance composers Musicians from Porto 1460s births 16th-century deaths Year of birth uncertain Year of death unknown 15th-century Portuguese people 16th-century Portuguese composers